THE COMPLETE FORSYTE SAGA SERIES: The Forsyte Saga, A Modern Comedy, End of the Chapter & On Forsyte 'Change (A Prequel). John Galsworthy

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THE COMPLETE FORSYTE SAGA SERIES: The Forsyte Saga, A Modern Comedy, End of the Chapter & On Forsyte 'Change (A Prequel) - John Galsworthy

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was tinged with irony. So this was the answer to the riddle he had been asking himself; and his three children were Forsytes after all. Surely Holly might have told him all this before! But he smothered the sarcastic sayings on his lips. Tenderness to the young was perhaps the most sacred article of his belief. He had got, no doubt, what he deserved. Engaged! So this was why he had so lost touch with her! And to young Val Dartie—nephew of Soames—in the other camp! It was all terribly distasteful. He closed his easel, and set his drawing against the tree.

      "Have you told June?"

      "Yes; she says she'll get me into her cabin somehow. It's a single cabin; but one of us could sleep on the floor. If you consent, she'll go up now and get permission."

      'Consent?' thought Jolyon. 'Rather late in the day to ask for that!' But again he checked himself.

      "You're too young, my dear; they won't let you."

      "June knows some people that she helped to go to Cape Town. If they won't let me nurse yet, I could stay with them and go on training there. Let me go, Dad!"

      Jolyon smiled because he could have cried.

      "I never stop anyone from doing anything," he said.

      Holly flung her arms round his neck.

      "Oh! Dad, you are the best in the world."

      'That means the worst,' thought Jolyon. If he had ever doubted his creed of tolerance he did so then.

      "I'm not friendly with Val's family," he said, "and I don't know Val, but Jolly didn't like him."

      Holly looked at the distance and said:

      "I love him."

      "That settles it," said Jolyon dryly, then catching the expression on her face, he kissed her, with the thought: 'Is anything more pathetic than the faith of the young?' Unless he actually forbade her going it was obvious that he must make the best of it, so he went up to town with June. Whether due to her persistence, or the fact that the official they saw was an old school friend of Jolyon's, they obtained permission for Holly to share the single cabin. He took them to Surbiton station the following evening, and they duly slid away from him, provided with money, invalid foods, and those letters of credit without which Forsytes do not travel.

      He drove back to Robin Hill under a brilliant sky to his late dinner, served with an added care by servants trying to show him that they sympathised, eaten with an added scrupulousness to show them that he appreciated their sympathy. But it was a real relief to get to his cigar on the terrace of flag-stones—cunningly chosen by young Bosinney for shape and colour—with night closing in around him, so beautiful a night, hardly whispering in the trees, and smelling so sweet that it made him ache. The grass was drenched with dew, and he kept to those flagstones, up and down, till presently it began to seem to him that he was one of three, not wheeling, but turning right about at each end, so that his father was always nearest to the house, and his son always nearest to the terrace edge. Each had an arm lightly within his arm; he dared not lift his hand to his cigar lest he should disturb them, and it burned away, dripping ash on him, till it dropped from his lips, at last, which were getting hot. They left him then, and his arms felt chilly. Three Jolyons in one Jolyon they had walked.

      He stood still, counting the sounds—a carriage passing on the highroad, a distant train, the dog at Gage's farm, the whispering trees, the groom playing on his penny whistle. A multitude of stars up there—bright and silent, so far off! No moon as yet! Just enough light to show him the dark flags and swords of the iris flowers along the terrace edge—his favourite flower that had the night's own colour on its curving crumpled petals. He turned round to the house. Big, unlighted, not a soul beside himself to live in all that part of it. Stark loneliness! He could not go on living here alone. And yet, so long as there was beauty, why should a man feel lonely? The answer—as to some idiot's riddle—was: Because he did. The greater the beauty, the greater the loneliness, for at the back of beauty was harmony, and at the back of harmony was—union. Beauty could not comfort if the soul were out of it. The night, maddeningly lovely, with bloom of grapes on it in starshine, and the breath of grass and honey coming from it, he could not enjoy, while she who was to him the life of beauty, its embodiment and essence, was cut off from him, utterly cut off now, he felt, by honourable decency.

      He made a poor fist of sleeping, striving too hard after that resignation which Forsytes find difficult to reach, bred to their own way and left so comfortably off by their fathers. But after dawn he dozed off, and soon was dreaming a strange dream.

      He was on a stage with immensely high rich curtains—high as the very stars—stretching in a semi-circle from footlights to footlights. He himself was very small, a little black restless figure roaming up and down; and the odd thing was that he was not altogether himself, but Soames as well, so that he was not only experiencing but watching. This figure of himself and Soames was trying to find a way out through the curtains, which, heavy and dark, kept him in. Several times he had crossed in front of them before he saw with delight a sudden narrow rift—a tall chink of beauty the colour of iris flowers, like a glimpse of Paradise, remote, ineffable. Stepping quickly forward to pass into it, he found the curtains closing before him. Bitterly disappointed he—or was it Soames?—moved on, and there was the chink again through the parted curtains, which again closed too soon. This went on and on and he never got through till he woke with the word "Irene" on his lips. The dream disturbed him badly, especially that identification of himself with Soames.

      Next morning, finding it impossible to work, he spent hours riding Jolly's horse in search of fatigue. And on the second day he made up his mind to move to London and see if he could not get permission to follow his daughters to South Africa. He had just begun to pack the following morning when he received this letter:

      "GREEN HOTEL,

      "June 13.

      "RICHMOND. "MY DEAR JOLYON,

      "You will be surprised to see how near I am to you. Paris became impossible—and I have come here to be within reach of your advice. I would so love to see you again. Since you left Paris I don't think I have met anyone I could really talk to. Is all well with you and with your boy? No one knows, I think, that I am here at present.

      "Always your friend,

      "IRENE."

      Irene within three miles of him!—and again in flight! He stood with a very queer smile on his lips. This was more than he had bargained for!

      About noon he set out on foot across Richmond Park, and as he went along, he thought: 'Richmond Park! By Jove, it suits us Forsytes!' Not that Forsytes lived there—nobody lived there save royalty, rangers, and the deer—but in Richmond Park Nature was allowed to go so far and no further, putting up a brave show of being natural, seeming to say: 'Look at my instincts—they are almost passions, very nearly out of hand, but not quite, of course; the very hub of possession is to possess oneself.' Yes! Richmond Park possessed itself, even on that bright day of June, with arrowy cuckoos shifting the tree-points of their calls, and the wood doves announcing high summer.

      The Green Hotel, which Jolyon entered at one o'clock, stood nearly opposite that more famous hostelry, the Crown and Sceptre; it was modest, highly respectable, never out of cold beef, gooseberry tart, and a dowager or two, so that a carriage and pair was almost always standing before the door.

      In a room draped in chintz so slippery as to forbid all emotion, Irene was sitting on a piano stool covered with crewel work, playing 'Hansel and Gretel' out of an old score. Above her on a wall, not yet Morris-papered, was a print of the Queen on a pony, amongst deer-hounds, Scotch

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