The Shuttle. Frances Hodgson Burnett
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“Truly, Betty?” said Mrs. Worthington, regarding her with curiosity, arising from a faint doubt of her entire seriousness, mingled with a fainter doubt of her entire levity.
Betty flung out her hands in a slight, but very involuntary-looking, gesture, and shook her head.
“Ah!” she said, “it was all TRUE, you know. They were all horribly real—the things that were shuddered over and sentimentalised about. Sophistication, combined with imagination, makes them materialise again, to me, at least, now I am here. The gulf between a historical figure and a man or woman who could bleed and cry out in human words was broad when one was at school. Lady Jane Grey, for instance, how nebulous she was and how little one cared. She seemed invented merely to add a detail to one's lesson in English history. But, as we drove across Waterloo Bridge, I caught a glimpse of the Tower, and what do you suppose I began to think of? It was monstrous. I saw a door in the Tower and the stone steps, and the square space, and in the chill clear, early morning a little slender, helpless girl led out, a little, fair, real thing like Rosy, all alone—everyone she belonged to far away, not a man near who dared utter a word of pity when she turned her awful, meek, young, desperate eyes upon him. She was a pious child, and, no doubt, she lifted her eyes to the sky. I wonder if it was blue and its blueness broke her heart, because it looked as if it might have pitied such a young, patient girl thing led out in the fair morning to walk to the hacked block and give her trembling pardon to the black-visored man with the axe, and then 'commending her soul to God' to stretch her sweet slim neck out upon it.”
“Oh, Betty, dear!” Mrs. Worthington expostulated.
Bettina sprang to her and took her hand in pretty appeal.
“I beg pardon! I beg pardon, I really do,” she exclaimed. “I did not intend deliberately to be painful. But that—beneath the sophistication—is something of what I bring to England.”
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