Typee. Герман Мелвилл
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‘I have made my first literary pilgrimage, a call upon Herman Melville, the renowned author of ‘Typee,’ etc. He lives in a spacious farmhouse about two miles from Pittsfield, a weary walk through the dust. But it as well repaid. I introduced myself as a Hawaiian-American, and soon found myself in full tide of talk, or rather of monologue. But he would not repeat the experiences of which I had been reading with rapture in his books. In vain I sought to hear of Typee and those paradise islands, but he preferred to pour forth his philosophy and his theories of life. The shade of Aristotle arose like a cold mist between myself and Fayaway. We have quite enough of deep philosophy at Williams College, and I confess I was disappointed in this trend of the talk. But what a talk it was! Melville is transformed from a Marquesan to a gypsy student, the gypsy element still remaining strong within him. And this contradiction gives him the air of one who has suffered from opposition, both literary and social. With his liberal views, he is apparently considered by the good people of Pittsfield as little better than a cannibal or a ‘beach-comber.’ His attitude seemed to me something like that of Ishmael; but perhaps I judged hastily. I managed to draw him out very freely on everything but the Marquesas Islands, and when I left him he was in full tide of discourse on all things sacred and profane. But he seems to put away the objective side of his life, and to shut himself up in this cold north as a cloistered thinker.’
I have been told by Dr. Coan that his father, the Rev. Titus Coan, of the Hawaiian Islands, personally visited the Marquesas group, found the Typee Valley, and verified in all respects the statements made in ‘Typee.’ It is known that Mr. Melville from early manhood indulged deeply in philosophical studies, and his fondness for discussing such matters is pointed out by Hawthorne also, in the ‘English Note Books.’ This habit increased as he advanced in years, if possible.
The chief event of the residence in Pittsfield was the completion and publication of ‘Moby Dick; or, the Whale,’ in 1851. How many young men have been drawn to sea by this book is a question of interest. Meeting with Mr. Charles Henry Webb (‘John Paul’) the day after Mr. Melville’s death, I asked him if he were not familiar with that author’s writings. He replied that ‘Moby Dick’ was responsible for his three years of life before the mast when a lad, and added that while ‘gamming’ on board another vessel he had once fallen in with a member of the boat’s crew which rescued Melville from his friendly imprisonment among the Typees.
While at Pittsfield, besides his own family, Mr. Melville’s mother and sisters resided with him. As his four children grew up he found it necessary to obtain for them better facilities for study than the village school afforded; and so, several years after, the household was broken up, and he removed with his wife and children to the New York house that was afterwards his home. This house belonged to his brother Allan, and was exchanged for the estate at Pittsfield. In December, 1866, he was appointed by Mr. H. A. Smyth, a former travelling companion in Europe, a district officer in the New York Custom House. He held the position until 1886, preferring it to in-door clerical work, and then resigned, the duties becoming too arduous for his failing strength.
In addition to his philosophical studies, Mr. Melville was much interested in all matters relating to the fine arts, and devoted most of his leisure hours to the two subjects. A notable collection of etchings and engravings from the old masters was gradually made by him, those from Claude’s paintings being a specialty. After he retired from the Custom House, his tall, stalwart figure could be seen almost daily tramping through the Fort George district or Central Park, his roving inclination leading him to obtain as much out-door life as possible. His evenings were spent at home with his books, his pictures, and his family, and usually with them alone; for, in spite of the melodramatic declarations of various English gentlemen, Melville’s seclusion in his latter years, and in fact throughout his life, was a matter of personal choice. More and more, as he grew older, he avoided every action on his part, and on the part of his family, that might tend to keep his name and writings before the public. A few friends felt at liberty to visit the recluse, and were kindly welcomed, but he himself sought no one. His favorite companions were his grandchildren, with whom he delighted to pass his time, and his devoted wife, who was a constant assistant and adviser in his literary work, chiefly done at this period for his own amusement. To her he addressed his last little poem, the touching ‘Return of the Sire de Nesle.’ Various efforts were made by the New York literary colony to draw him from his retirement, but without success. It has been suggested that he might have accepted a magazine editorship, but this is doubtful, as he could not bear business details or routine work of any sort. His brother Allan was a New York lawyer, and until his death, in 1872, managed Melville’s affairs with ability, particularly the literary accounts.
During these later years he took great pleasure in a friendly correspondence with Mr. W. Clark Russell. Mr. Russell had taken many occasions to mention Melville’s sea-tales, his interest in them, and his indebtedness to them. The latter felt impelled to write Mr. Russell in regard to one of his newly published novels, and received in answer the following letter:
July 21, 1886.
MY DEAR Mr. MELVILLE, Your letter has given me a very great and singular pleasure. Your delightful books carry the imagination into a maritime period so remote that, often as you have been in my mind, I could never satisfy myself that you were still amongst the living. I am glad, indeed, to learn from Mr. Toft that you are still hale and hearty, and I do most heartily wish you many years yet of health and vigour.
Your books I have in the American edition. I have ‘Typee, ‘Omoo,’ ‘Redburn,’ and that noble piece ‘Moby Dick.’ These are all I have been able to obtain. There have been many editions of your works in this country, particularly the lovely South Sea sketches; but the editions are not equal to those of the American publishers. Your reputation here is very great. It is hard to meet a man whose opinion as a reader is worth leaving who does not speak of your works in such terms as he might hesitate to employ, with all his patriotism, toward many renowned English writers.
Dana is, indeed, great. There is nothing in literature more remarkable than the impression produced by Dana’s portraiture of the homely inner life of a little brig’s forecastle.
I beg that you will accept my thanks for the kindly spirit in which you have read my books. I wish it were in my power to cross the Atlantic, for you assuredly would be the first whom it would be my happiness to visit.
The condition of my right hand obliges me to dictate this to my son; but painful as it is to me to hold a pen, I cannot suffer this letter to reach the hands of a man of so admirable genitis as Herman Melville without begging him to believe me to be, with my own hand, his most respectful and hearty admirer, W. Clark Russell.
It should be noted here that Melville’s increased reputation in England at the period of this letter was chiefly owing to a series of articles on his work written by Mr. Russell. I am sorry to say that few English papers made more than a passing reference to Melville’s death. The American press discussed his life and work in numerous and lengthy reviews. At the same time, there always has been a steady sale of his books in England, and some of them never have been out of print in that country since the publication of ‘Typee.’ One result of this friendship between the two authors was the dedication of new volumes to each other in highly complimentary terms—Mr. Melville’s ‘John Marr and Other Sailors,’ of which twenty-five copies only were printed, on the one hand, and Mr. Russell’s ‘An Ocean Tragedy,’ on the other, of which many thousand have been printed, not to mention unnumbered pirated copies.
Beside