AN AMERICAN TRAGEDY. Theodore Dreiser

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AN AMERICAN TRAGEDY - Theodore Dreiser

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in such a fine car with Hortense and with all these other girls and boys that he could not resist the temptation to go.

      Immediately after noon on the Friday of this particular week the several participants of the outing were gathered at the points agreed upon. Hegglund, Ratterer, Higby and Clyde at Eighteenth and West Prospect near the railroad yards. Maida Axelrod, Hegglund’s girl, Lucille Nickolas, a friend of Ratterer’s, and Tina Kogel, a friend of Higby’s, also Laura Sipe, another girl who was brought by Tina Kogel to be introduced to Sparser for the occasion, at Twentieth and Washington. Only since Hortense had sent word at the last moment to Clyde that she had to go out to her house for something, and that they were to run out to Forty-ninth and Genesee, where she lived, they did so, but not without grumbling.

      The day, a late January one, was inclined to be smoky with lowering clouds, especially within the environs of Kansas City. It even threatened snow at times — a most interesting and picturesque prospect to those within. They liked it.

      “Oh, gee, I hope it does,” Tina Kogel exclaimed when some one commented on the possibility, and Lucille Nickolas added: “Oh, I just love to see it snow at times.” Along the West Bluff Road, Washington and Second Streets, they finally made their way across the Hannibal Bridge to Harlem, and from thence along the winding and hill-sentineled river road to Randolph Heights and Minaville. And beyond that came Moseby and Liberty, to and through which the road bed was better, with interesting glimpses of small homesteads and the bleak snow-covered hills of January.

      Clyde, who for all his years in Kansas City had never ventured much beyond Kansas City, Kansas, on the west or the primitive and natural woods of Swope Park on the east, nor farther along the Kansas or Missouri Rivers than Argentine on the one side and Randolph Heights on the other, was quite fascinated by the idea of travel which appeared to be suggested by all this — distant travel. It was all so different from his ordinary routine. And on this occasion Hortense was inclined to be very genial and friendly. She snuggled down beside him on the seat, and when he, noting that the others had already drawn their girls to them in affectionate embraces, put his arm about her and drew her to him, she made no particular protest. Instead she looked up and said: “I’ll have to take my hat off, I guess.” The others laughed. There was something about her quick, crisp way which was amusing at times. Besides she had done her hair in a new way which made her look decidedly prettier, and she was anxious to have the others see it.

      “Can we dance anywhere out here?” she called to the others, without looking around.

      “Surest thing you know,” said Higby, who by now had persuaded Tina Kogel to take her hat off and was holding her close. “They got a player-piano and a Victrola out there. If I’d ‘a’ thought, I’d ‘a’ brought my cornet. I can play Dixie on that.”

      The car was speeding at breakneck pace over a snowy white road and between white fields. In fact, Sparser, considering himself a master of car manipulation as well as the real owner of it for the moment, was attempting to see how fast he could go on such a road.

      Dark vignettes of wood went by to right and left. Fields away, sentinel hills rose and fell like waves. A wide-armed scarecrow fluttering in the wind, its tall decayed hat awry, stood near at hand in one place. And from near it a flock of crows rose and winged direct toward a distant wood lightly penciled against a foreground of snow.

      In the front seat sat Sparser, guiding the car beside Laura Sipe with the air of one to whom such a magnificent car was a commonplace thing. He was really more interested in Hortense, yet felt it incumbent on him, for the time being, anyhow, to show some attention to Laura Sipe. And not to be outdone in gallantry by the others, he now put one arm about Laura Sipe while he guided the car with the other, a feat which troubled Clyde, who was still dubious about the wisdom of taking the car at all. They might all be wrecked by such fast driving. Hortense was only interested by the fact that Sparser had obviously manifested his interest in her; that he had to pay some attention to Laura Sipe whether he wanted to or not. And when she saw him pull her to him and asked her grandly if she had done much automobiling about Kansas City, she merely smiled to herself.

      But Ratterer, noting the move, nudged Lucille Nickolas, and she in turn nudged Higby, in order to attract his attention to the affectional development ahead.

      “Getting comfortable up front there, Willard?” called Ratterer, genially, in order to make friends with him.

      “I’ll say I am,” replied Sparser, gayly and without turning. “How about you, girlie?”

      “Oh, I’m all right,” Laura Sipe replied.

      But Clyde was thinking that of all the girls present none was really so pretty as Hortense — not nearly. She had come garbed in a red and black dress with a very dark red poke bonnet to match. And on her left cheek, just below her small rouged mouth, she had pasted a minute square of black court plaster in imitation of some picture beauty she had seen. In fact, before the outing began, she had been determined to outshine all the others present, and distinctly she was now feeling that she was succeeding. And Clyde, for himself, was agreeing with her.

      “You’re the cutest thing here,” whispered Clyde, hugging her fondly.

      “Gee, but you can pour on the molasses, kid, when you want to,” she called out loud, and the others laughed. And Clyde flushed slightly.

      Beyond Minaville about six miles the car came to a bend in a hollow where there was a country store and here Hegglund, Higby and Ratterer got out to fetch candy, cigarettes and ice cream cones and ginger ale. And after that came Liberty, and then several miles this side of Excelsior Springs, they sighted the Wigwam which was nothing more than an old two-story farmhouse snuggled against a rise of ground behind it. There was, however, adjoining it on one side a newer and larger one-story addition consisting of the dining-room, the dance floor, and concealed by a partition at one end, a bar. An open fire flickered cheerfully here in a large fireplace. Down in a hollow across the road might be seen the Benton River or creek, now frozen solid.

      “There’s your river,” called Higby cheerfully as he helped Tina Kogel out of the car, for he was already very much warmed by several drinks he had taken en route. They all paused for a moment to admire the stream, winding away among the trees. “I wanted dis bunch to bring dere skates and go down dere,” sighed Hegglund, “but dey wouldn’t. Well, dat’s all right.”

      By then Lucille Nickolas, seeing a flicker of flame reflected in one of the small windows of the inn, called, “Oh, see, they gotta fire.”

      The car was parked, and they all trooped into the inn, and at once Higby briskly went over and started the large, noisy, clattery, tinny Nickelodeon with a nickel. And to rival him, and for a prank, Hegglund ran to the Victrola which stood in one corner and put on a record of “The Grizzly Bear,” which he found lying there.

      At the first sounds of this strain, which they all knew, Tina Kogel called: “Oh, let’s all dance to that, will you? Can’t you stop that other old thing?” she added.

      “Sure, after it runs down,” explained Ratterer, laughingly. “The only way to stop that thing is not to feed it any nickels.”

      But now a waiter coming in, Higby began to inquire what everybody wanted. And in the meantime, to show off her charms, Hortense had taken the center of the floor and was attempting to imitate a grizzly bear walking on its hind legs, which she could do amusingly enough — quite gracefully. And Sparser, seeing her alone in the center of the floor was anxious to interest her now, followed her and tried to imitate her motions from behind. Finding him clever at it, and anxious to dance, she finally abandoned the imitation and giving him her arms went one-stepping about the room most vividly. At once, Clyde, who was by no means as good a dancer,

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