was rather awkwardly put by Patton, but Carrie redeemed it with a grace which was inspiring.
“But she is your wife,” she said, fixing her whole attention upon the stilled actor, and softening the quality of her voice until it was again low and musical. “Ray, my friend, courtship is the text from which the whole sermon of married life takes its theme. Do not let yours be discontented and unhappy.”
She put her two little hands together and pressed them appealingly.
Hurstwood gazed with slightly parted lips. Drouet was fidgeting with satisfaction.
“To be my wife, yes,” went on the actor in a manner which was weak by comparison, but which could not now spoil the tender atmosphere which Carrie had created and maintained. She did not seem to feel that he was wretched. She would have done nearly as well with a block of wood. The accessories she needed were within her own imagination. The acting of others could not affect them.
“And you repent already?” she said, slowly.
“I lost you,” he said, seizing her little hand, “and I was at the mercy of any flirt who chose to give me an inviting look. It was your fault — you know it was — why did you leave me?”
Carrie turned slowly away, and seemed to be mastering some impulse in silence. Then she turned back.
“Ray,” she said, “the greatest happiness I have ever felt has been the thought that all your affection was forever bestowed upon a virtuous woman, your equal in family, fortune, and accomplishments. What a revelation do you make to me now! What is it makes you continually war with your happiness?”
The last question was asked so simply that it came to the audience and the lover as a personal thing.
At last it came to the part where the lover exclaimed, “Be to me as you used to be.”
Carrie answered, with affecting sweetness, “I cannot be that to you, but I can speak in the spirit of the Laura who is dead to you forever.”
“Be it as you will,” said Patton.
Hurstwood leaned forward. The whole audience was silent and intent.
“Let the woman you look upon be wise or vain,” said Carrie, her eyes bent sadly upon the lover, who had sunk into a seat, “beautiful or homely, rich or poor, she has but one thing she can really give or refuse — her heart.”
Drouet felt a scratch in his throat.
“Her beauty, her wit, her accomplishments, she may sell to you; but her love is the treasure without money and without price.”
The manager suffered this as a personal appeal. It came to him as if they were alone, and he could hardly restrain the tears for sorrow over the hopeless, pathetic, and yet dainty and appealing woman whom he loved. Drouet also was beside himself. He was resolving that he would be to Carrie what he had never been before. He would marry her, by George! She was worth it.
“She asks only in return,” said Carrie, scarcely hearing the small, scheduled reply of her lover, and putting herself even more in harmony with the plaintive melody now issuing from the orchestra, “that when you look upon her your eyes shall speak devotion; that when you address her your voice shall be gentle, loving, and kind; that you shall not despise her because she cannot understand all at once your vigorous thoughts and ambitious designs; for, when misfortune and evil have defeated your greatest purposes, her love remains to console you. You look to the trees,” she continued, while Hurstwood restrained his feelings only by the grimmest repression, “for strength and grandeur; do not despise the flowers because their fragrance is all they have to give. Remember,” she concluded, tenderly, “love is all a woman has to give,” and she laid a strange, sweet accent on the all, “but it is the only thing which God permits us to carry beyond the grave.”
The two men were in the most harrowed state of affection. They scarcely heard the few remaining words with which the scene concluded. They only saw their idol, moving about with appealing grace, continuing a power which to them was a revelation.
Hurstwood resolved a thousands things, Drouet as well. They joined equally in the burst of applause which called Carrie out. Drouet pounded his hands until they ached. Then he jumped up again and started out. As he went, Carrie came out, and, seeing an immense basket of flowers being hurried down the aisle toward her she waited. They were Hurstwood’s. She looked toward the manager’s box for a moment, caught his eye, and smiled. He could have leaped out of the box to enfold her. He forgot the need of circumspectness which his married state enforced. He almost forgot that he had with him in the box those who knew him. By the Lord, he would have that lovely girl if it took his all. He would act at once. This should be the end of Drouet, and don’t you forget it. He would not wait another day. The drummer should not have her.
He was so excited that he could not stay in the box. He went into the lobby, and then into the street, thinking. Drouet did not return. In a few minutes the last act was over, and he was crazy to have Carrie alone. He cursed the luck that could keep him smiling, bowing, shamming, when he wanted to tell her that he loved her, when he wanted to whisper to her alone. He groaned as he saw that his hopes were futile. He must even take her to supper, shamming. He finally went about and asked how she was getting along. The actors were all dressing, talking, hurrying about. Drouet was palavering himself with the looseness of excitement and passion. The manager mastered himself only by a great effort.
“We are going to supper, of course,” he said, with a voice that was a mockery of his heart.
“Oh, yes,” said Carrie, smiling.
The little actress was in fine feather. She was realising now what it was to be petted. For once she was the admired, the sought-for. The independence of success now made its first faint showing. With the tables turned, she was looking down, rather than up, to her lover. She did not fully realise that this was so, but there was something in condescension coming from her which was infinitely sweet. When she was ready they climbed into the waiting coach and drove down town; once, only, did she find an opportunity to express her feeling, and that was when the manager preceded Drouet in the coach and sat beside her. Before Drouet was fully in she had squeezed Hurstwood’s hand in a gentle, impulsive manner. The manager was beside himself with affection. He could have sold his soul to be with her alone. “Ah,” he thought, “the agony of it.”
Drouet hung on, thinking he was all in all. The dinner was spoiled by his enthusiasm. Hurstwood went home feeling as if he should die if he did not find affectionate relief. He whispered “tomorrow” passionately to Carrie, and she understood. He walked away from the drummer and his prize at parting feeling as if he could slay him and not regret. Carrie also felt the misery of it.
“Good-night,” he said, simulating an easy friendliness.
“Good-night,” said the little actress, tenderly.
“The fool!” he said, now hating Drouet. “The idiot! I’ll do him yet, and that quick! We’ll see tomorrow.”
“Well, if you aren’t a wonder,” Drouet was saying, complacently, squeezing Carrie’s arm. “You are the dandiest little girl on earth.”
Chapter XX
The Lure of the Spirit — The Flesh in Pursuit
