"When you thought the chimney was on fire, I was burning every copy of Todd's News, " said he. "Also a copy of the Daily Mirror, which contained the case. It belonged to the Colonel. I stole it."
She put her hand through his arm.
"Let's get home," she said. "We must talk it over. No one knows one word except you and me?"
"Not one, my dear," said Robert cordially. "But there are suspicions. Georgie suspects, for instance. He saw me buy all the copies of Todd's News, at least he was hanging about. Tonight he was clearly on the track of something, though he gave us a very tolerable dinner."
They went into Robert's study: it was cold, but neither felt it, for they glowed with excitement and enterprise.
"That was a wonderful stroke of yours, Robert," said she. "It was masterly: it saved the situation. The Daily Mirror, too: how right you were to steal it. A horrid paper I always thought. Yes, Georgie suspects something, but luckily he doesn't know what he suspects."
"That's why we both said we had just heard from that woman," said Robert.
"Of course. You haven't got a copy of Todd's News, have you?"
"No: at least I burned every page of the police reports," said he. "It was safer."
"Quite so. I cannot show you Amadeo's eyebrows for the same reason. Nor the muslin. Lovely muslin, my dear: yards of it. Now what we must do is this: we must continue to be interested in psychical things; we mustn't drop them, or seem to be put off them. I wish now I had taken you into my confidence at the beginning and told you about Amadeo's eyebrows."
"My dear, you acted for the best," said he. "So did I when I didn't tell you about Todd's News. Secrecy even from each other was more prudent, until it became impossible. And I think we should be wise to let it be understood that we hear from the Princess now and then. Perhaps in a few months she might even visit us again. It — it would be humorous to be behind the scenes, so to speak, and observe the credulity of the others."
Daisy broke into a broad grin.
"I will certainly ask dear Lucia to a séance, if we do," she said. "Dear me! How late it is: there was such a long wait between the tableaux. But we must keep our eyes on Georgie, and be careful how we answer his impertinent questions. He is sure to ask some. About getting that woman down again, Robert. It might be foolhardy, for we've had an escape, and shouldn't put our heads into the same noose again. On the other hand, it would disarm suspicion for ever, if, after a few months, I asked her to spend a few days of holiday here. You said it was a fine only, not imprisonment?"
The week was a busy one: Georgie in particular never had a moment to himself. The Hurst, so lately a desert, suddenly began to rejoice with joy and singing and broke out into all manner of edifying gaieties. Lucia, capricious queen, quite forgot all the vitriolic things she had said to him, and gave him to understand that he was just as high in favour as ever before, and he was as busy with his duties as ever he had been. Whether he would have fallen into his old place so readily if he had been a free agent, was a question that did not arise, for though it was Lucia who employed him, it was Olga who drove him there. But he had his consolation, for Lucia's noble forgiveness of all the disloyalties against her, included Olga's as well, and out of all the dinners and music parties, and recitations from Peppino's new book of prose-poems which was already in proof, and was read to select audiences from end to end, there was none to which Olga was not bidden, and none at which she failed to appear. Lucia even overlooked the fact that she had sung in the carols on Christmas night, though she had herself declared that it was the voice of the red-haired boy which was so peculiarly painful to her. Georgie's picture of her (she never knew that Olga had really commissioned it) hung at the side of the piano in the music-room, where the print of Beethoven had hung before, and it gave her the acutest gratification. It represented her sitting, with eyes cast down at her piano, and was indeed much on the same scheme as the yet unfinished one of Olga, which had been postponed in its favour, but there was no time for Georgie to think out another position, and his hand was in with regard to the perspective of pianos. So there it hung with its title, "The Moonlight Sonata," painted in gilt letters on its frame, and Lucia, though she continued to say that he had made her far, far too young, could not but consider that he had caught her expression exactly . . .
So Riseholme flocked back to The Hurst like sheep that have been astray, for it was certain to find Olga there, even as it had turned there, deeply breathing, to the classes of the guru. It had to sit through the prose-poems of Peppino, it had to listen to the old, old tunes and sigh at the end, but Olga mingled her sighs with theirs, and often after a suitable pause Lucia would say winningly to Olga: "One little song, Miss Bracely. Just a stanza? Or am I trespassing too much on your good nature? Where is your accompanist? I declare I am jealous of him: I shall pop into his place some day! Georgino, Miss Bracely is going to sing us something. Is not that a treat? Sh-sh, please, ladies and gentlemen."
And she rustled to her place, and sat with the farthest-away expression ever seen on mortal face, while she trespassed on Miss Bracely's good nature.
* * *
Then Georgie had the other picture to finish, which he hoped to get ready in time to be a New Year's present, since Olga had insisted on Lucia's being done first. He had certainly secured an admirable likeness of her, and there was in it just all that his stippled, fussy representation of Lucia lacked. "Bleak December" and "Yellow Daffodils" and the rest of the series lacked it, too: for once he had done something in the doing of which he had forgotten himself. It was by no means a work of genius, for Georgie was not possessed of one grain of that, and the talent it displayed was by no means of a high order, but it had something of the naturalness of a flower that grew from the earth which nourished it.
On the last day of the year he was putting a few final touches to it, little high reflected lights on the black keys, little blacknesses of shadow in the moulding of the panel behind his hand. He had finished with her altogether, and now she sat in the window seat, looking out, and playing with the blind-tassel. He had been so much absorbed in his work that he had scarcely noticed that she had been rather unusually silent.
"I've got a piece of news for you," she said at length.
Georgie held his breath, as he drew a very thin line of body-colour along the edge of A flat.
"No! What is it?" he said. "Is it about the Princess?"
Olga seemed to hail this as a diversion.
"Ah, let's talk about that for a minute," she said. "What you ought to have done was to order another copy of Todd's News at once."
"I know I ought, but I couldn't get one when I thought of it afterwards. That was tarsome. But I feel sure there was something about her in it."
"And you can't get anything out of the Quantocks?"
"No, though I've laid plenty of traps for them. There's an understanding between them now. They both know something. When I lay a trap, it isn't any use: they look at the trap, and then they look at each other afterwards."
"What sort of traps?"
"Oh, anything. I say suddenly, 'What a bore it is that there are so many frauds among mediums, especially paid ones.' You see, I don't believe for a moment that these séances were held for nothing, though we didn't pay for going to them. And then Robert says that he would never trust a paid medium, and she looks at him approvingly, and says 'Dear Princess'! The other day — it was a very good trap — I said, 'Is it true that the Princess is coming to stay with Lady Ambermere?' It wasn't a lie: I only asked."
"And
