THE COMPLETE NOVELS OF JOSEPH CONRAD (All 20 Novels in One Edition). Джозеф Конрад

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THE COMPLETE NOVELS OF JOSEPH CONRAD (All 20 Novels in One Edition) - Джозеф Конрад

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yet he was far from her. Further every day. Every day he seemed more distant, and she followed him patiently, hopefully, blindly, but steadily, through all the devious wanderings of his mind. She followed as well as she could. Yet at times—very often lately—she had felt lost like one strayed in the thickets of tangled undergrowth of a great forest. To her the ex-clerk of old Hudig appeared as remote, as brilliant, as terrible, as necessary, as the sun that gives life to these lands: the sun of unclouded skies that dazzles and withers; the sun beneficent and wicked—the giver of light, perfume, and pestilence. She had watched him—watched him close; fascinated by love, fascinated by danger. He was alone now—but for her; and she saw—she thought she saw—that he was like a man afraid of something. Was it possible? He afraid? Of what? Was it of that old white man who was coming—who had come? Possibly. She had heard of that man ever since she could remember. The bravest were afraid of him! And now what was in the mind of this old, old man who looked so strong? What was he going to do with the light of her life? Put it out? Take it away? Take it away for ever!—for ever!—and leave her in darkness:—not in the stirring, whispering, expectant night in which the hushed world awaits the return of sunshine; but in the night without end, the night of the grave, where nothing breathes, nothing moves, nothing thinks—the last darkness of cold and silence without hope of another sunrise.

      She cried—"Your purpose! You know nothing. I must . . ."

      He interrupted—unreasonably excited, as if she had, by her look, inoculated him with some of her own distress.

      "I know enough."

      She approached, and stood facing him at arm's length, with both her hands on his shoulders; and he, surprised by that audacity, closed and opened his eyes two or three times, aware of some emotion arising within him, from her words, her tone, her contact; an emotion unknown, singular, penetrating and sad—at the close sight of that strange woman, of that being savage and tender, strong and delicate, fearful and resolute, that had got entangled so fatally between their two lives—his own and that other white man's, the abominable scoundrel.

      "How can you know?" she went on, in a persuasive tone that seemed to flow out of her very heart—"how can you know? I live with him all the days. All the nights. I look at him; I see his every breath, every glance of his eye, every movement of his lips. I see nothing else! What else is there? And even I do not understand. I do not understand him!—Him!—My life! Him who to me is so great that his presence hides the earth and the water from my sight!"

      Lingard stood straight, with his hands deep in the pockets of his jacket. His eyes winked quickly, because she spoke very close to his face. She disturbed him and he had a sense of the efforts he was making to get hold of her meaning, while all the time he could not help telling himself that all this was of no use.

      She added after a pause—"There has been a time when I could understand him. When I knew what was in his mind better than he knew it himself. When I felt him. When I held him. . . . And now he has escaped."

      "Escaped? What? Gone away!" shouted Lingard.

      "Escaped from me," she said; "left me alone. Alone. And I am ever near him. Yet alone."

      Her hands slipped slowly off Lingard's shoulders and her arms fell by her side, listless, discouraged, as if to her—to her, the savage, violent, and ignorant creature—had been revealed clearly in that moment the tremendous fact of our isolation, of the loneliness impenetrable and transparent, elusive and everlasting; of the indestructible loneliness that surrounds, envelopes, clothes every human soul from the cradle to the grave, and, perhaps, beyond.

      "Aye! Very well! I understand. His face is turned away from you," said Lingard. "Now, what do you want?"

      "I want . . . I have looked—for help . . . everywhere . . . against men. . . . All men . . . I do not know. First they came, the invisible whites, and dealt death from afar . . . then he came. He came to me who was alone and sad. He came; angry with his brothers; great amongst his own people; angry with those I have not seen: with the people where men have no mercy and women have no shame. He was of them, and great amongst them. For he was great?"

      Lingard shook his head slightly. She frowned at him, and went on in disordered haste—

      "Listen. I saw him. I have lived by the side of brave men . . . of chiefs. When he came I was the daughter of a beggar—of a blind man without strength and hope. He spoke to me as if I had been brighter than the sunshine—more delightful than the cool water of the brook by which we met—more . . ." Her anxious eyes saw some shade of expression pass on her listener's face that made her hold her breath for a second, and then explode into pained fury so violent that it drove Lingard back a pace, like an unexpected blast of wind. He lifted both his hands, incongruously paternal in his venerable aspect, bewildered and soothing, while she stretched her neck forward and shouted at him.

      "I tell you I was all that to him. I know it! I saw it! . . . There are times when even you white men speak the truth. I saw his eyes. I felt his eyes, I tell you! I saw him tremble when I came near—when I spoke—when I touched him. Look at me! You have been young. Look at me. Look, Rajah Laut!"

      She stared at Lingard with provoking fixity, then, turning her head quickly, she sent over her shoulder a glance, full of humble fear, at the house that stood high behind her back—dark, closed, rickety and silent on its crooked posts.

      Lingard's eyes followed her look, and remained gazing expectantly at the house. After a minute or so he muttered, glancing at her suspiciously—

      "If he has not heard your voice now, then he must be far away—or dead."

      "He is there," she whispered, a little calmed but still anxious—"he is there. For three days he waited. Waited for you night and day. And I waited with him. I waited, watching his face, his eyes, his lips; listening to his words.—To the words I could not understand.—To the words he spoke in daylight; to the words he spoke at night in his short sleep. I listened. He spoke to himself walking up and down here—by the river; by the bushes. And I followed. I wanted to know—and I could not! He was tormented by things that made him speak in the words of his own people. Speak to himself—not to me. Not to me! What was he saying? What was he going to do? Was he afraid of you?—Of death? What was in his heart? . . . Fear? . . . Or anger? . . . what desire? . . . what sadness? He spoke; spoke; many words. All the time! And I could not know! I wanted to speak to him. He was deaf to me. I followed him everywhere, watching for some word I could understand; but his mind was in the land of his people—away from me. When I touched him he was angry—so!"

      She imitated the movement of some one shaking off roughly an importunate hand, and looked at Lingard with tearful and unsteady eyes.

      After a short interval of laboured panting, as if she had been out of breath with running or fighting, she looked down and went on—

      "Day after day, night after night, I lived watching him—seeing nothing. And my heart was heavy—heavy with the presence of death that dwelt amongst us. I could not believe. I thought he was afraid. Afraid of you! Then I, myself, knew fear. . . . Tell me, Rajah Laut, do you know the fear without voice—the fear of silence—the fear that comes when there is no one near—when there is no battle, no cries, no angry faces or armed hands anywhere? . . . The fear from which there is no escape!"

      She paused, fastened her eyes again on the puzzled Lingard, and hurried on in a tone of despair—

      "And I knew then he would not fight you! Before—many days ago—I went away twice to make him obey my desire; to make him strike at his own people so that he could be mine—mine! O calamity! His hand was false as your white hearts. It struck forward, pushed by my desire—by his desire of me. . . . It struck that strong hand,

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