He determined to assist them by taking tea in the advertised drawing-room. Gathering together his courage, he penetrated into a corridor lighted by pink electricity, and then up pink stairs. A pink door stopped him at last. It might have hid mysterious and questionable things, but it said laconically 'Push,' and he courageously pushed... He was in a kind of boudoir thickly populated with tables and chairs. The swift transmigration from the blatant street to a drawing-room had a startling effect on him: it caused him to whip off his hat as though his hat had been red hot. Except for two tall elegant creatures who stood together at the other end of the boudoir, the chairs and tables had the place to themselves. He was about to stammer an excuse and fly, when one of the gentlewomen turned her eye on him for a moment, and so he sat down. The gentlewomen then resumed their conversation. He glanced cautiously about him. Elm-trees, firmly rooted in a border of Indian matting, grew round all the walls in exotic profusion, and their topmost branches splashed over on to the ceiling. A card on the trunk of a tree, announcing curtly, "Dogs not allowed," seemed to enhearten him. After a pause one of the gentlewomen swam haughtily towards him and looked him between the eyes. She spoke no word, but her firm, austere glance said:
"Now, out with it, and see you behave yourself!"
He had been ready to smile chivalrously. But the smile was put to sudden death.
"Some tea, please," he said faintly, and his intimidated tone said, "If it isn't troubling you too much."
"What do you want with it?" asked the gentlewoman abruptly, and as he was plainly at a loss she added, "Crumpets or tea-cake?"
"Tea-cake," he replied, though he hated tea-cake. But he was afraid.
"You've escaped this time," said the drapery of her muslins as she swam from his sight. "But no nonsense while I'm away!"
When she sternly and mutely thrust the refection before him, he found that everything on the table except the tea-cakes and the spoon was growing elm-trees.
After one cup and one slice, when the tea had become stewed and undrinkable, and the tea-cake a material suitable for the manufacture of shooting boots, he resumed, at any rate partially, his presence of mind, and remembered that he had done nothing positively criminal in entering the boudoir or drawing-room and requesting food in return for money. Besides, the gentlewomen were now pretending to each other that he did not exist, and no other rash persons had been driven by hunger into the virgin forest of elm-trees. He began to meditate, and his meditations taking--for him--an unusual turn, caused him surreptitiously to examine Henry Leek's pocket-book (previously only known to him by sight). He had not for many years troubled himself concerning money, but the discovery that, when he had paid for the deposit of luggage at the cloak-room, a solitary sovereign rested in the pocket of Leek's trousers, had suggested to him that it would be advisable sooner or later to consider the financial aspect of existence.
There were two banknotes for ten pounds each in Leek's pocket-book; also five French banknotes of a thousand francs each, and a number of Italian banknotes of small denominations: the equivalent of two hundred and thirty pounds altogether, not counting a folded inch-rule, some postage stamps, and a photograph of a pleasant-faced woman of forty or so. This sum seemed neither vast nor insignificant to Priam Farll. It seemed to him merely a tangible something which would enable him to banish the fiscal question from his mind for an indefinite period. He scarcely even troubled to wonder what Leek was doing with over two years of Leek's income in his pocket-book. He knew, or at least he with certainty guessed, that Leek had been a rascal. Still, he had had a sort of grim, cynical affection for Leek. And the thought that Leek would never again shave him, nor tell him in accents that brooked no delay that his hair must be cut, nor register his luggage and secure his seat on long-distance expresses, filled him with very real melancholy. He did not feel sorry for Leek, nor say to himself "Poor Leek!" Nobody who had had the advantage of Leek's acquaintance would have said "Poor Leek!" For Leek's greatest speciality had always been the speciality of looking after Leek, and wherever Leek might be it was a surety that Leek's interests would not suffer. Therefore Priam Farll's pity was mainly self-centred.
And though his dignity had been considerably damaged during the final moments at Selwood Terrace, there was matter for congratulation. The doctor, for instance, had shaken hands with him at parting; had shaken hands openly, in the presence of Duncan Farll: a flattering tribute to his personality. But the chief of Priam Farll's satisfactions in that desolate hour was that he had suppressed himself, that for the world he existed no more. I shall admit frankly that this satisfaction nearly outweighed his grief. He sighed--and it was a sigh of tremendous relief. For now, by a miracle, he would be free from the menace of Lady Sophia Entwistle. Looking back in calmness at the still recent Entwistle episode in Paris--the real originating cause of his sudden flight to London--he was staggered by his latent capacity for downright, impulsive foolishness. Like all shy people he had fits of amazing audacity--and his recklessness usually took the form of making himself agreeable to women whom he encountered in travel (he was much less shy with women than with men). But to propose marriage to a weather-beaten haunter of hotels like Lady Sophia Entwistle, and to reveal his identity to her, and to allow her to accept his proposal--the thing had been unimaginably inept!
And now he was free, for he was dead.
He was conscious of a chill in the spine as he dwelt on the awful fate which he had escaped. He, a man of fifty, a man of set habits, a man habituated to the liberty of the wild stag, to bow his proud neck under the solid footwear of Lady Sophia Entwistle!
Yes, there was most decidedly a silver lining to the dark cloud of Leek's translation to another sphere of activity.
In replacing the pocket-book his hand encountered the letter which had arrived for Leek in the morning. Arguing with himself whether he ought to open it, he opened it. It ran: "Dear Mr. Leek, I am so glad to have your letter, and I think the photograph is most gentlemanly. But I do wish you would not write with a typewriter. You don't know how this affects a woman, or you wouldn't do it. However, I shall be so glad to meet you now, as you suggest. Suppose we go to Maskelyne and Cook's together to-morrow afternoon (Saturday). You know it isn't the Egyptian Hall any more. It is in St. George's Hall, I think. But you will see it in the Telegraph; also the time. I will be there when the doors open. You will recognize me from my photograph; but I shall wear red roses in my hat. So au revoir for the present. Yours sincerely, Alice Challice. P.S.--There are always a lot of dark parts at Maskelyne and Cook's. I must ask you to behave as a gentleman should. Excuse me. I merely mention it in case.--A. C."
Infamous Leek! Here was at any rate one explanation of a mysterious little typewriter which the valet had always carried, but which Priam had left at Selwood Terrace.
Priam glanced at the photograph in the pocket-book; and also, strange to say, at the Telegraph.
A lady with three children burst into the drawing-room, and instantly occupied the whole of it; the children cried "Mathaw!" "Mathah!" "Mathaw!" in shrill tones of varied joy. As one of the gentlewomen passed near him, he asked modestly--
"How much, please?"
She dropped a flake of paper on to his table without arresting her course, and said warningly:
"You pay at the desk."
When he hit on the desk, which was hidden behind a screen of elm-trees, he had to face a true aristocrat--and not in muslins, either. If the others were the daughters of earls, this was the authentic countess in a tea-gown.
He put down Leek's sovereign.
"Haven't you anything smaller?" snapped the countess.
"I'm sorry I haven't," he replied.
She
