The Exemplary Novels of Cervantes. Miguel de Cervantes Saavedra
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Miguel de Cervantes Saavedra
The Exemplary Novels of Cervantes
Published by Good Press, 2019
EAN 4057664118486
Table of Contents
Or, Peter of the Corner and the Little Cutter.
THE LICENTIATE VIDRIERA; OR, DOCTOR GLASS-CASE.
DIALOGUE BETWEEN SCIPIO AND BERGANZA,
THE ILLUSTRIOUS SCULLERY-MAID.
PREFACE.
It seems to be generally admitted that in rendering the title of a book from one language into another, the form of the original should be retained, even at the cost of some deviation from ordinary usage. Cicero's work De Officiis is never spoken of as a treatise on Moral Duties, but as Cicero's Offices. Upon the same principle we have not entitled the following collection of tales, Instructive or Moral; though it is in this sense that the author applied to them the epithet exemplares, as he states distinctly in his preface. The Spanish word exemplo, from the time of the archpriest of Hita and Don Juan Manuel, has had the meaning of instruction, or instructive story.
The "Novelas Exemplares" were first published in 1613, three years before the death of Cervantes. They are all original, and have the air of being drawn from his personal experience and observation. Ticknor, in his "History of Spanish Literature," says of them, and of the "Impertinent Curiosity," inserted in the first part of Don Quixote:—
"Their value is different, for they are written with different views, and in a variety of style greater than he has elsewhere shown; but most of them contain touches of what is peculiar in his talent, and are full of that rich eloquence and of those pleasing descriptions of natural scenery which always flow so easily from his pen. They have little in common with the graceful story-telling spirit of Boccaccio and his followers, and still less with the strictly practical tone of Don Juan Manuel's tales; nor, on the other hand, do they approach, except in the case of the 'Impertinent Curiosity,' the class of short novels which have been frequent in other countries within the last century. The more, therefore, we examine them, the more we shall find that they are original in their composition and general tone, and that they are strongly marked with the original genius of their author, as well as with the more peculiar traits of the national character—the ground, no doubt, on which they have always been favourites at home, and less valued than they deserve to be abroad. As works of invention, they rank, among their author's productions, next after Don Quixote; in correctness and grace of style they stand before it. … They are all fresh from the racy soil of the national character, as that character is found in Andalusia, and are written with an idiomatic richness, a spirit, and a grace, which, though they are the oldest tales of their class in Spain, have left them ever since without successful rivals."
The first three tales in this volume have merely undergone the revision of the editor, having been translated by another before he was engaged on the work. For the rest he alone is responsible.
W.K.K.
DEDICATION
TO DON PEDRO FERNANDEZ DE CASTRO, COUNT OF LEMOS, ANDRADE, AND VILLALBA, &c.
Those who dedicate their works to some prince commonly fall into two errors. The first is, that in their dedicatory epistle, which ought to be brief and succinct, they dilate very complacently, whether moved by truth or flattery, on the deeds not only of their fathers and forefathers, but also of all their relations, friends, and benefactors. The second is, that they tell their patron they place their works under his protection and safeguard, in order that malicious and captious tongues may not presume to cavil and carp at them. For myself, shunning these two faults, I here pass over in silence the grandeur and titles of your excellency's ancient and royal house, and your infinite virtues both natural and acquired, leaving it to some new Phidias and Lysippus to engrave and sculpture them in marble and bronze, that they may rival time in duration. Neither do I supplicate your Excellency to take this book under your protection, for I know, that if it is not a good one, though I should put it under the wings of Astolfo's hippogrif, or beneath the club of Hercules, the Zoili, the cynics, the Aretinos, and the bores, will not abstain from abusing it, out of respect for anyone. I only beg your Excellency to observe that I present to you, without more words, thirteen tales,[1] which, had they not been wrought in the laboratory of my own brains, might presume to stand beside the best. Such as they are, there they go, leaving me here rejoiced at the thought of manifesting, in some degree, the desire I feel to serve your Excellency as my true lord and benefactor. Our Lord preserve, &c.
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