offers. The Emperor was delighted by her resolute modesty, and calling to him Guido, one of his barons, gave her to him in marriage; at the same time raising him to the rank of a count, and bestowing on her the whole of Casentino, and a part of the territory of Romagna, as her portion. Two sons were the offspring of this union, Guglielmo and Ruggieri; the latter was father of Guidoguerra, who, at the head of four hundred Florentines of the Guelf party, was signally instrumental to the victory of Charles of Anjou at Benevento, over Manfredi, King of Naples, in 1265. One consequence of this was the expulsion of the Ghibellini and the re-establishment of the Guelfi at Florence.
2 Tegghiaio Aldobrandi endeavored to dissuade the Florentines from the attack which they meditated against the Siennese; the rejection of his counsel occasioned the defeat which the former sustained at Montaperto, and the consequent banishment of the Guelfi from Florence.
3 Giacopo Rusticucci, a Florentine, remarkable for his opulence and generosity of spirit.
4 Guglielmo Borsiere, a Florentine, whom Boccaccio terms “a man of courteous and elegant manners, and of great readiness in conversation.”
5 “Quando ti gioverà dicere io fui.” So Tasso, “G.L.” c. xv. st. 38: “Quando mi gioverà narrar altrui Le novità vedute, e dire; io fui.”
6 He compares the fall of Phlegethon to that of the Montone (a river in Romagna) form the Apennines above the Abbey of St. Benedict. All the other streams that rise between the sources of the Po and the Montone, and fall from the left side of the Apennines, join the Po and accompany it to the sea.
7 There it loses the name of Acquacheta, and takes that of Montone.
8 Either because the abbey was capable of containing more than those who occupied it, or because (says Landino) the lords of that territory had intended to build a castle near the water-fall, and to collect within its walls the population of the neighboring villages.
9 “A cord.” It is believed that our poet in early life, had entered into the order of St. Francis. By observing the rules of that profession he had designed “to take the painted leopard” (that animal represented Pleasure) “with this cord.”)
Canto XVII
ARGUMENT.—The monster Geryon is described; to whom while Virgil is speaking in order that he may carry them both down to the next circle, Dante, by permission, goes further along the edge of the void, to descry the third species of sinners contained in this compartment, namely, those who have done violence to Art; and then returning to his master, they both descend, seated on the back of Geryon.
“LO! the fell monster1 with the deadly sting!
Who passes mountains, breaks through fenced walls
And firm embattled spears, and with his filth
Taints all the world!” Thus me my guide address’d,
And beckon’d him, that he should come to shore,
Near to the stony causeway’s utmost edge.
Forthwith that image vile of fraud appear’d,
His head and upper part expos’d on land,
But laid not on the shore his bestial train.
His face the semblance of a just man’s wore,
So kind and gracious was its outward cheer;
The rest was serpent all: two shaggy claws
Reach’d to the armpits, and the back and breast,
And either side, were painted o’er with nodes
And orbits. Colours variegated more
Nor Turks nor Tartars e’er on cloth of state
With interchangeable embroidery wove,
Nor spread Arachne o’er her curious loom.
As ofttimes a light skiff, moor’d to the shore,
Stands part in water, part upon the land;
Or, as where dwells the greedy German boor,
The beaver settles watching for his prey;
So on the rim, that fenc’d the sand with rock,
Sat perch’d the fiend of evil. In the void
Glancing, his tail upturn’d its venomous fork,
With sting like scorpion’s arm’d. Then thus my guide:
“Now need our way must turn few steps apart,
Far as to that ill beast, who couches there.”
Thereat toward the right our downward course
We shap’d, and, better to escape the flame
And burning marle, ten paces on the verge
Proceeded. Soon as we to him arrive,
A little further on mine eye beholds
A tribe of spirits, seated on the sand
Near the wide chasm. Forthwith my master spake:
“That to the full thy knowledge may extend
Of all this round contains, go now, and mark
The mien these wear: but hold not long discourse.
Till thou returnest, I with him meantime
Will parley, that to us he may vouchsafe
The aid of his strong shoulders.” Thus alone
Yet forward on the’ extremity I pac’d
Of that seventh circle, where the mournful tribe
Were seated. At the eyes forth gush’d their pangs.
Against the vapours and the torrid soil
Alternately their shifting hands they plied.
Thus use the dogs in summer
