my friends, that a little intercourse goes a great way, and illuminates my life before and after....
Your friend,
Nathaniel Hawthorne.
One may well linger here, for an instant, over the calm, confident, but deeply vibrating happiness from which those words sprang, concerning his wife, "who speaks so near me that I cannot tell her voice from my own;" and one may profitably lay away, for instruction, the closing lines,—"I take so much delight in my friends, that a little intercourse goes a great way." The allusion to "another winter of sorrow and anxiety" carries us back to the previous winter, passed in Rome, during which Hawthorne's elder daughter underwent a prolonged attack of Roman fever. Illness again developed itself in his family while they were staying at Leamington.
In February of 1860 he wrote to Mr. Fields, who was then in Italy:—
"I thank you most heartily for your kind wishes in favor of the forthcoming work ['The Marble Faun'], and sincerely join my own prayers to yours in its behalf, without much confidence of a good result. My own opinion is, that I am not really a popular writer, and that what popularity I have gained is chiefly accidental, and owing to other causes than my own kind or degree of merit. Possibly I may (or may not) deserve something better than popularity; but looking at all my productions, and especially this latter one, with a cold or critical eye, I can see that they do not make their appeal to the popular mind. It is odd enough, moreover, that my own individual taste is for quite another class of works than those which I myself am able to write. If I were to meet with such books as mine by another writer, I don't believe I should be able to get through them." At another time he had written of Anthony Trollope's novels: "They precisely suit my taste; solid and substantial, written on the strength of beef and through the inspiration of ale, and just as real as if some giant had hewn a great lump out of the earth and put it under a glass case, with all its inhabitants going about their daily business and not suspecting that they were made a show of."
Before leaving England for the last time, Hawthorne went up alone to London, and spent a week or two among his friends there, staying with Motley, and meeting Lord Dufferin, the Honorable Mrs. Norton, Leigh Hunt, Barry Cornwall, and many other agreeable and noted persons. "You would be stricken dumb," he wrote to his wife, who remained at Bath, "to see how quietly I accept a whole string of invitations, and, what is more, perform my engagements without a murmur.... The stir of this London life, somehow or other, has done me a wonderful deal of good, and I feel better than for months past. This is strange, for if I had my choice, I should leave undone almost all the things I do." In the midst of these social occupations he gave sittings to a young German-American sculptor named Kuntze, who modelled a profile portrait of him in bas-relief. A farewell dinner was given him at Barry Cornwall's; and in June, 1860, he sailed for America, from which he had been absent seven years.
There was not yet any serious sign of a failure in his health; but the illness in his family, lasting through two winters, had worn severely upon him; his spirits had begun to droop. "I would gladly journalize some of my proceedings, and describe things and people; but I find the same coldness and stiffness in my pen as always since our return to England:" thus he had written in his Note-Book, while making that final London visit. In Italy, however, he had already shown symptoms of fatigue, saying to Mr. Fields: "I have had so many interruptions from things to see and things to suffer, that the story ['The Marble Faun'] has developed itself in a very imperfect way.... I could finish it in the time that I am to remain here, but my brain is tired of it just now." The voyage put fresh vigor into him, apparently. Mrs. Harriet Beecher Stowe and Professor Stowe were on board, with their daughters, and Mr. Fields, who was also a passenger, has said: "Hawthorne's love for the sea amounted to a passionate worship, and while I (the worst sailor probably on this planet) was longing, spite of the good company on board, to reach land as soon as possible, Hawthorne was constantly saying in his quiet, earnest way, 'I should like to sail on and on forever, and never touch the shore again.'" His inherited susceptibility to the fascination of the sea no doubt intensified his enjoyment, and he is reported to have talked in a strain of delightful humor while on shipboard.
For nearly a year after his return to The Wayside, there is an uneventful gap in his history, concerning which we have very few details. He set about improving his house, and added to it a wing at the back, which, having three stories, rose above the rest of the building, and thus supplied him with a study in the top room, which had the effect of a tower. Meanwhile the political quarrel between the North and the South was rapidly culminating; in a few months the Slave States began their secession, and the Civil War broke out. This affected Hawthorne so deeply that for some time he was unable to engage in imaginative work, and he now relinquished the custom he had maintained for so many years, of keeping a journal. But there are letters which define his state of mind, which make his position clear with regard to the question of the Union, and show the change in his feeling brought on by the course of events.
Several years before, while he was still consul, he thus confided to Bridge (January 9, 1857) his general opinion respecting the crisis which even then impended:—
"I regret that you think so doubtfully of the prospects of the Union; for I should like well enough to hold on to the old thing. And yet I must confess that I sympathize to a large extent with the Northern feeling, and think it is about time for us to make a stand. If compelled to choose, I go for the North. At present, we have no country—at least, none in the sense in which an Englishman has a country. I never conceived, in reality, what a true and warm love of country is, till I witnessed it in the breasts of Englishmen. The States are too various and too extended to form really one country. New England is quite as large a lump of earth as my heart can really take in.... However, I have no kindred with nor leaning toward the Abolitionists."
When hostilities had begun, he wrote to the same friend, May 26, 1861:—
"The war, strange to say, has had a beneficial effect upon my spirits, which were flagging woefully before it broke out. But it was delightful to share in the heroic sentiment of the time, and to feel that I had a country, a consciousness which seemed to make me young again. One thing as regards this matter I regret, and one thing I am glad of. The regrettable thing is that I am too old to shoulder a musket myself, and the joyful thing is that Julian is too young. He drills constantly with a company of lads, and means to enlist as soon as he reaches the minimum age. But I trust we shall either be victorious or vanquished by that time. Meantime, though I approve the war as much as any man, I don't quite see what we are fighting for or what definite result can be expected. If we pommel the South ever so hard, they will love us none the better for it; and even if we subjugate them, our next step should be to cut them adrift, if we are fighting for the annihilation of slavery. To be sure, it may be a wise object, and offers a tangible result and the only one which is consistent with a future union between North and South. A continuance of the war would soon make this plain to us, and we should see the expediency of preparing our black brethren for future citizenship, by allowing them to fight for their own liberties and educating them through heroic influences. Whatever happens next, I must say that I rejoice that the old Union is smashed. We never were one people, and never really had a country since the Constitution was formed."
Thus, then, Hawthorne, who had been brought up politically within the democratic party and thrice held office under its régime, had reached the conclusion, four years in advance of the event, that it was time for the North to "make a stand"; and now, while muskets rattled their grim prelude to a long and deadly conflict, he planted himself firmly on the side of the government—was among the first, moreover, to resolve upon that policy of arming the negroes, which was so bitterly opposed and so slow of adoption among even progressive reformers at the North. In his solitude, out of the current of affairs, trying to pursue his own peaceful, artistic calling, and little used to making utterances on public questions, it was not incumbent upon him nor proper to his character to blazon his beliefs where every one could see them. But, these private expressions being unknown, his silence was construed against him. One more reference to the war, occurring in a letter of October 12, 1861, to
