Harold : the Last of the Saxon Kings — Complete. Baron Edward Bulwer Lytton Lytton
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Edith instinctively raised her eyes, and, once fixed upon the knight, they seemed chained as by a spell. His vest, of a cramoisay so dark, that it seemed black beside the snowy garb of the Confessor, was edged by a deep band of embroidered gold; leaving perfectly bare his firm, full throat—firm and full as a column of granite—a short jacket or manteline of fur, pendant from the shoulders, left developed in all its breadth a breast, that seemed meet to stay the march of an army; and on the left arm, curved to support the falcon, the vast muscles rose, round and gnarled, through the close sleeve.
In height, he was really but little above the stature of many of those present; nevertheless, so did his port 13, his air, the nobility of his large proportions, fill the eye, that he seemed to tower immeasurably above the rest.
His countenance was yet more remarkable than his form; still in the prime of youth, he seemed at the first glance younger, at the second older, than he was. At the first glance younger; for his face was perfectly shaven, without even the moustache which the Saxon courtier, in imitating the Norman, still declined to surrender; and the smooth visage and bare throat sufficed in themselves to give the air of youth to that dominant and imperious presence. His small skull-cap left unconcealed his forehead, shaded with short thick hair, uncurled, but black and glossy as the wings of a raven. It was on that forehead that time had set its trace; it was knit into a frown over the eyebrows; lines deep as furrows crossed its broad, but not elevated expanse. That frown spoke of hasty ire and the habit of stern command; those furrows spoke of deep thought and plotting scheme; the one betrayed but temper and circumstance; the other, more noble, spoke of the character and the intellect. The face was square, and the regard lion-like; the mouth—small, and even beautiful in outline—had a sinister expression in its exceeding firmness; and the jaw—vast, solid, as if bound in iron—showed obstinate, ruthless, determined will; such a jaw as belongs to the tiger amongst beasts, and the conqueror amongst men; such as it is seen in the effigies of Caesar, of Cortes, of Napoleon.
That presence was well calculated to command the admiration of women, not less than the awe of men. But no admiration mingled with the terror that seized the girl as she gazed long and wistful upon the knight. The fascination of the serpent on the bird held her mute and frozen. Never was that face forgotten; often in after-life it haunted her in the noon-day, it frowned upon her dreams.
“Fair child,” said the knight, fatigued at length by the obstinacy of the gaze, while that smile peculiar to those who have commanded men relaxed his brow, and restored the native beauty to his lip, “fair child, learn not from thy peevish grandam so uncourteous a lesson as hate of the foreigner. As thou growest into womanhood, know that Norman knight is sworn slave to lady fair;” and, doffing his cap, he took from it an uncut jewel, set in Byzantine filigree work. “Hold out thy lap, my child; and when thou nearest the foreigner scoffed, set this bauble in thy locks, and think kindly of William, Count of the Normans.” 14
He dropped the jewel on the ground as he spoke; for Edith, shrinking and unsoftened towards him, held no lap to receive it; and Hilda, to whom Edward had been speaking in a low voice, advanced to the spot and struck the jewel with her staff under the hoofs of the king’s palfrey.
“Son of Emma, the Norman woman, who sent thy youth into exile, trample on the gifts of thy Norman kinsman. And if, as men say, thou art of such gifted holiness that Heaven grants thy hand the power to heal, and thy voice the power to curse, heal thy country, and curse the stranger!”
She extended her right arm to William as she spoke, and such was the dignity of her passion, and such its force, that an awe fell upon all. Then dropping her hood over her face, she slowly turned away, regained the summit of the knoll, and stood erect beside the altar of the Northern god, her face invisible through the hood drawn completely over it, and her form motionless as a statue.
“Ride on,” said Edward, crossing himself.
“Now by the bones of St. Valery,” said William, after a pause, in which his dark keen eye noted the gloom upon the King’s gentle face, “it moves much my simple wonder how even presence so saintly can hear without wrath words so unleal and foul. Gramercy, an the proudest dame in Normandy (and I take her to be wife to my stoutest baron, William Fitzosborne) had spoken thus to me—”
“Thou wouldst have done as I, my brother,” interrupted Edward; “prayed to our Lord to pardon her, and rode on pitying.”
William’s lip quivered with ire, yet he curbed the reply that sprang to it, and he looked with affection genuinely more akin to admiration than scorn, upon his fellow-prince. For, fierce and relentless as the Duke’s deeds were, his faith was notably sincere; and while this made, indeed, the prince’s chief attraction to the pious Edward, so, on the other hand, this bowed the Duke in a kind of involuntary and superstitious homage to the man who sought to square deeds to faith. It is ever the case with stern and stormy spirits, that the meek ones which contrast them steal strangely into their affections. This principle of human nature can alone account for the enthusiastic devotion which the mild sufferings of the Saviour awoke in the fiercest exterminators of the North. In proportion, often, to the warrior’s ferocity, was his love to that Divine model, at whose sufferings he wept, to whose tomb he wandered barefoot, and whose example of compassionate forgiveness he would have thought himself the basest of men to follow!
“Now, by my halidame, I honour and love thee, Edward,” cried the Duke, with a heartiness more frank than was usual to him: “and were I thy subject, woe to man or woman that wagged tongue to wound thee by a breath. But who and what is this same Hilda? one of thy kith and kin?—surely not less than kingly blood runs so bold?”
“William, bien aime,” 15 said the King, “it is true that Hilda, whom the saints assoil, is of kingly blood, though not of our kingly line. It is feared,” added Edward, in a timid whisper, as he cast a hurried glance around him, “that this unhappy woman has ever been more addicted to the rites of her pagan ancestors than to those of Holy Church; and men do say that she hath thus acquired from fiend or charm secrets devoutly to be eschewed by the righteous. Nathless, let us rather hope that her mind is somewhat distraught with her misfortunes.”
The King sighed, and the Duke sighed too, but the Duke’s sigh spoke impatience. He swept behind him a stern and withering look towards the proud figure of Hilda, still seen through the glades, and said in a sinister voice: “Of kingly blood; but this witch of Woden hath no sons or kinsmen, I trust, who pretend to the throne of the Saxon:”
“She is sibbe to Githa, wife of Godwin,” answered the King, “and that is her most perilous connection; for the banished Earl, as thou knowest, did not pretend to fill the throne, but he was content with nought less than governing our people.”
The King then proceeded to sketch an outline of the history of Hilda, but his narrative was so deformed both by his superstitions and prejudices, and his imperfect information in all the leading events and characters in his own kingdom, that we will venture to take upon ourselves his task; and while the train ride on through glade and mead, we will briefly narrate, from our own special sources of knowledge, the chronicle of Hilda, the Scandinavian Vala.
CHAPTER II.
A magnificent race of men were those war sons of the old North, whom our popular histories, so superficial in their accounts of this age, include in the common name of the “Danes.” They replunged into barbarism the nations over which they swept; but from that barbarism they reproduced