from the comfortable villa, the reward of commercial activity and acuteness on the Stock Exchange; from the courts and from the camps; from all the high seats of the successful; and common to them all is the convincing argument of praise. And we all agree, and say there is nothing like our great Public Schools, and perhaps the only dissentient voices are those of the father and mother who bury the body of a little child about whose neck is the black sign of the rope. But let them be comforted: the boy was no good at games, though his torments were not bad sport while he lasted.
Mr. Horbury was an old Luptonian; he was, in the words of Canon Diver, but "a big boy at heart," and so he gave orders that Meyrick was to be sent in the study directly he came in, and he looked at the clock on the desk before him with satisfaction and yet with impatience. A hungry man may long for his delayed dinner almost with a sense of fury, and yet at the back of his mind he cannot help being consoled by the thought of how wonderfully he will enjoy the soup when it appears at last. When seven struck, Mr. Horbury moistened his lips slightly. He got up and felt cautiously behind one of the bookshelves. The object was there, and he sat down again. He listened; there were footfalls on the drive. Ah! there was the expected ring. There was a brief interval, and then a knock. The fire was glowing with red flashes, and the wretched toad was secured.
"Now, Ambrose, you must understand quite definitely that this sort of thing isn't going to be tolerated any longer. This is the third time during this term that you have been late for lockup. You know the rules: six o'clock at latest. It is now twenty minutes past seven. What excuse have you to make? What have you been doing with yourself? Have you been in the Fields?"
"No, Sir."
"Why not? You must have seen the Resolution of the Sixth on the notice-board of the High School? You know what it promised any boy who shirked rocker? 'A good sound thrashing with tuds before the First Thirty.' I am afraid you will have a very bad time of it on Monday, after Graham has sent up your name to the Room."
There was a pause. Mr. Horbury looked quietly and lengthily at the boy, who stood white and sick before him. He was a rather sallow, ugly lad of fifteen. There was something of intelligence in his expression, and it was this glance that Chesson, the Headmaster, had resented. His heart beat against his breast, his breath came in gasps and the sweat of terror poured down his body. The master gazed at him, and at last spoke again.
"But what have you been doing? Where have you been all this time?"
"If you please, Sir, I walked over to Selden Abbey."
"To Selden Abbey? Why, it's at least six miles away! What on earth did you want to go to Selden Abbey for? Are you fond of old stones?"
"If you please, Sir, I wanted to see the Norman arches. There is a picture of them in Parker's Glossary."
"Oh, I see! You are a budding antiquarian, are you, Ambrose, with an interest in Norman arches—eh? I suppose we are to look forward to the time when your researches will have made Lupton famous? Perhaps you would like to lecture to the school on St. Paul's Cathedral? Pray, what are your views as to the age of Stonehenge?"
The wit was heavy enough, but the speaker's position gave a bitter sting to his lash. Mr. Horbury saw that every cut had told, and, without prejudice to more immediate and acuter pleasures, he resolved that such biting satire must have a larger audience. Indeed, it was a long time before Ambrose Meyrick heard the last of those wretched Norman arches. The method was absurdly easy. "Openings" presented themselves every day. For example, if the boy made a mistake in construing, the retort was obvious:
"Thank you, Meyrick, for your most original ideas on the force of the aorist. Perhaps if you studied your Greek Grammar a little more and your favourite Glossary of Architecture a little less, it would be the better. Write out 'Aorist means indefinite' five hundred times."
Or, again, perhaps the Classic Orders were referred to. Mr. Horbury would begin to instruct the form as to the difference between Ionic and Doric. The form listened with poor imitation of interest. Suddenly the master would break off:
"I beg your pardon. I was forgetting that we have a great architectural authority amongst us. Be so kind as to instruct us, Meyrick. What does Parker say? Or perhaps you have excogitated some theories of your own? I know you have an original mind, from the extraordinary quantities of your last copy of verse. By the way, I must ask you to write out 'The e in venio is short' five hundred times. I am sorry to interfere with your more important architectural studies, but I am afraid there is no help for it."
And so on; while the form howled with amusement.
But Mr. Horbury kept these gems for future and public use. For the moment he had more exciting work on hand. He burst out suddenly:
"The fact is, Ambrose Meyrick, you're a miserable little humbug! You haven't the honesty to say, fair and square, that you funked rocker and went loafing about the country, looking for any mischief you could lay your hands on. Instead of that you make up this cock-and-bull story of Selden Abbey and Norman arches—as if any boy in his senses ever knew or cared twopence about such things! I hope you haven't been spending the afternoon in some low public-house? There, don't speak! I don't want to hear any more lies. But, whatever you have been doing, you have broken the rules, and you must be taught that the rules have to be kept. Stand still!"
Mr. Horbury went to the bookshelf and drew out the object. He stood at a little distance behind Meyrick and opened proceedings with a savage cut at his right arm, well above the elbow. Then it was the turn of the left arm, and the master felt the cane bite so pleasantly into the flesh that he distributed some dozen cuts between the two arms. Then he turned his attention to the lad's thighs and finished up in the orthodox manner, Meyrick bending over a chair.
The boy's whole body was one mass of burning, stinging torture; and, though he had not uttered a sound during the process, the tears were streaming down his cheeks. It was not the bodily anguish, though that was extreme enough, so much as a far-off recollection. He was quite a little boy, and his father, dead long since, was showing him the western doorway of a grey church on a high hill and carefully instructing him in the difference between "billetty" and "chevronny."
"It's no good snivelling, you know, Ambrose. I daresay you think me severe, but, though you won't believe me now, the day will come when you will thank me from your heart for what I have just done. Let this day be a turning-point in your life. Now go to your work."
II
It was strange, but Meyrick never came in the after days and thanked his uncle for that sharp dose of physical and mental pain. Even when he was a man he dreamed of Mr. Horbury and woke up in a cold sweat, and then would fall asleep again with a great sigh of relief and gladness as he realised that he was no longer in the power of that "infernal old swine," "that filthy, canting, cruel brute," as he roughly called his old master.
The fact was, as some old Luptonians remarked, the two had never understood one another. With the majority of the boys the High Usher passed for a popular master enough. He had been a distinguished athlete in his time, and up to his last days at the school was a football enthusiast. Indeed, he organised a variety of the Lupton game which met with immense popularity till the Head was reluctantly compelled to stop it; some said because he always liked to drop bitter into Horbury's cup when possible; others—and with more probability on their side—maintained that it was in consequence of a report received from the school doctor to the effect that this new species of football was rapidly setting up an old species of heart disease in the weaker players.
However that might be, there could be no doubt as to Horbury's intense and deep-rooted devotion to the school. His father had been a Luptonian
