voice and wonderful power of expression; the audience went wild over her selection. Anne, forgetting all about herself and her troubles for the time, listened with rapt and shining eyes; but when the recitation ended she suddenly put her hands over her face. She could never get up and recite after that — never. Had she ever thought she could recite? Oh, if she were only back at Green Gables!
At this unpropitious moment her name was called. Somehow Anne — who did not notice the rather guilty little start of surprise the white-lace girl gave, and would not have understood the subtle compliment implied therein if she had — got on her feet, and moved dizzily out to the front. She was so pale that Diana and Jane, down in the audience, clasped each other’s hands in nervous sympathy.
Anne was the victim of an overwhelming attack of stage fright. Often as she had recited in public, she had never before faced such an audience as this, and the sight of it paralyzed her energies completely. Everything was so strange, so brilliant, so bewildering — the rows of ladies in evening dress, the critical faces, the whole atmosphere of wealth and culture about her. Very different this from the plain benches at the Debating Club, filled with the homely, sympathetic faces of friends and neighbors. These people, she thought, would be merciless critics. Perhaps, like the white-lace girl, they anticipated amusement from her “rustic” efforts. She felt hopelessly, helplessly ashamed and miserable. Her knees trembled, her heart fluttered, a horrible faintness came over her; not a word could she utter, and the next moment she would have fled from the platform despite the humiliation which, she felt, must ever after be her portion if she did so.
But suddenly, as her dilated, frightened eyes gazed out over the audience, she saw Gilbert Blythe away at the back of the room, bending forward with a smile on his face — a smile which seemed to Anne at once triumphant and taunting. In reality it was nothing of the kind. Gilbert was merely smiling with appreciation of the whole affair in general and of the effect produced by Anne’s slender white form and spiritual face against a background of palms in particular. Josie Pye, whom he had driven over, sat beside him, and her face certainly was both triumphant and taunting. But Anne did not see Josie, and would not have cared if she had. She drew a long breath and flung her head up proudly, courage and determination tingling over her like an electric shock. She WOULD NOT fail before Gilbert Blythe — he should never be able to laugh at her, never, never! Her fright and nervousness vanished; and she began her recitation, her clear, sweet voice reaching to the farthest corner of the room without a tremor or a break. Selfpossession was fully restored to her, and in the reaction from that horrible moment of powerlessness she recited as she had never done before. When she finished there were bursts of honest applause. Anne, stepping back to her seat, blushing with shyness and delight, found her hand vigorously clasped and shaken by the stout lady in pink silk.
“My dear, you did splendidly,” she puffed. “I’ve been crying like a baby, actually I have. There, they’re encoring you — they’re bound to have you back!”
“Oh, I can’t go,” said Anne confusedly. “But yet — I must, or Matthew will be disappointed. He said they would encore me.”
“Then don’t disappoint Matthew,” said the pink lady, laughing.
Smiling, blushing, limpid eyed, Anne tripped back and gave a quaint, funny little selection that captivated her audience still further. The rest of the evening was quite a little triumph for her.
When the concert was over, the stout, pink lady — who was the wife of an American millionaire — took her under her wing, and introduced her to everybody; and everybody was very nice to her. The professional elocutionist, Mrs. Evans, came and chatted with her, telling her that she had a charming voice and “interpreted” her selections beautifully. Even the white-lace girl paid her a languid little compliment. They had supper in the big, beautifully decorated dining room; Diana and Jane were invited to partake of this, also, since they had come with Anne, but Billy was nowhere to be found, having decamped in mortal fear of some such invitation. He was in waiting for them, with the team, however, when it was all over, and the three girls came merrily out into the calm, white moonshine radiance. Anne breathed deeply, and looked into the clear sky beyond the dark boughs of the firs.
Oh, it was good to be out again in the purity and silence of the night! How great and still and wonderful everything was, with the murmur of the sea sounding through it and the darkling cliffs beyond like grim giants guarding enchanted coasts.
“Hasn’t it been a perfectly splendid time?” sighed Jane, as they drove away. “I just wish I was a rich American and could spend my summer at a hotel and wear jewels and low-necked dresses and have ice cream and chicken salad every blessed day. I’m sure it would be ever so much more fun than teaching school. Anne, your recitation was simply great, although I thought at first you were never going to begin. I think it was better than Mrs. Evans’s.”
“Oh, no, don’t say things like that, Jane,” said Anne quickly, “because it sounds silly. It couldn’t be better than Mrs. Evans’s, you know, for she is a professional, and I’m only a schoolgirl, with a little knack of reciting. I’m quite satisfied if the people just liked mine pretty well.”
“I’ve a compliment for you, Anne,” said Diana. “At least I think it must be a compliment because of the tone he said it in. Part of it was anyhow. There was an American sitting behind Jane and me — such a romantic-looking man, with coal-black hair and eyes. Josie Pye says he is a distinguished artist, and that her mother’s cousin in Boston is married to a man that used to go to school with him. Well, we heard him say — didn’t we, Jane?—’Who is that girl on the platform with the splendid Titian hair? She has a face I should like to paint.’ There now, Anne. But what does Titian hair mean?”
“Being interpreted it means plain red, I guess,” laughed Anne. “Titian was a very famous artist who liked to paint redhaired women.”
“DID you see all the diamonds those ladies wore?” sighed Jane. “They were simply dazzling. Wouldn’t you just love to be rich, girls?”
“We ARE rich,” said Anne staunchly. “Why, we have sixteen years to our credit, and we’re happy as queens, and we’ve all got imaginations, more or less. Look at that sea, girls — all silver and shadow and vision of things not seen. We couldn’t enjoy its loveliness any more if we had millions of dollars and ropes of diamonds. You wouldn’t change into any of those women if you could. Would you want to be that white-lace girl and wear a sour look all your life, as if you’d been born turning up your nose at the world? Or the pink lady, kind and nice as she is, so stout and short that you’d really no figure at all? Or even Mrs. Evans, with that sad, sad look in her eyes? She must have been dreadfully unhappy sometime to have such a look. You KNOW you wouldn’t, Jane Andrews!”
“I DON’T know — exactly,” said Jane unconvinced. “I think diamonds would comfort a person for a good deal.”
“Well, I don’t want to be anyone but myself, even if I go uncomforted by diamonds all my life,” declared Anne. “I’m quite content to be Anne of Green Gables, with my string of pearl beads. I know Matthew gave me as much love with them as ever went with Madame the Pink Lady’s jewels.”
Chapter XXXIV.
A Queen’s Girl
The next three weeks were busy ones at Green Gables, for Anne was getting ready to go to Queen’s, and there was much sewing to be done, and many things to be talked over and arranged. Anne’s outfit was ample and pretty, for Matthew saw to that, and Marilla for once made no objections whatever to anything he purchased or suggested. More — one evening she went up to the east gable with
