THE CHRONICLES OF BARSETSHIRE & THE PALLISER NOVELS. Anthony Trollope

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THE CHRONICLES OF BARSETSHIRE & THE PALLISER NOVELS - Anthony  Trollope

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The man is made to be unfortunate enough, and the evil which he does is apparent. So far I did not fail, but the sympathy has not been created yet. I look upon the story as being nearly altogether bad. It is in part redeemed by certain scenes in the house and vicinity of an old maid in Exeter. But a novel which in its main parts is bad cannot, in truth, be redeemed by the vitality of subordinate characters.

      This work was finished while I was at Washington in the spring of 1868, and on the day after I finished it, I commenced The Vicar of Bullhampton, a novel which I wrote for Messrs. Bradbury & Evans. This I completed in November, 1868, and at once began Sir Harry Hotspur of Humblethwaite, a story which I was still writing at the close of the year. I look upon these two years, 1867 and 1868, of which I have given a somewhat confused account in this and the two preceding chapters, as the busiest in my life. I had indeed left the Post Office, but though I had left it I had been employed by it during a considerable portion of the time. I had established the St. Paul’s Magazine, in reference to which I had read an enormous amount of manuscript, and for which, independently of my novels, I had written articles almost monthly. I had stood for Beverley and had made many speeches. I had also written five novels, and had hunted three times a week during each of the winters. And how happy I was with it all! I had suffered at Beverley, but I had suffered as a part of the work which I was desirous of doing, and I had gained my experience. I had suffered at Washington with that wretched American Postmaster, and with the mosquitoes, not having been able to escape from that capital till July; but all that had added to the activity of my life. I had often groaned over those manuscripts; but I had read them, considering it—perhaps foolishly—to be a part of my duty as editor. And though in the quick production of my novels I had always ringing in my ears that terrible condemnation and scorn produced by the great man in Paternoster Row, I was nevertheless proud of having done so much. I always had a pen in my hand. Whether crossing the seas, or fighting with American officials, or tramping about the streets of Beverley, I could do a little, and generally more than a little. I had long since convinced myself that in such work as mine the great secret consisted in acknowledging myself to be bound to rules of labour similar to those which an artisan or a mechanic is forced to obey. A shoemaker when he has finished one pair of shoes does not sit down and contemplate his work in idle satisfaction. “There is my pair of shoes finished at last! What a pair of shoes it is!” The shoemaker who so indulged himself would be without wages half his time. It is the same with a professional writer of books. An author may of course want time to study a new subject. He will at any rate assure himself that there is some such good reason why he should pause. He does pause, and will be idle for a month or two while he tells himself how beautiful is that last pair of shoes which he has finished! Having thought much of all this, and having made up my mind that I could be really happy only when I was at work, I had now quite accustomed myself to begin a second pair as soon as the first was out of my hands.

       “The Vicar of Bullhampton”—”Sir Harry Hotspur”—”An Editor’s Tales”—”Caesar”

       Table of Contents

      In 1869 I was called on to decide, in council with my two boys and their mother, what should be their destination in life. In June of that year the elder, who was then twenty-three, was called to the Bar; and as he had gone through the regular courses of lecturing tuition and study, it might be supposed that his course was already decided. But, just as he was called, there seemed to be an opening for him in another direction; and this, joined to the terrible uncertainty of the Bar, the terror of which was not in his case lessened by any peculiar forensic aptitudes, induced us to sacrifice dignity in quest of success. Mr. Frederic Chapman, who was then the sole representative of the publishing house known as Messrs. Chapman & Hall, wanted a partner, and my son Henry went into the firm. He remained there three years and a half; but he did not like it, nor do I think he made a very good publisher. At any rate he left the business with perhaps more pecuniary success than might have been expected from the short period of his labours, and has since taken himself to literature as a profession. Whether he will work at it so hard as his father, and write as many books, may be doubted.

      My second son, Frederic, had very early in life gone to Australia, having resolved on a colonial career when he found that boys who did not grow so fast as he did got above him at school. This departure was a great pang to his mother and me; but it was permitted on the understanding that he was to come back when he was twenty-one, and then decide whether he would remain in England or return to the Colonies. In the winter of 1868 he did come to England, and had a season’s hunting in the old country; but there was no doubt in his own mind as to his settling in Australia. His purpose was fixed, and in the spring of 1869 he made his second journey out. As I have since that date made two journeys to see him,—of one of which at any rate I shall have to speak, as I wrote a long book on the Australasian Colonies,—I will have an opportunity of saying a word or two further on of him and his doings.

      The Vicar of Bullhampton was written in 1868 for publication in Once a Week, a periodical then belonging to Messrs. Bradbury & Evans. It was not to come out till 1869, and I, as was my wont had made my terms long previously to the proposed date. I had made my terms and written my story and sent it to the publisher long before it was wanted; and so far my mind was at rest. The date fixed was the first of July, which date had been named in accordance with the exigencies of the editor of the periodical. An author who writes for these publications is bound to suit himself to these exigencies, and can generally do so without personal loss or inconvenience, if he will only take time by the forelock. With all the pages that I have written for magazines I have never been a day late, nor have I ever caused inconvenience by sending less or more matter than I had stipulated to supply. But I have sometimes found myself compelled to suffer by the irregularity of others. I have endeavoured to console myself by reflecting that such must ever be the fate of virtue. The industrious must feed the idle. The honest and simple will always be the prey of the cunning and fraudulent. The punctual, who keep none waiting for them, are doomed to wait perpetually for the unpunctual. But these earthly sufferers know that they are making their way heavenwards,—and their oppressors their way elsewards. If the former reflection does not suffice for consolation, the deficiency is made up by the second. I was terribly aggrieved on the matter of the publication of my new Vicar, and had to think very much of the ultimate rewards of punctuality and its opposite. About the end of March, 1869, I got a dolorous letter from the editor. All the Once a Week people were in a terrible trouble. They had bought the right of translating one of Victor Hugo’s modern novels, L’Homme Qui Rit; they bad fixed a date, relying on positive pledges from the French publishers; and now the great French author had postponed his work from week to week and from month to month, and it had so come to pass that the Frenchman’s grinning hero would have to appear exactly at the same time as my clergyman. Was it not quite apparent to me, the editor asked, that Once a Week could not hold the two? Would I allow my clergyman to make his appearance in the Gentleman’s Magazine instead?

      My disgust at this proposition was, I think, chiefly due to Victor Hugo’s latter novels, which I regard as pretentious and untrue to nature. To this perhaps was added some feeling of indignation that I should be asked to give way to a Frenchman. The Frenchman had broken his engagement. He had failed to have his work finished by the stipulated time. From week to week and from month to month he had put off the fulfilment of his duty. And because of these laches on his part,—on the part of this sententious French Radical,—I was to be thrown over! Virtue sometimes finds it difficult to console herself even with the double comfort. I would not come out in the Gentleman’s Magazine, and as the Grinning Man could not be got out of the way, by novel was published in separate numbers.

      The same thing has occurred to me more than once since. “You no doubt are regular,” a publisher has said to me, “but Mr. —— is irregular. He has thrown me out, and I cannot be ready for you till three months after the time named.” In these emergencies I have given perhaps half what was wanted, and have refused to give the other half. I have endeavoured to fight my own battle fairly,

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