moments in a state of trembling, yet indistinct apprehension, when the servant rushed into the room, with terror in her countenance, and informed her that her father was carried off by armed men.
Inez did not stop to hear further, but flew downstairs to overtake them. She had scarcely passed the threshold, when she found herself in the grasp of strangers.—”Away!—away!” cried she, wildly, “do not stop me—let me follow my father.”
“We come to conduct you to him, senora,” said one of the men, respectfully.
“Where is he, then?”
“He is gone to Granada,” replied the man: “an unexpected circumstance requires his presence there immediately; but he is among friends.”
“We have no friends in Granada,” said Inez, drawing back; but then the idea of Antonio rushed into her mind; something relating to him might have call her father thither. “Is senor Antonio de Castros with him?” demanded she, with agitation.
“I know not, senora,” replied the man. “It is very possible. I only know that your father is among friends, and is anxious for you to follow him.”
“Let us go, then,” cried she, eagerly. The men led her a little distance to where a mule was waiting, and, assisting her to mount, they conducted her slowly towards the city.
Granada was on that evening a scene of fanciful revel. It was one of the festivals of the Maestranza, an association of the nobility to keep up some of the gallant customs of ancient chivalry. There had been a representation of a tournament in one of the squares; the streets would still occasionally resound with the beat of a solitary drum, or the bray of a trumpet from some straggling party of revellers. Sometimes they were met by cavaliers, richly dressed in ancient costumes, attended by their squires; and at one time they passed in sight of a palace brilliantly illuminated, from whence came the mingled sounds of music and the dance. Shortly after, they came to the square where the mock tournament had been held. It was thronged by the populace, recreating themselves among booths and stalls where refreshments were sold, and the glare of torches showed the temporary galleries, and gay-coloured awnings, and armorial trophies, and other paraphernalia of the show. The conductors of Inez endeavoured to keep out of observation, and to traverse a gloomy part of the square; but they were detained at one place by the pressure of a crowd surrounding a party of wandering musicians, singing one of those ballads of which the Spanish populace are so passionately fond. The torches which were held by some of the crowd, threw a strong mass of light upon Inez, and the sight of so beautiful a being, without mantilla or veil, looking so bewildered, and conducted by men who seemed to take no gratification in the surrounding gayety, occasioned expressions of curiosity. One of the ballad-singers approached, and striking her guitar with peculiar earnestness, began to sing a doleful air, full of sinister forebodings. Inez started with surprise. It was the same ballad-singer that had addressed her in the garden of the Generaliffe.
It was the same air that she had then sung. It spoke of impending dangers; they seemed, indeed, to be thickening around her. She was anxious to speak with the girl, and to ascertain whether she really had a knowledge of any definite evil that was threatening her; but, as she attempted to address her, the mule, on which she rode, was suddenly seized, and led forcibly through the throng by one of her conductors, while she saw another addressing menacing words to the ballad-singer. The latter raised her hand with a warning gesture, as Inez lost sight of her.
While she was yet lost in perplexity, caused by this singular occurrence, they stopped at the gate of a large mansion. One of her attendants knocked, the door was opened, and they entered a paved court. “Where are we?” demanded Inez, with anxiety. “At the house of a friend, senora,” replied the man. “Ascend this staircase with me, and in a moment you will meet your father.”
They ascended a staircase, that led to a suite of splendid apartments. They passed through several, until they came to an inner chamber. The door opened—some one approached; but what was her terror at perceiving, not her father, but Don Ambrosio!
The men who had seized upon the alchymist had, at least, been more honest in their professions. They were, indeed, familiars of the inquisition. He was conducted in silence to the gloomy prison of that horrible tribunal. It was a mansion whose very aspect withered joy, and almost shut out hope. It was one of those hideous abodes which the bad passions of men conjure up in this fair world, to rival the fancied dens of demons and the accursed.
Day after day went heavily by, without anything to mark the lapse of time, but the decline and reappearance of the light that feebly glimmered through the narrow window of the dungeon in which the unfortunate alchymist was buried rather than confined. His mind was harassed with uncertainties and fears about his daughter, so helpless and inexperienced. He endeavoured to gather tidings of her from the man who brought his daily portion of food. The fellow stared, as if astonished at being asked a question in that mansion of silence and mystery, but departed without saying a word. Every succeeding attempt was equally fruitless.
The poor alchymist was oppressed by many griefs; and it was not the least, that he had been again interrupted in his labours on the very point of success. Never was alchymist so near attaining the golden secret—a little longer, and all his hopes would have been realized. The thoughts of these disappointments afflicted him more even than the fear of all that he might suffer from the merciless inquisition. His waking thoughts would follow him into his dreams. He would be transported in fancy to his laboratory, busied again among retorts and alembics, and surrounded by Lully, by D’Abano, by Olybius, and the other masters of the sublime art. The moment of projection would arrive; a seraphic form would rise out of the furnace, holding forth a vessel containing the precious elixir; but, before he could grasp the prize, he would awake, and find himself in a dungeon.
All the devices of inquisitorial ingenuity were employed to ensnare the old man, and to draw from him evidence that might be brought against himself, and might corroborate certain secret information that had been given against him. He had been accused of practising necromancy and judicial astrology, and a cloud of evidence had been secretly brought forward to substantiate the charge. It would be tedious to enumerate all the circumstances, apparently corroborative, which had been industriously cited by the secret accuser. The silence which prevailed about the tower, its desolateness, the very quiet of its inhabitants, had been adduced as proofs that something sinister was perpetrated within. The alchymist’s conversations and soliloquies in the garden had been overheard and misrepresented. The lights and strange appearances at night, in the tower, were given with violent exaggerations. Shrieks and yells were said to have been heard from thence at midnight, when, it was confidently asserted, the old man raised familiar spirits by his incantations, and even compelled the dead to rise from their graves, and answer to his questions.
The alchymist, according to the custom of the inquisition, was kept in complete ignorance of his accuser; of the witnesses produced against him; even of the crimes of which he was accused. He was examined generally, whether he knew why he was arrested, and was conscious of any guilt that might deserve the notice of the holy office? He was examined as to his country, his life, his habits, his pursuits, his actions, and opinions. The old man was frank and simple in his replies; he was conscious of no guilt, capable of no art, practised in no dissimulation. After receiving a general admonition to bethink himself whether he had not committed any act deserving of punishment and to prepare, by confession, to secure the well known mercy of the tribunal, he was remanded to his cell.
He was now visited in his dungeon by crafty familiars of the inquisition, who, under pretence of sympathy and kindness, came to beguile the tediousness of his imprisonment with friendly conversation. They casually introduced the subject of alchymy, on which they touched with great caution and pretended indifference. There was no need of such craftiness. The honest enthusiast had no suspicion in his nature: the moment they touched upon his favourite theme, he forgot his misfortunes and imprisonment, and broke
