Pharos, the Egyptian (Horror Classic). Guy Boothby

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Pharos, the Egyptian (Horror Classic) - Guy  Boothby

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his ward, then?" I said, with an eagerness that I could see was not lost upon my companion. "I had made up my mind she was his granddaughter."

      "Indeed, no," Lady Medenham replied. "The poor girl's story is a very strange and sad one. Her father was a Hungarian noble, a brilliant man in his way, I believe, but a confirmed spendthrift. Her mother died when she was but six years old. From a very early age she gave signs of possessing extraordinary musical talent, and this her father, perhaps with some strange prevision of the future, fostered with every care. When she was barely fifteen he was killed in a duel. It was then discovered that his money was exhausted and that the home was mortgaged beyond all redemption to the Jews. Thus the daughter, now without relations or friends of any sort or description, was thrown upon the world to sink or swim just as Fate should decree. For any girl the position would have been sufficiently unhappy, but for her, who had seen nothing of life, and who was of an extremely sensitive disposition, it was well-nigh insupportable. What her existence must have been like for the next five years one scarcely likes to think. But it served its purpose. With a bravery that excites one's admiration she supported herself almost entirely by her music; gaining in breadth, power, and knowledge of technique with every year. Then—where, or in what manner I have never been able to discover, for she is peculiarly sensitive upon this point—she became acquainted with the old gentleman you saw last night, Monsieur Pharos. He was rich, eccentric, and perhaps what most attracted her, passionately fond of music. His extreme age obviated any scandal, even had there been any one to raise it, so that when he proposed to adopt the friendless but beautiful girl, and to enable her to perfect her musical education under the best masters, no one came forward to protest against it. She has, I believe, been with him upward of seven years now."

      I shuddered when I heard this. Knowing what I did of Pharos I could not find it in my heart to credit him with the possession of so much kindly feeling. But if it were not so, what could the bond between them be?

      "What you tell me is extremely interesting," I remarked, "and only adds to my desire to see the old gentleman once more. If you could let me have his address I should be more grateful than I can say."

      "I am very much afraid it is not in my power," she replied. "It is one of the least of Monsieur Pharos's many peculiarities to take extraordinary precautions to prevent his whereabouts becoming known; but stay, I think I can tell you of some one who may be of more service to you. You know Sir George Legrath, do you not?"

      "The Director of the Egyptian Museum?" I said. "Yes, I know him very well indeed. He was an old friend of my father's."

      "To be sure he was," she answered. "Well, then, go and see him. I think it is probable that he may be able to assist you. Monsieur Pharos is an acquaintance of his, and it was to Sir George's care that I sent the invitation to my 'at home' last night."

      "I can not thank you enough for your kindness, Lady Medenham," I replied, as I rose from my chair. "I will go and see Sir George at once."

      "And I hope you may be successful. If I can help you in any other way be sure I will do so. But before you go, Mr. Forrester, let me give you another piece of advice. You should really consult a doctor without delay. I do not like your appearance at all. We shall hear of your being seriously ill if you do not take more care of yourself."

      I laughed uneasily. In my own heart I knew my ailment was not of the body but of the mind, and until my suspicions concerning Pharos were set at rest it was beyond the reach of any doctor's science to do me good. Once more I thanked Lady Medenham for her kindness, and then left her and made my way back to the cab.

      "To the Egyptian Museum," I cried to the driver, as I took my seat in the vehicle, "and as quickly as you can go!"

      The man whipped up his horse, and in less than ten minutes from the time the butler closed the front door upon me at Medenham House I was entering the stately portico of the world-famous Museum. For some years I had been a constant visitor there, and as a result was well known to the majority of the officials. I inquired from one, whom I met in the vestibule, whether I should find Sir George in his office.

      "I am not quite certain, sir," the man replied. "It's only just gone half past ten, and unless there is something important doing, we don't often see him much before a quarter to eleven. However, if you will be kind enough, sir, to step this way, I'll very soon find out."

      So saying he led me along the corridor, past huge monuments and blocks of statuary, to a smaller passage on the extreme left of the building. At the farther end of this was a door, upon which he knocked. No answer rewarded him.

      "I am very much afraid, sir, he has not arrived," remarked the man, "but perhaps you will be good enough to step inside and take a seat. I feel sure he won't be very long."

      "In that case I think I will do so," I replied, and accordingly I was ushered into what is perhaps the most characteristic office in London. Having found the morning paper and with unconscious irony placed it before me, the man withdrew, closing the door behind him.

      I have said that the room in which I was now seated was characteristic of the man who occupied it. Sir George Legrath is, as every one knows, the most competent authority the world possesses at the present time on the subject of ancient Egypt. He had graduated under my own poor father, and, if only for this reason, we had always been the closest friends. It follows as a natural sequence that the walls of the room should be covered from ceiling to floor with paintings, engravings, specimens of papyrus, and the various odds and ends accumulated in an Egyptologist's career. He had also the reputation of being one of the best-dressed men in London, and was at all times careful to a degree of his appearance. This accounted for the velvet office-coat, a sleeve of which I could just see peeping out from behind a curtain in the corner. Kindly of heart and the possessor of a comfortable income, it is certain that but few of those in need who applied to him did so in vain; hence the pile of begging letters from charitable institutions and private individuals that invariably greeted his arrival at his office. I had not been waiting more than five minutes before I heard an active step upon the stone flagging of the passage outside. The handle of the door was sharply turned, and the man for whom I was waiting entered the room.

      "My dear Cyril," he cried, advancing toward me with outstretched hand, "this is indeed a pleasure! It is now some weeks since I last saw you, but, on the other hand, I have heard of you. The fame of your picture is in every one's mouth."

      "Every one is very kind," I replied, "but I am afraid in this instance the public says rather more than it means."

      "Not a bit of it," answered my friend. "That reminds me, however, that there is one point in the picture about which I want to talk to you."

      "At any other time I shall be delighted," I replied, "but to-day, Sir George, I have something else to say to you. I have come to you because I am very much worried."

      "Now that I look at you I can see you are not quite the thing," he said. "But what is this worry? Tell me about it, for you know if I can help you I shall be only too glad to do so."

      "I have come to seek your advice in a rather strange matter," I replied, "and before I begin I must ask that everything I say shall remain in the strictest confidence between us."

      "I will give you that promise willingly," he said, "and I think you know me well enough to feel certain I shall keep it. Now let me hear your troubles."

      "In the first place I want you to tell me all you know of an extraordinary individual who has been seen a good deal in London society of late. I refer to a man named Pharos."

      While I had been speaking Sir George had seated himself in the chair before his writing-table. On hearing my question, however, he

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