to my poor husband; and now you've proved the best of friends to his widow and orphan boy."
"Poh! poh! say no more about it," rejoined the man hastily. "I've done no more than my duty, Mrs. Sheppard, and neither deserve nor desire your thanks. 'Whoso giveth to the poor lendeth to the Lord;' that's my comfort. And such slight relief as I can afford should have been offered earlier, if I'd known where you'd taken refuge after your unfortunate husband's—"
"Execution, you would say, Sir," added Mrs. Sheppard, with a deep sigh, perceiving that her benefactor hesitated to pronounce the word. "You show more consideration to the feelings of a hempen widow, than there is any need to show. I'm used to insult as I am to misfortune, and am grown callous to both; but I'm not used to compassion, and know not how to take it. My heart would speak if it could, for it is very full. There was a time, long, long ago, when the tears would have rushed to my eyes unbidden at the bare mention of generosity like yours, Mr. Wood; but they never come now. I have never wept since that day."
"And I trust you will never have occasion to weep again, my poor soul," replied Wood, setting down his lantern, and brushing a few drops from his eyes, "unless it be tears of joy. Pshaw!" added he, making an effort to subdue his emotion, "I can't leave you in this way. I must stay a minute longer, if only to see you smile."
So saying, he re-entered the house, closed the door, and, followed by the widow, proceeded to the fire-place, where a handful of chips, apparently just lighted, crackled within the rusty grate.
The room in which this interview took place had a sordid and miserable look. Rotten, and covered with a thick coat of dirt, the boards of the floor presented a very insecure footing; the bare walls were scored all over with grotesque designs, the chief of which represented the punishment of Nebuchadnezzar. The rest were hieroglyphic characters, executed in red chalk and charcoal. The ceiling had, in many places, given way; the laths had been removed; and, where any plaster remained, it was either mapped and blistered with damps, or festooned with dusty cobwebs. Over an old crazy bedstead was thrown a squalid, patchwork counterpane; and upon the counterpane lay a black hood and scarf, a pair of bodice of the cumbrous form in vogue at the beginning of the last century, and some other articles of female attire. On a small shelf near the foot of the bed stood a couple of empty phials, a cracked ewer and basin, a brown jug without a handle, a small tin coffee-pot without a spout, a saucer of rouge, a fragment of looking-glass, and a flask, labelled "Rosa Solis." Broken pipes littered the floor, if that can be said to be littered, which, in the first instance, was a mass of squalor and filth.
Over the chimney-piece was pasted a handbill, purporting to be "The last Dying Speech and Confession of TOM SHEPPARD, the Notorious Housebreaker, who suffered at Tyburn on the 25th of February, 1703." This placard was adorned with a rude wood-cut, representing the unhappy malefactor at the place of execution. On one side of the handbill a print of the reigning sovereign, Anne, had been pinned over the portrait of William the Third, whose aquiline nose, keen eyes, and luxuriant wig, were just visible above the diadem of the queen. On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism.
Beneath these prints, a cluster of hobnails, driven into the wall, formed certain letters, which, if properly deciphered, produced the words, "Paul Groves, cobler;" and under the name, traced in charcoal, appeared the following record of the poor fellow's fate, "Hung himsel in this rum for luv off licker;" accompanied by a graphic sketch of the unhappy suicide dangling from a beam. A farthing candle, stuck in a bottle neck, shed its feeble light upon the table, which, owing to the provident kindness of Mr. Wood, was much better furnished with eatables than might have been expected, and boasted a loaf, a knuckle of ham, a meat-pie, and a flask of wine.
"You've but a sorry lodging, Mrs. Sheppard," said Wood, glancing round the chamber, as he expanded his palms before the scanty flame.
"It's wretched enough, indeed, Sir," rejoined the widow; "but, poor as it is, it's better than the cold stones and open streets."
"Of course—of course," returned Wood, hastily; "anything's better than that. But take a drop of wine," urged he, filling a drinking-horn and presenting it to her; "it's choice canary, and'll do you good. And now, come and sit by me, my dear, and let's have a little quiet chat together. When things are at the worst, they'll mend. Take my word for it, your troubles are over."
"I hope they are, Sir," answered Mrs. Sheppard, with a faint smile and a doubtful shake of the head, as Wood drew her to a seat beside him, "for I've had my full share of misery. But I don't look for peace on this side the grave."
"Nonsense!" cried Wood; "while there's life there's hope. Never be down-hearted. Besides," added he, opening the shawl in which the infant was wrapped, and throwing the light of the candle full upon its sickly, but placid features, "it's sinful to repine while you've a child like this to comfort you. Lord help him! he's the very image of his father. Like carpenter, like chips."
"That likeness is the chief cause of my misery," replied the widow, shuddering. "Were it not for that, he would indeed be a blessing and a comfort to me. He never cries nor frets, as children generally do, but lies at my bosom, or on my knee, as quiet and as gentle as you see him now. But, when I look upon his innocent face, and see how like he is to his father—when I think of that father's shameful ending, and recollect how free from guilt he once was—at such times, Mr. Wood, despair will come over me; and, dear as this babe is to me, far dearer than my own wretched life, which I would lay down for him any minute, I have prayed to Heaven to remove him, rather than he should grow up to be a man, and be exposed to his father's temptations—rather than he should live as wickedly and die as disgracefully as his father. And, when I have seen him pining away before my eyes, getting thinner and thinner every day, I have sometimes thought my prayers were heard."
"Marriage and hanging go by destiny," observed Wood, after a pause; "but I trust your child is reserved for a better fate than either, Mrs. Sheppard."
The latter part of this speech was delivered with so much significance of manner, that a bystander might have inferred that Mr. Wood was not particularly fortunate in his own matrimonial connections.
"Goodness only knows what he's reserved for," rejoined the widow in a desponding tone; "but if Mynheer Van Galgebrok, whom I met last night at the Cross Shovels, spoke the truth, little Jack will never die in his bed."
"Save us!" exclaimed Wood. "And who is this Van Gal—Gal—what's his outlandish name?"
"Van Galgebrok," replied the widow. "He's the famous Dutch conjuror who foretold King William's accident and death, last February but one, a month before either event happened, and gave out that another prince over the water would soon enjoy his own again; for which he was committed to Newgate, and whipped at the cart's tail. He went by another name then—Rykhart Scherprechter I think he called himself. His fellow-prisoners nicknamed him the gallows-provider, from a habit he had of picking out all those who were destined to the gibbet. He was never known to err, and was as much dreaded as the jail-fever in consequence. He singled out my poor husband from a crowd of other felons; and you know how right he was in that case, Sir."
"Ay, marry," replied Wood, with a look that seemed to say that he did not think it required any surprising skill in the art of divination to predict the doom of the individual in question; but whatever opinion he might entertain, he contented himself with inquiring into the grounds of the conjuror's evil augury respecting the infant. "What did the old fellow judge from, eh, Joan?" asked he.
"From a black mole under the child's right ear, shaped like a coffin, which is a bad sign; and a deep line just above the middle of the left thumb, meeting round about in the form of a noose,
