fire. She stopped too, and did not offer to draw away, but looked back with all her heart. They were alike in many ways; her skin was also of that olive color, but her face was sweet as a beautiful summer night, and her black eyes showed no dimness, and the smile on the scarlet lips was like a flame when it brightens a dark and lonely land.
"You are sorely tired, Master Lucian, let us sit down here by the gate."
It was Lucian who spoke next: "My dear, my dear." And their lips were together again, and their arms locked together, each holding the other fast. And then the poor lad let his head sink down on his sweetheart's breast, and burst into a passion of weeping. The tears streamed down his face, and he shook with sobbing, in the happiest moment that he had ever lived. The woman bent over him and tried to comfort him, but his tears were his consolation and his triumph. Annie was whispering to him, her hand laid on his heart; she was whispering beautiful, wonderful words, that soothed him as a song. He did not know what they meant.
"Annie, dear, dear Annie, what are you saying to me? I have never heard such beautiful words. Tell me, Annie, what do they mean?"
She laughed, and said it was only nonsense that the nurses sang to the children.
"No, no, you are not to call me Master Lucian any more," he said, when they parted, "you must call me Lucian; and I, I worship you, my dear Annie."
He fell down before her, embracing her knees, and adored, and she allowed him, and confirmed his worship. He followed slowly after her, passing the path which led to her home with a longing glance. Nobody saw any difference in Lucian when he reached the rectory. He came in with his usual dreamy indifference, and told how he had lost his way by trying the short cut. He said he had met Dr. Burrows on the road, and that he had recommended the path by the fields. Then, as dully as if he had been reading some story out of a newspaper, he gave his father the outlines of the Beit case, producing the pretty little book called The Chorus in Green. The parson listened in amazement.
"You mean to tell me that you wrote this book?" he said. He was quite roused.
"No; not all of it. Look; that bit is mine, and that; and the beginning of this chapter. Nearly the whole of the third chapter is by me."
He closed the book without interest, and indeed he felt astonished at his father's excitement. The incident seemed to him unimportant.
"And you say that eighty or ninety pages of this book are yours, and these scoundrels have stolen your work?"
"Well, I suppose they have. I'll fetch the manuscript, if you would like to look at it."
The manuscript was duly produced, wrapped in brown paper, with Messrs Beit's address label on it, and the post-office dated stamps.
"And the other book has been out a month." The parson, forgetting the sacerdotal office, and his good habit of grinning, swore at Messrs Beit and Mr. Ritson, calling them damned thieves, and then began to read the manuscript, and to compare it with the printed book.
"Why, it's splendid work. My poor fellow," he said after a while, "I had no notion you could write so well. I used to think of such things in the old days at Oxford; 'old Bill,' the tutor, used to praise my essays, but I never wrote anything like this. And this infernal ruffian of a Ritson has taken all your best things and mixed them up with his own rot to make it go down. Of course you'll expose the gang?"
Lucian was mildly amused; he couldn't enter into his father's feelings at all. He sat smoking in one of the old easy chairs, taking the rare relish of a hot grog with his pipe, and gazing out of his dreamy eyes at the violent old parson. He was pleased that his father liked his book, because he knew him to be a deep and sober scholar and a cool judge of good letters; but he laughed to himself when he saw the magic of print. The parson had expressed no wish to read the manuscript when it came back in disgrace; he had merely grinned, said something about boomerangs, and quoted Horace with relish. Whereas now, before the book in its neat case, lettered with another man's name, his approbation of the writing and his disapproval of the "scoundrels," as he called them, were loudly expressed, and, though a good smoker, he blew and puffed vehemently at his pipe.
"You'll expose the rascals, of course, won't you?" he said again.
"Oh no, I think not. It really doesn't matter much, does it? After all, there are some very weak things in the book; doesn't it strike you as 'young?' I have been thinking of another plan, but I haven't done much with it lately. But I believe I've got hold of a really good idea this time, and if I can manage to see the heart of it I hope to turn out a manuscript worth stealing. But it's so hard to get at the core of an idea—the heart, as I call it," he went on after a pause. "It's like having a box you can't open, though you know there's something wonderful inside. But I do believe I've a fine thing in my hands, and I mean to try my best to work it."
Lucian talked with enthusiasm now, but his father, on his side, could not share these ardors. It was his part to be astonished at excitement over a book that was not even begun, the mere ghost of a book flitting elusive in the world of unborn masterpieces and failures. He had loved good letters, but he shared unconsciously in the general belief that literary attempt is always pitiful, though he did not subscribe to the other half of the popular faith—that literary success is a matter of very little importance. He thought well of books, but only of printed books; in manuscripts he put no faith, and the paulo-post-futurum tense he could not in any manner conjugate. He returned once more to the topic of palpable interest.
"But about this dirty trick these fellows have played on you. You won't sit quietly and bear it, surely? It's only a question of writing to the papers."
"They wouldn't put the letter in. And if they did, I should only get laughed at. Some time ago a man wrote to the Reader, complaining of his play being stolen. He said that he had sent a little one-act comedy to Burleigh, the great dramatist, asking for his advice. Burleigh gave his advice and took the idea for his own very successful play. So the man said, and I daresay it was true enough. But the victim got nothing by his complaint. 'A pretty state of things,' everybody said. 'Here's a Mr. Tomson, that no one has ever heard of, bothers Burleigh with his rubbish, and then accuses him of petty larceny. Is it likely that a man of Burleigh's position, a playwright who can make his five thousand a year easily, would borrow from an unknown Tomson?' I should think it very likely, indeed," Lucian went on, chuckling, "but that was their verdict. No; I don't think I'll write to the papers."
"Well, well, my boy, I suppose you know your own business best. I think you are mistaken, but you must do as you like."
"It's all so unimportant," said Lucian, and he really thought so. He had sweeter things to dream of, and desired no communion of feeling with that madman who had left Caermaen some few hours before. He felt he had made a fool of himself, he was ashamed to think of the fatuity of which he had been guilty, such boiling hatred was not only wicked, but absurd. A man could do no good who put himself into a position of such violent antagonism against his fellow-creatures; so Lucian rebuked his heart, saying that he was old enough to know better. But he remembered that he had sweeter things to dream of; there was a secret ecstasy that he treasured and locked tight away, as a joy too exquisite even for thought till he was quite alone; and then there was that scheme for a new book that he had laid down hopelessly some time ago; it seemed to have arisen into life again within the last hour; he understood that he had started on a false tack, he had taken the wrong aspect of his idea. Of course the thing couldn't be written in that way; it was like trying to read a page turned upside down; and he saw those characters he had vainly sought suddenly disambushed, and a splendid inevitable sequence of events unrolled before him.
It was a true resurrection; the dry plot he had constructed revealed itself as a living thing, stirring and mysterious, and warm as life itself. The parson
