Arnold Bennett: Buried Alive, The Old Wives' Tale & The Card (3 Books in One Edition). Bennett Arnold
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“I was just wondering whether something oughtn’t to be done for Mr. Povey.”
“What?” Sophia demanded.
“Has he gone back to his bedroom?”
“Let’s go and listen,” said Sophia the adventuress.
They went, through the showroom door, past the foot of the stairs leading to the second storey, down the long corridor broken in the middle by two steps and carpeted with a narrow bordered carpet whose parallel lines increased its apparent length. They went on tiptoe, sticking close to one another. Mr. Povey’s door was slightly ajar. They listened; not a sound.
“Mr. Povey!” Constance coughed discreetly.
No reply. It was Sophia who pushed the door open. Constance made an elderly prim plucking gesture at Sophia’s bare arm, but she followed Sophia gingerly into the forbidden room, which was, however, empty. The bed had been ruffled, and on it lay a book, “The Harvest of a Quiet Eye.”
“Harvest of a quiet tooth!” Sophia whispered, giggling very low.
“Hsh!” Constance put her lips forward.
From the next room came a regular, muffled, oratorical sound, as though some one had begun many years ago to address a meeting and had forgotten to leave off and never would leave off. They were familiar with the sound, and they quitted Mr. Povey’s chamber in fear of disturbing it. At the same moment Mr. Povey reappeared, this time in the drawing-room doorway at the other extremity of the long corridor. He seemed to be trying ineffectually to flee from his tooth as a murderer tries to flee from his conscience.
“Oh, Mr. Povey!” said Constance quickly — for he had surprised them coming out of his bedroom; “we were just looking for you.”
“To see if we could do anything for you,” Sophia added.
“Oh no, thanks!” said Mr. Povey.
Then he began to come down the corridor, slowly.
“You haven’t been to the dentist’s,” said Constance sympathetically.
“No, I haven’t,” said Mr. Povey, as if Constance was indicating a fact which had escaped his attention. “The truth is, I thought it looked like rain, and if I’d got wet — you see —”
Miserable Mr. Povey!
“Yes,” said Constance, “you certainly ought to keep out of draughts. Don’t you think it would be a good thing if you went and sat in the parlour? There’s a fire there.”
“I shall be all right, thank you,” said Mr. Povey. And after a pause: “Well, thanks, I will.”
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The girls made way for him to pass them at the head of the twisting stairs which led down to the parlour. Constance followed, and Sophia followed Constance.
“Have father’s chair,” said Constance.
There were two rocking-chairs with fluted backs covered by antimacassars, one on either side of the hearth. That to the left was still entitled “father’s chair,” though its owner had not sat in it since long before the Crimean war, and would never sit in it again.
“I think I’d sooner have the other one,” said Mr. Povey, “because it’s on the right side, you see.” And he touched his right cheek.
Having taken Mrs. Baines’s chair, he bent his face down to the fire, seeking comfort from its warmth. Sophia poked the fire, whereupon Mr. Povey abruptly withdrew his face. He then felt something light on his shoulders. Constance had taken the antimacassar from the back of the chair, and protected him with it from the draughts. He did not instantly rebel, and therefore was permanently barred from rebellion. He was entrapped by the antimacassar. It formally constituted him an invalid, and Constance and Sophia his nurses. Constance drew the curtain across the street door. No draught could come from the window, for the window was not ‘made to open.’ The age of ventilation had not arrived. Sophia shut the other two doors. And, each near a door, the girls gazed at Mr. Povey behind his back, irresolute, but filled with a delicious sense of responsibility.
The situation was on a different plane now. The seriousness of Mr. Povey’s toothache, which became more and more manifest, had already wiped out the ludicrous memory of the encounter in the showroom. Looking at these two big girls, with their short-sleeved black frocks and black aprons, and their smooth hair, and their composed serious faces, one would have judged them incapable of the least lapse from an archangelic primness; Sophia especially presented a marvellous imitation of saintly innocence. As for the toothache, its action on Mr. Povey was apparently periodic; it gathered to a crisis like a wave, gradually, the torture increasing till the wave broke and left Mr. Povey exhausted, but free for a moment from pain. These crises recurred about once a minute. And now, accustomed to the presence of the young virgins, and having tacitly acknowledged by his acceptance of the antimacassar that his state was abnormal, he gave himself up frankly to affliction. He concealed nothing of his agony, which was fully displayed by sudden contortions of his frame, and frantic oscillations of the rocking-chair. Presently, as he lay back enfeebled in the wash of a spent wave, he murmured with a sick man’s voice:
“I suppose you haven’t got any laudanum?”
The girls started into life. “Laudanum, Mr. Povey?”
“Yes, to hold in my mouth.”
He sat up, tense; another wave was forming. The excellent fellow was lost to all self-respect, all decency.
“There’s sure to be some in mother’s cupboard,” said Sophia.
Constance, who bore Mrs. Baines’s bunch of keys at her girdle, a solemn trust, moved a little fearfully to a corner cupboard which was hung in the angle to the right of the projecting fireplace, over a shelf on which stood a large copper tea-urn. That corner cupboard, of oak inlaid with maple and ebony in a simple border pattern, was typical of the room. It was of a piece with the deep green “flock” wall paper, and the tea-urn, and the rocking-chairs with their antimacassars, and the harmonium in rosewood with a Chinese paper-mache tea-caddy on the top of it; even with the carpet, certainly the most curious parlour carpet that ever was, being made of lengths of the stair-carpet sewn together side by side. That corner cupboard was already old in service; it had held the medicines of generations. It gleamed darkly with the grave and genuine polish which comes from ancient use alone. The key which Constance chose from her bunch was like the cupboard, smooth and shining with years; it fitted and turned very easily, yet with a firm snap. The single wide door opened sedately as a portal.
The girls examined the sacred interior, which had the air of being inhabited by an army of diminutive prisoners, each crying aloud with the full strength of its label to be set free on a mission.
“There it is!” said Sophia eagerly.
And there it was: a blue bottle, with a saffron label, “Caution. POISON. Laudanum. Charles Critchlow, M.P.S. Dispensing Chemist. St. Luke’s Square, Bursley.”
Those large capitals frightened the girls. Constance took the bottle as she might