The Famous Cases of Dr. Thorndyke (Illustrated). R. Austin Freeman

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I gently restrained our two companions from shadowing him, as they were disposed to do. The off-side footboard occupied his attention specially, and when he had scrutinized minutely the part opposite the fatal compartment, he walked slowly from end to end with his eyes but a few inches from its surface, as though he was searching for something.

      Near what had been the rear end he stopped, and drew from his pocket a piece of paper; then, with a moistened finger-tip he picked up from the footboard some evidently minute object, which he carefully transferred to the paper, folding the latter and placing it in his pocket-book.

      He next mounted the footboard, and, having peered in through the window of the sealed compartment, produced from his pocket a small insufflator or powder-blower, with which he blew a stream of impalpable smoke-like powder on to the edges of the middle window, bestowing the closest attention on the irregular dusty patches in which it settled, and even measuring one on the jamb of the window with a pocket-rule. At length he stepped down, and, having carefully looked over the near-side footboard, announced that he had finished for the present.

      As we were returning down the line, we passed a working man, who seemed to be viewing the chairs and sleepers with more than casual interest.

      "That, I suppose, is one of the plate-layers?" Thorndyke suggested to the station-master.

      "Yes, the foreman of the gang," was the reply.

      "I'll just step back and have a word with him, if you will walk on slowly." And my colleague turned back briskly and overtook the man, with whom he remained in conversation for some minutes.

      "I think I see the police inspector on the platform," remarked Thorndyke, as we approached the station.

      "Yes, there he is," said our guide. "Come down to see what you are after, sir, I expect." Which was doubtless the case, although the officer professed to be there by the merest chance.

      "You would like to see the weapon, sir, I suppose?" he remarked, when he had introduced himself.

      "The umbrella-spike," Thorndyke corrected. "Yes, if I may. We are going to the mortuary now."

      "Then you'll pass the station on the way; so, if you care to look in, I will walk up with you."

      This proposition being agreed to, we all proceeded to the police-station, including the station-master, who was on the very tiptoe of curiosity.

      "There you are, sir," said the inspector, unlocking his office, and ushering us in. "Don't say we haven't given every facility to the defence. There are all the effects of the accused, including the very weapon the deed was done with."

      "Come, come," protested Thorndyke; "we mustn't be premature." He took the stout ash staff from the officer, and, having examined the formidable spike through a lens, drew from his pocket a steel calliper-gauge, with which he carefully measured the diameter of the spike, and the staff to which it was fixed. "And now," he said, when he had made a note of the measurements in his book, "we will look at the colour-box and the sketch. Ha! a very orderly man, your brother. Mr. Stopford. Tubes all in their places, palette-knives wiped clean, palette cleaned off and rubbed bright, brushes wiped—they ought to be washed before they stiffen—all this is very significant." He unstrapped the sketch from the blank canvas to which it was pinned, and, standing it on a chair in a good light, stepped back to look at it.

      "And you tell me that that is only three hours' work!" he exclaimed, looking at the lawyer. "It is really a marvellous achievement."

      "My brother is a very rapid worker," replied Stopford dejectedly.

      "Yes, but this is not only amazingly rapid; it is in his very happiest vein—full of spirit and feeling. But we mustn't stay to look at it longer." He replaced the canvas on its pins, and having glanced at the locket and some other articles that lay in a drawer, thanked the inspector for his courtesy and withdrew.

      "That sketch and the colour-box appear very suggestive to me," he remarked, as we walked up the street.

      "To me also," said Stopford gloomily, "for they are under lock and key, like their owner, poor old fellow."

      He sighed heavily, and we walked on in silence.

      The mortuary-keeper had evidently heard of our arrival, for he was waiting at the door with the key in his hand, and, on being shown the coroner's order, unlocked the door, and we entered together; but, after a momentary glance at the ghostly, shrouded figure lying upon the slate table, Stopford turned pale and retreated, saying that he would wait for us outside with the mortuary-keeper.

      As soon as the door was closed and locked on the inside, Thorndyke glanced curiously round the bare, whitewashed building. A stream of sunlight poured in through the skylight, and fell upon the silent form that lay so still under its covering-sheet, and one stray beam glanced into a corner by the door, where, on a row of pegs and a deal table, the dead woman's clothing was displayed.

      "There is something unspeakably sad in these poor relics, Jervis," said Thorndyke, as we stood before them. "To me they are more tragic, more full of pathetic suggestion, than the corpse itself. See the smart, jaunty hat, and the costly skirts hanging there, so desolate and forlorn; the dainty lingerie on the table, neatly folded—by the mortuary-man's wife, I hope—the little French shoes and open-work silk stockings. How pathetically eloquent they are of harmless, womanly vanity, and the gay, careless life, snapped short in the twinkling of an eye. But we must not give way to sentiment. There is another life threatened, and it is in our keeping."

      He lifted the hat from its peg, and turned it over in his hand. It was, I think, what is called a "picture-hat"—a huge, flat, shapeless mass of gauze and ribbon and feather, spangled over freely with dark-blue sequins. In one part of the brim was a ragged hole, and from this the glittering sequins dropped off in little showers when the hat was moved.

      "This will have been worn tilted over on the left side," said Thorndyke, "judging by the general shape and the position of the hole."

      "Yes," I agreed. "Like that of the Duchess of Devonshire in Gainsborough's portrait."

      "Exactly."

      He shook a few of the sequins into the palm of his hand, and, replacing the hat on its peg, dropped the little discs into an envelope, on which he wrote, "From the hat," and slipped it into his pocket. Then, stepping over to the table, he drew back the sheet reverently and even tenderly from the dead woman's face, and looked down at it with grave pity. It was a comely face, white as marble, serene and peaceful in expression, with half-closed eyes, and framed with a mass of brassy, yellow hair; but its beauty was marred by a long linear wound, half cut, half bruise, running down the right cheek from the eye to the chin.

      "A handsome girl," Thorndyke commented—"a dark-haired blonde. What a sin to have disfigured herself so with that horrible peroxide." He smoothed the hair back from her forehead, and added: "She seems to have applied the stuff last about ten days ago. There is about a quarter of an inch of dark hair at the roots. What do you make of that wound on the cheek?"

      "It looks as if she had struck some sharp angle in falling, though, as the seats are padded in first-class carriages, I don't see what she could have struck."

      "No. And now let us look at the other wound. Will you note down the description?" He handed me his notebook, and I wrote down as he dictated: "A clean-punched circular hole in skull, an inch behind and above margin of left ear—diameter, an inch and seven-sixteenths; starred fracture of parietal bone; membranes perforated, and brain entered

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