she explained. “The good old dame at the farm is ill, and she says that music all day is enough for her, and I must come here, or I should get no chance of playing at all at night.”
“But surely you feel an inspiration in the place, do you not?” Cornelia persisted.
She looked at this lady as if she had got a hard word given her to crack, and muttered: “I feel it quite warm here. And I do begin to love the place.”
The stately Cornelia fell back a step.
The moon was now a silver ball on the edge of the circle of grey blue above the ring of firs, and by the light falling on the strange little person, as she stood out of the shadow to muffle up her harp, it could be seen that she was simply clad, and that her bonnet was not of the newest fashion. The sisters remarked a boot-lace hanging loose. The peculiar black lustre of her hair, and thickness of her long black eyebrows, struck them likewise. Her harp being now comfortably mantled, Cornet Wilfrid Pole, who had been watching her and balancing repeatedly on his forward foot, made a stride, and “really could not allow her to carry it herself,” and begged her permission that he might assist her. “It's very heavy, you know,” he added.
“Too heavy for me,” she said, favouring him with a thankful smile. “I have some one who does that. Where is Jim?”
She called for Jim, and from the back of the sandy hillock, where he had been reclining, a broad-shouldered rustic came lurching round to them.
“Now, take my harp, if you please, and be as careful as possible of branches, and don't stumble.” She uttered this as if she were giving Jim his evening lesson: and then with a sudden cry she laughed out: “Oh! but I haven't played you your tune, and you must have your tune!”
Forthwith she stript the harp half bare, and throwing a propitiatory bright glance at her audience on the other side of her, she commenced thrumming a kind of Giles Scroggins, native British, beer-begotten air, while Jim smeared his mouth and grinned, as one who sees his love dragged into public view, and is not the man to be ashamed of her, though he hopes you will hardly put him to the trial.
“This is his favourite tune, that he taught me,” she emphasized to the company. “I play to him every night, for a finish; and then he takes care not to knock my poor harp to pieces and tumble about.”
The gentlemen were amused by the Giles Scroggins air, which she had delivered with a sufficient sense of its lumping fun and leg-for-leg jollity, and they laughed and applauded; but the ladies were silent after the performance, until the moment came to thank her for the entertainment she had afforded them: and then they broke into gentle smiles, and trusted they might have the pleasure of hearing her another night.
“Oh! just as often and as much as you like,” she said, and first held her hand to Arabella, next to Cornelia, and then to Adela. She seemed to be hesitating before the gentlemen, and when Wilfrid raised his hat, she was put to some confusion, and bowed rather awkwardly, and retired.
“Good night, miss!” called Mr. Pericles.
“Good night, sir!” she answered from a little distance, and they could see that she was there emboldened to drop a proper curtsey in accompaniment.
Then the ladies stood together and talked of her, not with absolute enthusiasm. For, “Was it not divine?” said Adela; and Cornelia asked her if she meant the last piece; and, “Oh, gracious! not that!” Adela exclaimed. And then it was discovered how their common observation had fastened on the boot-lace; and this vagrant article became the key to certain speculations on her condition and character.
“I wish I'd had a dozen bouquets, that's all!” cried Wilfrid, “she deserved them.”
“Has she sentiment for what she sings? or is it only faculty?” Cornelia put it to Mr. Sumner.
That gentleman faintly defended the stranger for the intrusion of the bumpkin tune. “She did it so well!” he said.
“I complain that she did it too well,” uttered Cornelia, whose use of emphasis customarily implied that the argument remained with her.
Talking in this manner, and leisurely marching homeward, they were startled to hear Mr. Pericles, who had wrapped himself impenetrably in the bear, burst from his cogitation suddenly to cry out, in his harshest foreign accent: “Yeaz!” And thereupon he threw open the folds, and laid out a forefinger, and delivered himself: “I am made my mind! I send her abroad to ze Academie for one, two, tree year. She shall be instructed as was not before. Zen a noise at La Scala. No—Paris! No—London! She shall astonish London fairst.—Yez! if I take a theatre! Yez! if I buy a newspaper! Yez! if I pay feefty-sossand pound!”
His singular outlandish vehemence, and the sweeping grandeur of a determination that lightly assumed the corruptibility of our Press, sent a smile circling among the ladies and gentlemen. The youth who had wished to throw the fair unknown a dozen bouquets, caught himself frowning at this brilliant prospect for her, which was to give him his opportunity.
CHAPTER III
The next morning there were many “tra-las” and “tum-te-turns” over the family breakfast-table; a constant humming and crying, “I have it”; and after two or three bars, baffled pauses and confusion of mind. Mr. Pericles was almost abusive at the impotent efforts of the sisters to revive in his memory that particular delicious melody, the composition of the fair singer herself. At last he grew so impatient as to arrest their opening notes, and even to interrupt their unmusical consultations, with “No: it is no use; it is no use: no, no, I say!” But instantly he would plunge his forehead into the palm of his hand, and rub it red, and work his eyebrows frightfully, until tender humanity led the sisters to resume. Adela's, “I'm sure it began low down—tum!” Cornelia's: “The key-note, I am positive, was B flat—ta!” and Arabella's putting of these two assertions together, and promise to combine them at the piano when breakfast was at an end, though it was Sunday morning, were exasperating to the exquisite lover of music. Mr. Pericles was really suffering torments. Do you know what it is to pursue the sylph, and touch her flying skirts, think you have caught her, and are sure of her—that she is yours, the rapturous evanescent darling! when some well-meaning earthly wretch interposes and trips you, and off she flies and leaves you floundering? A lovely melody nearly grasped and lost in this fashion, tries the temper. Apollo chasing Daphne could have been barely polite to the wood-nymphs in his path, and Mr. Pericles was rude to the daughters of his host. Smoothing his clean square chin and thick moustache hastily, with outspread thumb and fingers, he implored them to spare his nerves. Smiling rigidly, he trusted they would be merciful to a sensitive ear. Mr. Pole—who, as an Englishman, could not understand anyone being so serious in the pursuit of a tune—laughed, and asked questions, and almost drove Mr. Pericles mad. On a sudden the Greek's sallow visage lightened. “It is to you! it is to you!” he cried, stretching his finger at Wilfrid. The young officer, having apparently waited till he had finished with his knife and fork, was leaning his cheek on his fist, looking at nobody, and quietly humming a part of the air. Mr. Pericles complimented and thanked him.
“But you have ear for music extraordinaire!” he said.
Adela patted her brother fondly, remarking—“Yes, when his feelings are concerned.”
“Will you repeat zat?” asked the Greek. “'To-to-ri:' hein? I lose it. 'To-to-ru:' bah! I lose it;
