our lives has required the action of certain muscles; and when we have performed a directly opposite movement, an opposite set of muscles has been habitually brought into play—as in turning to the right or to the left, in pushing away or pulling an object towards us, and in lifting or lowering a weight. So strongly are our intentions and movements associated together, that if we eagerly wish an object to move in any direction, we can hardly avoid moving our bodies in the same direction, although we may be perfectly aware that this can have no influence. A good illustration of this fact has already been given in the Introduction, namely, in the grotesque movements of a young and eager billiard-player, whilst watching the course of his ball. A man or child in a passion, if he tells any one in a loud voice to begone, generally moves his arm as if to push him away, although the offender may not be standing near, and although there may be not the least need to explain by a gesture what is meant. On the other hand, if we eagerly desire some one to approach us closely, we act as if pulling him towards us; and so in innumerable other instances.
As the performance of ordinary movements of an opposite kind, under opposite impulses of the will, has become habitual in us and in the lower animals, so when actions of one kind have become firmly associated with any sensation or emotion, it appears natural that actions of a directly opposite kind, though of no use, should be unconsciously performed through habit and association, under the influence of a directly opposite sensation or emotion. On this principle alone can I understand how the gestures and expressions which come under the present head of antithesis have originated. If indeed they are serviceable to man or to any other animal, in aid of inarticulate cries or language, they will likewise be voluntarily employed, and the habit will thus be strengthened. But whether or not of service as a means of communication, the tendency to perform opposite movements under opposite sensations or emotions would, if we may judge by analogy, become hereditary through long practice; and there cannot be a doubt that several expressive movements due to the principle of antithesis are inherited.
CHAPTER III. — GENERAL PRINCIPLES OF EXPRESSION—concluded.
The principle of direct action of the excited nervous system on the body, independently of the will and in part of habit—Change of colour in the hair—Trembling of the muscles—Modified secretions—Perspiration—Expression of extreme pain—Of rage, great joy, and terror—Contrast between the emotions which cause and do not cause expressive movements—Exciting and depressing states of the mind—Summary.
WE now come to our third Principle, namely, that certain actions which we recognize as expressive of certain states of the mind, are the direct result of the constitution of the nervous system, and have been from the first independent of the will, and, to a large extent, of habit. When the sensorium is strongly excited nerve-force is generated in excess, and is transmitted in certain directions, dependent on the connection of the nerve-cells, and, as far as the muscular system is concerned, on the nature of the movements which have been habitually practised. Or the supply of nerve-force may, as it appears, be interrupted. Of course every movement which we make is determined by the constitution of the nervous system; but actions performed in obedience to the will, or through habit, or through the principle of antithesis, are here as far as possible excluded. Our present subject is very obscure, but, from its importance, must be discussed at some little length; and it is always advisable to perceive clearly our ignorance.
The most striking case, though a rare and abnormal one, which can be adduced of the direct influence of the nervous system, when strongly affected, on the body, is the loss of colour in the hair, which has occasionally been observed after extreme terror or grief. One authentic instance has been recorded, in the case of a man brought out for execution in India, in which the change of colour was so rapid that it was perceptible to the eye.[301]
Another good case is that of the trembling of the muscles, which is common to man and to many, or most, of the lower animals. Trembling is of no service, often of much disservice, and cannot have been at first acquired through the will, and then rendered habitual in association with any emotion. I am assured by an eminent authority that young children do not tremble, but go into convulsions under the circumstances which would induce excessive trembling in adults. Trembling is excited in different individuals in very different degrees and by the most diversified causes—by cold to the surface, before fever-fits, although the temperature of the body is then above the normal standard; in blood-poisoning, delirium tremens, and other diseases; by general failure of power in old age; by exhaustion after excessive fatigue; locally from severe injuries, such as burns; and, in an especial manner, by the passage of a catheter. Of all emotions, fear notoriously is the most apt to induce trembling; but so do occasionally great anger and joy. I remember once seeing a boy who had just shot his first snipe on the wing, and his hands trembled to such a degree from delight, that he could not for some time reload his gun; and I have heard of an exactly similar case with an Australian savage, to whom a gun had been lent. Fine music, from the vague emotions thus excited, causes a shiver to run down the backs of some persons. There seems to be very little in common in the above several physical causes and emotions to account for trembling; and Sir J. Paget, to whom I am indebted for several of the above statements, informs me that the subject is a very obscure one. As trembling is sometimes caused by rage, long before exhaustion can have set in, and as it sometimes accompanies great joy, it would appear that any strong excitement of the nervous system interrupts the steady flow of nerve-force to the muscles.[302]
The manner in which the secretions of the alimentary canal and of certain glands—as the liver, kidneys, or mammae are affected by strong emotions, is another excellent instance of the direct action of the sensorium on these organs, independently of the will or of any serviceable associated habit. There is the greatest difference in different persons in the parts which are thus affected, and in the degree of their affection.
The heart, which goes on uninterruptedly beating night and day in so wonderful a manner, is extremely sensitive to external stimulants. The great physiologist, Claude Bernard,[303] has shown bow the least excitement of a sensitive nerve reacts on the heart; even when a nerve is touched so slightly that no pain can possibly be felt by the animal under experiment. Hence when the mind is strongly excited, we might expect that it would instantly affect in a direct manner the heart; and this is universally acknowledged and felt to be the case. Claude Bernard also repeatedly insists, and this deserves especial notice, that when the heart is affected it reacts on the brain; and the state of the brain again reacts through the pneumo-gastric nerve on the heart; so that under any excitement there will be much mutual action and reaction between these, the two most important organs of the body.
The vaso-motor system, which regulates the diameter of the small arteries, is directly acted on by the sensorium, as we see when a man blushes from shame; but in this latter case the checked transmission of nerve-force to the vessels of the face can, I think, be partly explained in a curious manner through habit. We shall also be able to throw some light, though very little, on the involuntary erection of the hair under the emotions of terror and rage. The secretion of tears depends, no doubt, on the connection of certain nerve-cells; but here again we can trace some few of the steps by which the flow of nerve-force through the requisite channels has become habitual under certain emotions.
A brief consideration of the outward signs of some of the stronger sensations and emotions will best serve to show us, although vaguely, in how complex a manner the principle under consideration of the direct action of the excited nervous system of the body, is combined with the principle of habitually associated, serviceable movements.
When animals suffer from an agony of pain, they generally writhe about with frightful contortions; and those which habitually use their voices utter piercing cries or groans. Almost every muscle of the body is brought into strong action. With man the mouth may be closely compressed, or more commonly the lips are retracted, with the teeth clenched
