night was very dark. For the first time in many months the East Coast slept unseen by the stars under a veil of motionless cloud that, driven before the first breath of the rainy monsoon, had drifted slowly from the eastward all the afternoon; pursuing the declining sun with its masses of black and grey that seemed to chase the light with wicked intent, and with an ominous and gloomy steadiness, as though conscious of the message of violence and turmoil they carried. At the sun's disappearance below the western horizon, the immense cloud, in quickened motion, grappled with the glow of retreating light, and rolling down to the clear and jagged outline of the distant mountains, hung arrested above the steaming forests; hanging low, silent and menacing over the unstirring tree-tops; withholding the blessing of rain, nursing the wrath of its thunder; undecided—as if brooding over its own power for good or for evil.
Babalatchi, coming out of the red and smoky light of his little bamboo house, glanced upwards, drew in a long breath of the warm and stagnant air, and stood for a moment with his good eye closed tightly, as if intimidated by the unwonted and deep silence of Lakamba's courtyard. When he opened his eye he had recovered his sight so far, that he could distinguish the various degrees of formless blackness which marked the places of trees, of abandoned houses, of riverside bushes, on the dark background of the night.
The careworn sage walked cautiously down the deserted courtyard to the waterside, and stood on the bank listening to the voice of the invisible river that flowed at his feet; listening to the soft whispers, to the deep murmurs, to the sudden gurgles and the short hisses of the swift current racing along the bank through the hot darkness.
He stood with his face turned to the river, and it seemed to him that he could breathe easier with the knowledge of the clear vast space before him; then, after a while he leaned heavily forward on his staff, his chin fell on his breast, and a deep sigh was his answer to the selfish discourse of the river that hurried on unceasing and fast, regardless of joy or sorrow, of suffering and of strife, of failures and triumphs that lived on its banks. The brown water was there, ready to carry friends or enemies, to nurse love or hate on its submissive and heartless bosom, to help or to hinder, to save life or give death; the great and rapid river: a deliverance, a prison, a refuge or a grave.
Perchance such thoughts as these caused Babalatchi to send another mournful sigh into the trailing mists of the unconcerned Pantai. The barbarous politician had forgotten the recent success of his plottings in the melancholy contemplation of a sorrow that made the night blacker, the clammy heat more oppressive, the still air more heavy, the dumb solitude more significant of torment than of peace. He had spent the night before by the side of the dying Omar, and now, after twenty-four hours, his memory persisted in returning to that low and sombre reed hut from which the fierce spirit of the incomparably accomplished pirate took its flight, to learn too late, in a worse world, the error of its earthly ways. The mind of the savage statesman, chastened by bereavement, felt for a moment the weight of his loneliness with keen perception worthy even of a sensibility exasperated by all the refinements of tender sentiment that a glorious civilization brings in its train, among other blessings and virtues, into this excellent world. For the space of about thirty seconds, a half-naked, betel-chewing pessimist stood upon the bank of the tropical river, on the edge of the still and immense forests; a man angry, powerless, empty-handed, with a cry of bitter discontent ready on his lips; a cry that, had it come out, would have rung through the virgin solitudes of the woods, as true, as great, as profound, as any philosophical shriek that ever came from the depths of an easy-chair to disturb the impure wilderness of chimneys and roofs.
For half a minute and no more did Babalatchi face the gods in the sublime privilege of his revolt, and then the one-eyed puller of wires became himself again, full of care and wisdom and far-reaching plans, and a victim to the tormenting superstitions of his race. The night, no matter how quiet, is never perfectly silent to attentive ears, and now Babalatchi fancied he could detect in it other noises than those caused by the ripples and eddies of the river. He turned his head sharply to the right and to the left in succession, and then spun round quickly in a startled and watchful manner, as if he had expected to see the blind ghost of his departed leader wandering in the obscurity of the empty courtyard behind his back. Nothing there. Yet he had heard a noise; a strange noise! No doubt a ghostly voice of a complaining and angry spirit. He listened. Not a sound. Reassured, Babalatchi made a few paces towards his house, when a very human noise, that of hoarse coughing, reached him from the river. He stopped, listened attentively, but now without any sign of emotion, and moving briskly back to the waterside stood expectant with parted lips, trying to pierce with his eye the wavering curtain of mist that hung low over the water. He could see nothing, yet some people in a canoe must have been very near, for he heard words spoken in an ordinary tone.
"Do you think this is the place, Ali? I can see nothing."
"It must be near here, Tuan," answered another voice. "Shall we try the bank?"
"No! . . . Let drift a little. If you go poking into the bank in the dark you might stove the canoe on some log. We must be careful. . . . Let drift! Let drift! . . . This does seem to be a clearing of some sort. We may see a light by and by from some house or other. In Lakamba's campong there are many houses? Hey?"
"A great number, Tuan . . . I do not see any light."
"Nor I," grumbled the first voice again, this time nearly abreast of the silent Babalatchi who looked uneasily towards his own house, the doorway of which glowed with the dim light of a torch burning within. The house stood end on to the river, and its doorway faced down-stream, so Babalatchi reasoned rapidly that the strangers on the river could not see the light from the position their boat was in at the moment. He could not make up his mind to call out to them, and while he hesitated he heard the voices again, but now some way below the landing-place where he stood.
"Nothing. This cannot be it. Let them give way, Ali! Dayong there!"
That order was followed by the splash of paddles, then a sudden cry—
"I see a light. I see it! Now I know where to land, Tuan."
There was more splashing as the canoe was paddled sharply round and came back up-stream close to the bank.
"Call out," said very near a deep voice, which Babalatchi felt sure must belong to a white man. "Call out—and somebody may come with a torch. I can't see anything."
The loud hail that succeeded these words was emitted nearly under the silent listener's nose. Babalatchi, to preserve appearances, ran with long but noiseless strides halfway up the courtyard, and only then shouted in answer and kept on shouting as he walked slowly back again towards the river bank. He saw there an indistinct shape of a boat, not quite alongside the landing-place.
"Who speaks on the river?" asked Babalatchi, throwing a tone of surprise into his question.
"A white man," answered Lingard from the canoe. "Is there not one torch in rich Lakamba's campong to light a guest on his landing?"
"There are no torches and no men. I am alone here," said Babalatchi, with some hesitation.
"Alone!" exclaimed Lingard. "Who are you?"
"Only a servant of Lakamba. But land, Tuan Putih, and see my face. Here is my hand. No! Here! . . . By your mercy. . . . Ada! . . . Now you are safe."
"And you are alone here?" said Lingard, moving with precaution a few steps into the courtyard. "How dark it is," he muttered to himself—"one would think the world had been painted black."
"Yes. Alone. What more did you say, Tuan? I did not understand your talk."
"It is nothing. I expected to find here . . . But where are they all?"
"What
