“Don Hypolito wants to marry Dolores because of the Chalchuih Tlatonac! He is a Mestizo; so the Indians would not mind such a marriage. But she hates him, and loves Don Juan. Let your friend beware, Señor.”
“Of whom! Of Don Hypolito?”
“Yes; and of the Indians. It is much feared that Don Hypolito is no good Catholic—that he has been to the forest temple and seen—oh,” she broke off with a shudder. “I do not know what he has seen. But he hates Don Juan, and, if he captures him, will put him to death. Señor——”
At this moment, before she could say more, Don Miguel entered the patio. Whereupon Eulalia whirled away like a black-and-amber bird. Philip looked after her for a second, thinking how graceful she was, then turned to greet Don Miguel. That gentleman was as lean and dry and as solemn as ever. How he ever came to be the parent of this fairy of midnight, Philip could not quite understand. But doubtless she took after her mother—the female side of a family generally does, in looks.
“I was just conversing with Doña Eulalia,” said Philip, responding to Maraquando’s stately greeting “Your daughter, Señor.”
“She is yours also, Señor,” was Miguel’s startling reply.
“Egad! I wish she was mine,” thought Cassim, who knew this Spanish formula too well to be astonished. “By the way, Señor, my friend Don Pedro thanks you for sending Cocom,” he added politely.
“Don Pedro is welcome a thousand times to my poor services. And where is the Señor Correspoñsal?”
“Writing for his diario.”
“Bueno, Señor. And Don Juan?”
“He is now on his way to your estancia.”
“I am his servant, for such kindness,” said Maraquando, gravely. “Will you take some pulque, Señor Felipe?”
“I thank you, no,” replied Philip, remembering his former experience of the drink. “If not troubling you too much, I would like to see Tlatonac.”
“I am at your service, Señor. Shall we depart at once?”
Philip signified his acquiescence, though he would rather have stayed in the cool patio, and flirted with Doña Eulalia. He knew, however, that Spanish fathers are not the most amiable parents in the world, and resent too much attention being paid by foreigners to their womankind; therefore he took leave of the young lady and departed with Don Miguel. Before Philip parted from that gentleman, he had explored the city thoroughly, and was quite worn out.
The Jefe Politico was a most conscientious cicerone. He took Philip to every building of any note, and gave him a minute history of all events connected therewith, from the earliest period to the present time. Fortunately, Tlatonac was not very old, or he would have gone on for a week without stopping. As it was, he took nearly all day in directing Philip’s attention to dates, Aztec idols, ruins of teocallis, sites of palaces, to battle-fields, and many other things too numerous to mention. This information was accurate but wearisome, and Philip felt it to be so. Maraquando was Prescott and Bancroft rolled into one, as regards knowledge of history, and, having found a willing listener, took full advantage of the opportunity. Cassim was too polite to object, but he heartily wished that Don Miguel would hold his tongue. The most pathetic part of the whole affair was that the poor man thought he was amusing his guest.
Tlatonac is built partly on the seashore and partly on a hill. Within the walls of the forts frowning over the waters are the dwellings of the flat portion inhabited by peons and leperos, with a sprinkling of low-caste mestizos. From thence the houses rise up to the top of the hill, which is crowned by the cathedral in the Plaza de los Hombres Ilustres. This is the heart of Tlatonac, the aristocratic quarter, and commands a splendid view of the surrounding country.
The Plaza was a very large square, fenced in on three sides by the houses of the Cholacacan aristocracy, on the fourth by the great cathedral. In the centre was the zocalo, a green oasis of verdure laid out in winding walks and brilliant flower-beds. Herein the aristocracy took their walks when the band played in the cool of the evening, using it as a kind of alameda, wherein to meet their friends and gossip. It was indeed a charming spot, and its green arcades afforded a grateful shade from the hot sun which blazed down on the white stones of the square outside. On leaving the zocalo, they entered the church dedicated to Nuestra Señora de la Concepcion, which once gave its name to the town now more generally known by its Indian appellation of Tlatonac.
“The cathedral, Señor,” said Don Miguel, as they stood beneath the glory of the great cupola, “is built on the site of a famous teocalli.”
“That dedicated to the Chalchuih Tlatonac?”
“To the false god Huitzilopochtli, Señor,” corrected the Spaniard, gravely. “I see you know the story. Yes, it was here that the son of Montezuma’s daughter came with the shining precious stone which gives its name to the city. He worshipped his barbaric deities after the fashion of his mother, and built here a teocalli to the war-god, wherein was preserved the devil stone. Many years after, when the Conquistadores—our ancestors, Señor—arrived, the then possessor of the opal fled with it into the impenetrable forests, and thus the jewel was lost to the Crown of Spain. The Conquistadores pulled down the teocalli and built thereon this church to the glory of Our Lady, at the command of Fray Medina, who afterwards became the first Bishop of Tlatonac. Is it not beautiful, Señor? and all for the glory of God and the true cross.”
It was indeed a beautiful old church, mellowed into restful beauty by the lapse of years. The floor was of marquetry, hued like a dim rainbow owing to the different coloured woods. Slender porphyry pillars sprang from the floor to the groined ceiling in two long rows, and at the far end, under a firmament of sun and stars and silver moons, with ascending saints and wide-winged angels, arose the glory of the great altar, sparkling in the dusky atmosphere like a vast jewel. Before it burned a silver lamp like a red star. Tapestries, richly worked, depended between the pillars, gorgeous brocades were here, faded silken draperies there, and everywhere faces of saint, angel, cherubim, and seraphim. Gilt crosses, pictures of the Virgin, statues of the Virgin, side altars laden with flowers, silver railings, steps of Puebla marble, like alabaster, and throughout a dim religious light as the rays of the sun pierced the painted windows. The fumes of incense permeated the building; there was a sound of muttered prayers, and here and there a dark figure prostrate before a shrine or kneeling at the confessional.
All this magnificence was toned down by time to delicate hues, which blended the one with the other and made a harmonious whole. Dingy and old as it was, the whole edifice was redolent of sacred associations, and it required some imagination to conceive that where now reigned this quiet and holy beauty once arose a heathen temple, where the victims shrieked on the altar of a fierce deity. Religion did not seem very flourishing in Cholacaca, for on this day in the cathedral there were few worshippers—no priests.
“We have few priests now, Señor,” explained Don Miguel, gravely, as they left the great building. “The Jesuits were once powerful in Cholacaca, but they were expelled some years ago. The priests would meddle with politics, and when the Church clashes with the Government, well, Señor—one must go to the wall.”
“So the Jesuits went?”
“Yes. They were unwilling to go, for Cholacaca is one of the richest mission fields. Not that I think they have done much good, for though the Indians are outwardly converted, yet I know for certain that they still secretly worship Huitzilopochtli and the Chalchuih Tlatonac.”
“What
