The Best Works of Balzac. Оноре де Бальзак

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march straight, and I don’t choose to have to do with other people’s zigzags. When I saw Danton taking mistresses, and Barras too, I said to them: ‘Citizens, when the Republic called you to govern, it was not that you might authorize the vices of the old regime!’ You may tell me that women—oh yes! we must have women, that’s all right. Good soldiers of course must have women, and good women; but in times of danger, no! Besides, where would be the good of sweeping away the old abuses if patriots bring them back again? Look at the First Consul, there’s a man! no women for him; always about his business. I’d bet my left mustache that he doesn’t know the fool’s errand we’ve been sent on!”

      “But, commandant,” said Merle, laughing, “I have seen the tip-end of the nose of the young lady, and I’ll declare the whole world needn’t be ashamed to feel an itch, as I do, to revolve round that carriage and get up a bit of a conversation.”

      “Look out, Merle,” said Gerard; “the veiled beauties have a man accompanying them who seems wily enough to catch you in a trap.”

      “Who? that incroyable whose little eyes are ferretting from one side of the road to the other, as if he saw Chouans? The fellow seems to have no legs; the moment his horse is hidden by the carriage, he looks like a duck with its head sticking out of a pate. If that booby can hinder me from kissing the pretty linnet—”

      “‘Duck’! ‘linnet’! oh, my poor Merle, you have taken wings indeed! But don’t trust the duck. His green eyes are as treacherous as the eyes of a snake, and as sly as those of a woman who forgives her husband. I distrust the Chouans much less than I do those lawyers whose faces are like bottles of lemonade.”

      “Pooh!” cried Merle, gaily. “I’ll risk it—with the commandant’s permission. That woman has eyes like stars, and it’s worth playing any stakes to see them.”

      “Caught, poor fellow!” said Gerard to the commandant; “he is beginning to talk nonsense!”

      Hulot made a face, shrugged his shoulders, and said: “Before he swallows the soup, I advise him to smell it.”

      “Bravo, Merle,” said Gerard, “judging by his friend’s lagging step that he meant to let the carriage overtake him. Isn’t he a happy fellow? He is the only man I know who can laugh over the death of a comrade without being thought unfeeling.”

      “He’s the true French soldier,” said Hulot, in a grave tone.

      “Just look at him pulling his epaulets back to his shoulders, to show he is a captain,” cried Gerard, laughing,—“as if his rank mattered!”

      The coach toward which the officer was pivoting did, in fact, contain two women, one of whom seemed to be the servant of the other.

      “Such women always run in couples,” said Hulot.

      A lean and sharp-looking little man ambled his horse sometimes before, sometimes behind the carriage; but, though he was evidently accompanying these privileged women, no one had yet seen him speak to them. This silence, a proof either of respect or contempt, as the case might be; the quantity of baggage belonging to the lady, whom the commandant sneeringly called “the princess”; everything, even to the clothes of her attendant squire, stirred Hulot’s bile. The dress of the unknown man was a good specimen of the fashions of the day then being caricatured as “incroyable,”—unbelievable, unless seen. Imagine a person trussed up in a coat, the front of which was so short that five or six inches of the waistcoat came below it, while the skirts were so long that they hung down behind like the tail of a cod,—the term then used to describe them. An enormous cravat was wound about his neck in so many folds that the little head which protruded from that muslin labyrinth certainly did justify Captain Merle’s comparison. The stranger also wore tight-fitting trousers and Suwaroff boots. A huge blue-and-white cameo pinned his shirt; two watch-chains hung from his belt; his hair, worn in ringlets on each side of his face, concealed nearly the whole forehead; and, for a last adornment, the collar of his shirt and that of his coat came so high that his head seemed enveloped like a bunch of flowers in a horn of paper. Add to these queer accessories, which were combined in utter want of harmony, the burlesque contradictions in color of yellow trousers, scarlet waistcoat, cinnamon coat, and a correct idea will be gained of the supreme good taste which all dandies blindly obeyed in the first years of the Consulate. This costume, utterly uncouth, seemed to have been invented as a final test of grace, and to show that there was nothing too ridiculous for fashion to consecrate. The rider seemed to be about thirty years old, but he was really twenty-two; perhaps he owed this appearance of age to debauchery, possibly to the perils of the period. In spite of his preposterous dress, he had a certain elegance of manner which proved him to be a man of some breeding.

      When the captain had dropped back close to the carriage, the dandy seemed to fathom his design, and favored it by checking his horse. Merle, who had flung him a sardonic glance, encountered one of those impenetrable faces, trained by the vicissitudes of the Revolution to hide all, even the most insignificant, emotion. The moment the curved end of the old triangular hat and the captain’s epaulets were seen by the occupants of the carriage, a voice of angelic sweetness said: “Monsieur l’officier, will you have the kindness to tell us at what part of the road we now are?”

      There is some inexpressible charm in the question of an unknown traveller, if a woman,—a world of adventure is in every word; but if the woman asks for assistance or information, proving her weakness or ignorance of certain things, every man is inclined to construct some impossible tale which shall lead to his happiness. The words, “Monsieur l’officier,” and the polite tone of the question stirred the captain’s heart in a manner hitherto unknown to him. He tried to examine the lady, but was cruelly disappointed, for a jealous veil concealed her features; he could barely see her eyes, which shone through the gauze like onyx gleaming in the sunshine.

      “You are now three miles from Alencon, madame,” he replied.

      “Alencon! already!” and the lady threw herself, or, rather, she gently leaned back in the carriage, and said no more.

      “Alencon?” said the other woman, apparently waking up; “then you’ll see it again.”

      She caught sight of the captain and was silent. Merle, disappointed in his hope of seeing the face of the beautiful incognita, began to examine that of her companion. She was a girl about twenty-six years of age, fair, with a pretty figure and the sort of complexion, fresh and white and well-fed, which characterizes the women of Valognes, Bayeux, and the environs of Alencon. Her blue eyes showed no great intelligence, but a certain firmness mingled with tender feeling. She wore a gown of some common woollen stuff. The fashion of her hair, done up closely under a Norman cap, without any pretension, gave a charming simplicity to her face. Her attitude, without, of course, having any of the conventional nobility of society, was not without the natural dignity of a modest young girl, who can look back upon her past life without a single cause for repentance. Merle knew her at a glance for one of those wild flowers which are sometimes taken from their native fields to Parisian hot-houses, where so many blasting rays are concentrated, without ever losing the purity of their color or their rustic simplicity. The naive attitude of the girl and her modest glance showed Merle very plainly that she did not wish a listener. In fact, no sooner had he withdrawn than the two women began a conversation in so low a tone that only a murmur of it reached his ear.

      “You came away in such a hurry,” said the country-girl, “that you hardly took time to dress. A pretty-looking sight you are now! If we are going beyond Alencon, you must really make your toilet.”

      “Oh! oh! Francine!” cried the lady.

      “What is it?”

      “This is the third

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