he sought for intelligence concerning them; a mystery hung over their disappearance which he could not penetrate, until he was thunderstruck, on accidentally reading a list of the prisoners at the impending auto da fé, to find the name of his venerable master among the condemned.
It was the very morning of the execution. The procession was already on its way to the grand square. Not a moment was to be lost. The grand inquisitor was a relation of Don Antonio, though they had never met. His first impulse was to make himself known; to exert all his family influence, the weight of his name, and the power of his eloquence, in vindication of the alchymist. But the grand inquisitor was already proceeding, in all his pomp, to the place where the fatal ceremony was to be performed. How was he to be approached? Antonio threw himself into the crowd, in a fever of anxiety, and was forcing his way to the scene of horror, where he arrived just in time to rescue Inez, as has been mentioned.
It was Don Ambrosio that fell in their contest. Being desperately wounded, and thinking his end approaching, he had confessed to an attending father of the inquisition, that he was the sole cause of the alchymist’s condemnation, and that the evidence on which it was grounded was altogether false. The testimony of Don Antonio came in corroboration of this avowal; and his relationship to the grand inquisitor had, in all probability, its proper weight. Thus was the poor alchymist snatched, in a manner, from the very flames; and so great had been the sympathy awakened in his case, that for once a populace rejoiced at being disappointed of an execution.
The residue of the story may readily be imagined, by every one versed in this valuable kind of history. Don Antonio espoused the lovely Inez, and took her and her father with him to Valentia. As she had been a loving and dutiful daughter, so she proved a true and tender wife. It was not long before Don Antonio succeeded to his father’s titles and estates, and he and his fair spouse were renowned for being the handsomest and happiest couple in all Valentia.
As to Don Ambrosio, he partially recovered to the enjoyment of a broken constitution and a blasted name, and hid his remorse and disgrace in a convent; while the poor victim of his arts, who had assisted Inez in her escape, unable to conquer the early passion that he had awakened in her bosom, though convinced of the baseness of the object, retired from the world, and became an humble sister in a nunnery.
The worthy alchymist took up his abode with his children. A pavilion, in the garden of their palace, was assigned to him as a laboratory, where he resumed his researches with renovated ardour, after the grand secret. He was now and then assisted by his son-in-law; but the latter slackened grievously in his zeal and diligence, after marriage. Still he would listen with profound gravity and attention to the old man’s rhapsodies, and his quotations from Paracelsus, Sandivogius, and Pietro D’Abano, which daily grew longer and longer. In this way the good alchymist lived on quietly and comfortably, to what is called a good old age, that is to say, an age that is good for nothing; and unfortunately for mankind, was hurried out of life in his ninetieth year, just as he was on the point of discovering the Philosopher’s Stone.
*
Such was the story of the captain’s friend, with which we whiled away the morning. The captain was, every now and then, interrupted by questions and remarks, which I have not mentioned, lest I should break the continuity of the tale. He was a little disturbed, also, once or twice, by the general, who fell asleep, and breathed rather hard, to the great horror and annoyance of Lady Lillycraft. In a long and tender love scene, also, which was particularly to her ladyship’s taste, the unlucky general, having his head a little sunk upon his breast, kept making a sound at regular intervals, very much like the word pish, long drawn out. At length he made an odd abrupt guttural sound, that suddenly awoke him; he hemmed, looked about with a slight degree of consternation, and then began to play with her ladyship’s work-bag, which, however, she rather pettishly withdrew. The steady sound of the captain’s voice was still too potent a soporific for the poor general; he kept gleaming up and sinking in the socket, until the cessation of the tale again roused him, when he started awake, put his foot down upon Lady Lillycraft’s cur, the sleeping Beauty, which yelped and seized him by the leg, and, in a moment, the whole library resounded with yelpings and exclamations. Never did man more completely mar his fortunes while he was asleep. Silence being at length restored, the company expressed their thanks to the captain, and gave various opinions of the story. The parson’s mind, I found, had been continually running upon the leaden manuscripts, mentioned in the beginning, as dug up at Granada, and he put several eager questions to the captain on the subject. The general could not well make out the drift of the story, but thought it a little confused. “I am glad, however,” said he, “that they burnt the old chap of the tower; I have no doubt he was a notorious impostor.”
ANNETTE DELARBRE.
The soldier frae the war returns,
And the merchant from the main,
But I hae parted with my love,
And ne’er to meet again,
My dear.
And ne’er to meet again.
When day is gone, and night is come,
And a’ are boun to sleep,
I think on them that’s far awa
The lee-lang night, and weep,
My dear,
The lee-lang night, and weep.
—Old Scotch Ballad.
In the course of a tour that I once made in Lower Normandy, I remained for a day or two at the old town of Honfleur, which stands near the mouth of the Seine. It was the time of a fête, and all the world was thronging in the evening to dance at the fair, held before the chapel of Our Lady of Grace. As I like all kinds of innocent merrymaking, I joined the throng.
The chapel is situated at the top of a high hill, or promontory, from whence its bell may be heard at a distance by the mariner at night. It is said to have given the name to the port of Havre-de-Grace, which lies directly opposite, on the other side of the Seine. The road up to the chapel went in a zigzag course, along the brow of the steep coast; it was shaded by trees, from between which I had beautiful peeps at the ancient towers of Honfleur below, the varied scenery of the opposite shore, the white buildings of Havre in the distance, and the wide sea beyond. The road was enlivened by groups of peasant girls, in their bright crimson dresses and tall caps; and I found all the flower of the neighbourhood assembled on the green that crowns the summit of the hill.
The chapel of Notre Dame de Grace is a favourite resort of the inhabitants of Honfleur and its vicinity, both for pleasure and devotion. At this little chapel prayers are put up by the mariners of the port previous to their voyages, and by their friends during their absence; and votive offerings are hung about its walls, in fulfilment of vows made during times of shipwreck and disaster. The chapel is surrounded by trees. Over the portal is an image of the Virgin and child, with an inscription which struck me as being quite poetical:
”Etoile de la mer, priez pour nous!”
(Star of the sea, pray for us.)
On a level spot near the chapel, under a grove of noble trees, the populace dance on fine summer evenings; and here are held frequent fairs and fêtes, which assemble all the rustic beauty of the loveliest parts of Lower Normandy. The present was an occasion of the kind. Booths and tents were erected among the trees; there were the usual displays of finery to tempt the rural coquette,
