gayety of my spirits. It is true that, now and then, I started and looked grave on receiving a sudden thwack from the wooden sword of Harlequin, in the course of my gambols; as it brought to mind the birch of my schoolmaster. But I soon got accustomed to it; and bore all the cuffing, and kicking, and tumbling about, that form the practical wit of your itinerant pantomime, with a good humor that made me a prodigious favorite.
The country campaign of the troupe was soon at an end, and we set off for the metropolis, to perform at the fairs which are held in its vicinity. The greater part of our theatrical property was sent on direct, to be in a state of preparation for the opening of the fairs; while a detachment of the company travelled slowly on, foraging among the villages. I was amused with the desultory, haphazard kind of life we led; here to-day, and gone tomorrow. Sometimes revelling in alehouses; sometimes feasting under hedges in the green fields. When audiences were crowded and business profitable, we fared well, and when otherwise, we fared scantily, and consoled ourselves with anticipations of the next day’s success.
At length the increasing frequency of coaches hurrying past us, covered with passengers; the increasing number of carriages, carts, wagons, gigs, droves of cattle and flocks of sheep, all thronging the road; the snug country boxes with trim flower gardens twelve feet square, and their trees twelve feet high, all powdered with dust; and the innumerable seminaries for young ladies and gentlemen, situated along the road, for the benefit of country air and rural retirement; all these insignia announced that the mighty London was at hand. The hurry, and the crowd, and the bustle, and the noise, and the dust, increased as we proceeded, until I saw the great cloud of smoke hanging in the air, like a canopy of state, over this queen of cities.
In this way, then, did I enter the metropolis; a strolling vagabond; on the top of a caravan with a crew of vagabonds about me; but I was as happy as a prince, for, like Prince Hal, I felt myself superior to my situation, and knew that I could at any time cast it off and emerge into my proper sphere.
How my eyes sparkled as we passed Hyde-park corner, and I saw splendid equipages rolling by, with powdered footmen behind, in rich liveries, and fine nosegays, and gold-headed canes; and with lovely women within, so sumptuously dressed and so surpassingly fair. I was always extremely sensible to female beauty; and here I saw it in all its fascination; for, whatever may be said of “beauty unadorned,” there is something almost awful in female loveliness decked out in jewelled state. The swan-like neck encircled with diamonds; the raven locks, clustered with pearls; the ruby glowing on the snowy bosom, are objects that I could never contemplate without emotion; and a dazzling white arm clasped with bracelets, and taper transparent fingers laden with sparkling rings, are to me irresistible. My very eyes ached as I gazed at the high and courtly beauty that passed before me. It surpassed all that my imagination had conceived of the sex. I shrunk, for a moment, into shame at the company in which I was placed, and repined at the vast distance that seemed to intervene between me and these magnificent beings.
I forbear to give a detail of the happy life which I led about the skirts of the metropolis, playing at the various fairs, held there during the latter part of spring and the beginning of summer. This continual change from place to place, and scene to scene, fed my imagination with novelties, and kept my spirits in a perpetual state of excitement.
As I was tall of my age I aspired, at one time, to play heroes in tragedy; but after two or three trials, I was pronounced, by the manager, totally unfit for the line; and our first tragic actress, who was a large woman, and held a small hero in abhorrence, confirmed his decision.
The fact is, I had attempted to give point to language which had no point, and nature to scenes which had no nature. They said I did not fill out my characters; and they were right. The characters had all been prepared for a different sort of man. Our tragedy hero was a round, robustious fellow, with an amazing voice; who stamped and slapped his breast until his wig shook again; and who roared and bellowed out his bombast, until every phrase swelled upon the ear like the sound of a kettledrum. I might as well have attempted to fill out his clothes as his characters. When we had a dialogue together, I was nothing before him, with my slender voice and discriminating manner. I might as well have attempted to parry a cudgel with a small sword. If he found me in any way gaining ground upon him, he would take refuge in his mighty voice, and throw his tones like peals of thunder at me, until they were drowned in the still louder thunders of applause from the audience.
To tell the truth, I suspect that I was not shown fair play, and that there was management at the bottom; for without vanity, I think I was a better actor than he. As I had not embarked in the vagabond line through ambition, I did not repine at lack of preferment; but I was grieved to find that a vagrant life was not without its cares and anxieties, and that jealousies, intrigues, and mad ambition were to be found even among vagabonds.
Indeed, as I become more familiar with my situation, and the delusions of fancy began to fade away, I discovered that my associates were not the happy careless creatures I had at first imagined them. They were jealous of each other’s talents; they quarrelled about parts, the same as the actors on the grand theatres; they quarrelled about dresses; and there was one robe of yellow silk, trimmed with red, and a head-dress of three rumpled ostrich feathers, which were continually setting the ladies of the company by the ears. Even those who had attained the highest honors were not more happy than the rest; for Mr. Flimsey himself, our first tragedian, and apparently a jovial, good-humored fellow, confessed to me one day, in the fullness of his heart, that he was a miserable man. He had a brother-in-law, a relative by marriage, though not by blood, who was manager of a theatre in a small country town. And this same brother, (“a little more than kin, but less than kind,”) looked down upon him, and treated him with contumely, because forsooth he was but a strolling player. I tried to console him with the thoughts of the vast applause he daily received, but it was all in vain. He declared that it gave him no delight, and that he should never be a happy man until the name of Flimsey rivalled the name of Crimp.
How little do those before the scenes know of what passes behind; how little can they judge, from the countenances of actors, of what is passing in their hearts. I have known two lovers quarrel like cats behind the scenes, who were, the moment after, ready to fly into each other’s embraces. And I have dreaded, when our Belvidera was to take her farewell kiss of her Jaffier, lest she should bite a piece out of his cheek. Our tragedian was a rough joker off the stage; our prime clown the most peevish mortal living. The latter used to go about snapping and snarling, with a broad laugh painted on his countenance; and I can assure you that, whatever may be said of the gravity of a monkey, or the melancholy of a gibed cat, there is no more melancholy creature in existence than a mountebank off duty.
The only thing in which all parties agreed was to backbite the manager, and cabal against his regulations. This, however, I have since discovered to be a common trait of human nature, and to take place in all communities. It would seem to be the main business of man to repine at government. In all situations of life into which I have looked, I have found mankind divided into two grand parties; — those who ride and those who are ridden. The great struggle of life seems to be which shall keep in the saddle. This, it appears to me, is the fundamental principle of politics, whether in great or little life. However, I do not mean to moralize; but one cannot always sink the philosopher.
Well, then, to return to myself. It was determined, as I said, that I was not fit for tragedy, and unluckily, as my study was bad, having a very poor memory, I was pronounced unfit for comedy also: besides, the line of young gentlemen was already engrossed by an actor with whom I could not pretend to enter into competition, he having filled it for almost half a century. I came down again therefore to pantomime. In consequence, however, of the good offices of the manager’s lady, who had taken a liking to me, I was promoted from the part of the satyr to that of the lover; and with my face patched and painted, a huge cravat of paper, a steeple-crowned hat, and dangling, long-skirted, sky-blue coat, was metamorphosed into the lover of Columbine. My part did not call for much of the tender and sentimental. I had merely to pursue the fugitive fair one; to have a door now and then slammed in my face; to run my head occasionally
