over that of the dead man. With dexterous manipulation he lifted the finger round which glistened the metal ring. Death appeared to have shrivelled the flesh still more upon the bones, to have contracted the knuckles and shrunk the tendons. The ring slid off quite easily. Mole had it in his hand, when suddenly a rough blow struck him on the shoulder.
"Trying to rob the dead?" a stern voice shouted in his ear. "Are you a disguised aristo, or what?"
At once the whispering ceased. A wave of excitement went round the room. Some people shouted, others pressed forward to gaze on the abandoned wretch who had been caught in the act of committing a gruesome deed.
"Robbing the dead!"
They were experts in evil, most of these men here. Their hands were indelibly stained with some of the foulest crimes ever recorded in history. But there was something ghoulish in this attempt to plunder that awful thing lying there, helpless, in the water. There was also a great relief to nerve-tension in shouting Horror and Anathema with self-righteous indignation; and additional excitement in the suggested "aristo in disguise."
Mole struggled vigorously. He was powerful and his fists were heavy. But he was soon surrounded, held fast by both arms, whilst half a dozen hands tore at his tattered clothes, searched him to his very skin, for the booty which he was thought to have taken from the dead.
"Leave me alone, curse you!" he shouted, louder than his aggressors. "My name is Paul Mole, I tell you. Ask the citizeness Evrard. I waited on citizen Marat. I prepared his bath. I was the only friend who did not turn away from him in his sickness and his poverty. Leave me alone, I say! Why," he added, with a hoarse laugh, "Jean Paul in his bath was as naked as on the day he was born!"
"'Tis true," said one of those who had been most active in rummaging through Mole's grimy rags. "There's nothing to be found on him."
But suspicion once aroused was not easily allayed. Mole's protestations became more and more vigorous and emphatic. His papers were all in order, he vowed. He had them on him: his own identity papers, clear for anyone to see. Someone had dragged them out of his pocket; they were dank and covered with splashes of mud — hardly legible. They were handed over to a man who stood in the immediate circle of light projected by the lamp. He seized them and examined them carefully. This man was short and slight, was dressed in well-made cloth clothes; his hair was held in at the nape of the next in a modish manner with a black taffeta bow. His hands were clean, slender, and claw-like, and he wore the tricolour scarf of office round his waist which proclaimed him to be a member of one of the numerous Committees which tyrannised over the people.
The papers appeared to be in order, and proclaimed the bearer to be Paul Mole, a native of Besancon, a carpenter by trade. The identity book had recently been signed by Jean Paul Marat, the man's latest employer, and been counter-signed by the Commissary of the section.
The man in the tricolour scarf turned with some acerbity on the crowd who was still pressing round the prisoner.
"Which of you here," he queried roughly, "levelled an unjust accusation against an honest citizen?"
But, as usual in such cases, no one replied directly to the charge. It was not safe these days to come into conflict with men like Mole. The Committees were all on their side, against the bourgeois as well as against the aristos. This was the reign of the proletariat, and the sans-culotte always emerged triumphant in a conflict against the well-to-do. Nor was it good to rouse the ire of citizen Chauvelin, one of the most powerful, as he was the most pitiless members of the Committee of Public Safety. Quiet, sarcastic rather than aggressive, something of the aristo, too, in his clean linen and well-cut clothes, he had not even yielded to the defunct Marat in cruelty and relentless persecution of aristocrats.
Evidently his sympathies now were all with Mole, the out-at-elbows, miserable servant of an equally miserable master. His pale-coloured, deep-set eyes challenged the crowd, which gave way before him, slunk back into the corners, away from his coldly threatening glance. Thus he found himself suddenly face to face with Mole, somewhat isolated from the rest, and close to the tin bath with its grim contents. Chauvelin had the papers in his hand.
"Take these, citizen," he said curtly to the other. "They are all in order."
He looked up at Mole as he said this, for the latter, though his shoulders were bent, was unusually tall, and Mole took the papers from him. Thus for the space of a few seconds the two men looked into one another's face, eyes to eyes — and suddenly Chauvelin felt an icy sweat coursing down his spine. The eyes into which he gazed had a strange, ironical twinkle in them, a kind of good-humoured arrogance, whilst through the firm, clear-cut lips, half hidden by a dirty and ill-kempt beard, there came the sound — oh! a mere echo — of a quaint and inane laugh.
The whole thing — it seemed like a vision — was over in a second. Chauvelin, sick and faint with the sudden rush of blood to his head, closed his eyes for one brief instant. The next, the crowd had closed round him; anxious inquiries reached his re-awakened senses.
But he uttered one quick, hoarse cry:
"Hebert! A moi! Are you there?"
"Present, citizen!" came in immediate response. And a tall figure in the tattered uniform affected by the revolutionary guard stepped briskly out of the crowd. Chauvelin's claw-like hand was shaking visibly.
"The man Mole," he called in a voice husky with excitement. "Seize him at once! And, name of a dog! do not allow a living soul in or out of the house!"
Hebert turned on his heel. The next moment his harsh voice was heard above the din and the general hubbub around:
"Quite safe, citizen!" he called to his chief. "We have the rogue right enough!"
There was much shouting and much cursing, a great deal of bustle and confusion, as the men of the Surete closed the doors of the defunct demagogue's lodgings. Some two score men, a dozen or so women, were locked in, inside the few rooms which reeked of dirt and of disease. They jostled and pushed, screamed and protested. For two or three minutes the din was quite deafening. Simonne Evrard pushed her way up to the forefront of the crowd.
"What is this I hear?" she queried peremptorily. "Who is accusing citizen Mole? And of what, I should like to know? I am responsible for everyone inside these apartments … and if citizen Marat were still alive — "
Chauvelin appeared unaware of all the confusion and of the woman's protestations. He pushed his way through the crowd to the corner of the anteroom where Mole stood, crouching and hunched up, his grimy hands idly fingering the papers which Chauvelin had returned to him a moment ago. Otherwise he did not move.
He stood, silent and sullen; and when Chauvelin, who had succeeded in mastering his emotion, gave the peremptory command: "Take this man to the depot at once. And do not allow him one instant out of your sight!" he made no attempt at escape.
He allowed Hebert and the men to seize him, to lead him away. He followed without a word, without a struggle. His massive figure was hunched up like that of an old man; his hands, which still clung to his identity papers, trembled slightly like those of a man who is very frightened and very helpless. The men of the Surete handled him very roughly, but he made no protest. The woman Evrard did all the protesting, vowing that the people would not long tolerate such tyranny. She even forced her way up to Hebert. With a gesture of fury she tried to strike him in the face, and continued, with a loud voice, her insults and objurgations, until, with a movement of his bayonet, he pushed her roughly out of the way.
After that Paul Mole, surrounded by the guard, was led without ceremony out of the house. Chauvelin gazed after
