Expositions of Holy Scripture: Psalms. Alexander Maclaren

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Expositions of Holy Scripture: Psalms - Alexander Maclaren

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the joyful invocation peals forth again, and all ends, as it does in a Christian man's life, and as it does in this book, with 'Praise ye the Lord.'

      III. We have here also a twofold prophecy of the perfection of Heaven.

      Whilst it is true that both of these purposes are accomplished here and now, it is also true that their accomplishment is but partial, and that therefore for their fulfilment we have to lift our eyes beyond this world of imperfect faith, of incomplete blessedness, of interrupted praise. Whether the Psalmist looked forward thus we do not know. But for us, the very shortcomings of our joys and of our songs are prophetic of the perfect and perpetual rapture of the one, and the perfect and perpetual music of the other. We know that He who has given us so much will not stay His hand until He has perfected that which concerns us. We know that He who has taught our dumb hearts to magnify His name will not cease till 'out of the lips of babes and sucklings, He has perfected praise.' We know that the pilgrims in whose hearts are the ways are blessed, and we are sure that a fuller blessedness must belong to those who have reached the journey's end.

      And so these words give us a twofold aspect of that future on which our longing hopes may well fix.

      It is the perfection of man's blessedness. Then the joyous exclamation of our first text, which we have often had to strive hard not to disbelieve, will be no more a truth of faith but a truth of experience. Here we have had to trust that it was so, even when we could scarce cleave to the confidence. There, memory will look back on our wanderings through this great wilderness, and, enlightened by the issue of them all, will speak only of Mercy and Goodness as our angel guides all our lives. The end will crown the work. Pure unmingled consciousness of bliss will fill all hearts, and break into the old exclamation, which we had sometimes to stifle sobs ere we could speak on earth. When He says, 'Come in! ye blessed of My Father,' all our tears and fears, and pains and sins, will be forgotten, and we shall but have to say, in wonder and joy, 'Blessed are they that dwell in Thy house; they will be still praising Thee.'

      It is the perfection of God's praise. We may possibly venture to see in these wonderful words of our text a dim and far-off hint of a possibility that seems to be pointed at in many parts of Scripture—that the blessings of Christ's mighty work shall, in some measure and manner, pass through man to his dwelling-place and its creatures. Dark shadows of evil—the mystery of pain and sorrow—lie over earth and all its tribes. 'We look for new heavens and a new earth wherein dwelleth righteousness.' And the statements of Scripture which represent creation as suffering by man's sin, and participant in its degree in man's redemption, seem too emphatic and precise, as well as too frequent, and in too didactic connections, to be lightly brushed aside as poetic imagery. May it not be that man's transgression

      'Broke the fair music that all creatures made

       To their great Lord, whose love their motion swayed,'

      and that man's restoration may, indeed, bring back all that hath life and breath to a harmonious blessedness—according to the deep and enigmatical words, which declare that 'the creature itself also shall be delivered from the bondage of corruption into the liberty of the glory of the children of God'? Be that as it may, at all events our second text opens to us the gates of the heavenly temple, and shows us there the saintly ranks and angel companies gathered in the city whose walls are salvation and its gates praise. They harmonise with that other later vision of heaven which the Seer in Patmos beheld, not only in setting before us worship as the glad work of all who are there, but in teaching the connection between the praises of men, and the answering hymns of angels. The harps of heaven are hushed to hear their praise who can sing, 'Thou hast redeemed us to God by Thy blood,' and, in answer to that hymn of thanksgiving for unexampled deliverance and resorting grace, the angels around the throne break forth into new songs to the Lamb that was slain—while still wider spread the broadening circles of harmonious praise, till at last 'every creature which is in heaven, and on the earth, and under the earth, and such as are in the sea, and all that are in them,' join in the mighty hymn of 'Blessing, and honour, and glory, and power, unto Him that sitteth upon the throne, and to the Lamb for ever and ever.' Then the rapturous exclamation from human souls redeemed—'Oh! the blessedness of the men whom Thou hast loved and saved,' shall be answered by choral praise from everything that hath breath.

      And are you dumb, my friend, in these universal bursts of praise? Is that because you have not chosen to take the universal blessing which God gives? You have nothing to do but to receive the things that are freely given to you of God—the forgiveness, the cleansing, the life, that come from Christ by faith. Take them, and call upon the name of the Lord, And can you refuse His gifts and withhold your praise? You can be eloquent in thanks to those who do you kindnesses, and in praise of those whom you admire and love, but your best Friend receives none of your gratitude and none of your praise. Ignoble silence and dull unthankfulness—with these you requite your Saviour! 'I tell you that, if these should hold their peace, the stones would immediately cry out!'

       Table of Contents

      'All those that put their trust in Thee … them also that love Thy name … the righteous.'—PSALM v. 11, 12.

      I have ventured to isolate these three clauses from their context, because, if taken in their sequence, they are very significant of the true path by which men draw nigh to God and become righteous. They are all three designations of the same people, but regarded under different aspects and at different stages. There is a distinct order in them, and whether the Psalmist was fully conscious of it or not, he was anticipating and stating, with wonderful distinctness, the Christian sequence—faith, love, righteousness.

      These three are the three flights of stairs, as it were, which lead men up to God and to perfection, or if you like to take another metaphor, meaning the same thing, they are respectively the root, the stalk, and the fruit of religion. 'They that put their trust in Thee … them also that love Thy Name … the righteous.'

      I. So, then, the first thought here is that the foundation of all is trust.

      Now, the word that is employed here is very significant. In its literal force it really means to 'flee to a refuge.' And that the literal signification has not altogether been lost in the spiritual and metaphorical use of it, as a term expressive of religious experience, is quite plain from many of the cases in which it occurs. Let me just repeat one of them to you. 'Be merciful unto me, O God, be merciful to me, for my soul trusteth in Thee; yea, in the shadow of Thy wings will I make my refuge.' There the picture that is in the words is distinctly before the Psalmist's mind, and he is thinking not only of the act of mind and heart by which he casts himself in confidence upon God, but upon that which represents it in symbol, the act by which a man flees into some hiding-place. The psalm is said in the superscription to have been written when David hid in a cave from his persecutor. Though no weight be given to that statement, it suggests the impression made by the psalm. In imagination we can see the rough sides of the cavern that sheltered him arching over the fugitive, like the wings of some great bird, and just as he has fled thither with eager feet and is safely hidden from his pursuers there, so he has betaken himself to the everlasting Rock, in the cleft of which he is at rest and secure. To trust in God is neither more nor less than to flee to Him for refuge, and there to be at peace. The same presence of the original metaphor, colouring the same religious thought, is found in the beautiful words with which Boaz welcomes Ruth, when he prays for her that the God of Israel may reward her, 'under the shadow of whose wings thou hast come to trust.'

      So, as a man in peril runs into a hiding-place or fortress, as the chickens beneath the outspread wing of the mother bird nestle close in the warm feathers and are safe and well, the soul that trusts takes its flight straight to God, and in Him reposes and is secure.

      Now,

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