that Miss Diana is not thinking of him quite as much as he of her, as she stands there with the long kitchen shovel in one hand, and one plump white arm thrust into the oven, and her little head cocked on one side, her brows bent, and her rosy mouth pursed up with a solemn sense of the importance of her judgment as she is testing the heat of her oven.
Oh, Di, Di! for all you seem to have nothing on your mind but the responsibility for all those pumpkin pies and cranberry tarts, we wouldn't venture a very large wager that you are not thinking about cousin James under it all at this very minute, and that all this pretty bustling housewifeliness owes its spice and flavor to the thought that James is coming to the Thanksgiving dinner.
To be sure if any one had told Di so, she would have flouted the very idea. Besides, she had privately informed Almira Sisson, her special particular confidante, that she knew Jim would come home from college full of conceit, and thinking that everybody must bow down to him, and for her part she meant to make him know his place. Of course Jim and she were good friends, etc., etc.
Oh, Di, Di! you silly, naughty girl, was it for this that you stood so long at your looking-glass last night, arranging how you would do your hair for the Thanksgiving night dance? Those killing bows which you deliberately fabricated and lodged like bright butterflies among the dark waves of your hair--who were you thinking of as you made and posed them? Lay your hand on your heart and say who to you has ever seemed the best, the truest, the bravest and kindest of your friends. But Di doesn't trouble herself with such thoughts--she only cuts out saucy mottoes from the flaky white paste to lay on the red cranberry tarts, of which she makes a special one for each cousin. For there is Bill, the second eldest, who stays at home and helps work the farm. She knows that Bill worships her very shoe-tie, and obeys all her mandates with the faithful docility of a good Newfoundland dog, and Di says "she thinks everything of Bill--she likes Bill." So she does Ed, who comes a year or two behind Bill, and is trembling out of bashful boyhood. So she does Rob and Ike and Pete and the whole healthy, ramping train who fill the Pitkin farm- house with a racket of boots and boys. So she has made every one a tart with his initial on it and a saucy motto or two, "just to keep them from being conceited, you know."
All day she keeps busy by the side of the deacon's wife--a delicate, thin, quiet little woman, with great thoughtful eyes and a step like a snowflake. New England had of old times, and has still, perhaps, in her farm-houses, these women who seem from year to year to develop in the spiritual sphere as the bodily form shrinks and fades. While the cheek grows thin and the form spare, the will-power grows daily stronger; though the outer man perish, the inner man is renewed day by day. The worn hand that seems so weak yet holds every thread and controls every movement of the most complex family life, and wonders are daily accomplished by the presence of a woman who seems little more than a spirit. The New England wife-mother was the one little jeweled pivot on which all the wheel work of the family moved.
"Well, haven't we done a good day's work, cousin?" says Diana, when ninety pies of every ilk--quince, apple, cranberry, pumpkin, and mince-- have been all safely delivered from the oven and carried up into the great vacant chamber, where, ranged in rows and frozen solid, they are to last over New Year's day! She adds, demonstratively clasping the little woman round the neck and leaning her bright cheek against her whitening hair, "Haven't we been smart?" And the calm, thoughtful eyes turn lovingly upon her as Mary Pitkin puts her arm round her and answers:
"Yes, my daughter, you have done wonderfully. We couldn't do without you!"
And Diana lifts her head and laughs. She likes petting and praising as a cat likes being stroked; but, for all that, the little puss has her claws and a sly notion of using them.
--
Chapter II.
Biah Carter
It was in the flush and glow of a gorgeous sunset that you might have seen the dark form of the Pitkin farm-house rising on a green hill against the orange sky.
The red house, with its overhanging canopy of elm, stood out like an old missal picture done on a gold ground.
Through the glimmer of the yellow twilight might be seen the stacks of dry corn-stalks and heaps of golden pumpkins in the neighboring fields, from which the slow oxen were bringing home a cart well laden with farm produce.
It was the hour before supper time, and Biah Carter, the deacon's hired man, was leaning against a fence, waiting for his evening meal; indulging the while in a stream of conversational wisdom which seemed to flow all the more freely from having been dammed up through the labors of the day.
Biah was, in those far distant times of simplicity a "mute inglorious" newspaper man. Newspapers in those days were as rare and unheard of as steam cars or the telegraph, but Biah had within him all the making of a thriving modern reporter, and no paper to use it on. He was a walking biographical and statistical dictionary of all the affairs of the good folks of Mapleton. He knew every piece of furniture in their houses, and what they gave for it; every foot of land, and what it was worth; every ox, ass and sheep; every man, woman and child in town. And Biah could give pretty shrewd character pictures also, and whoever wanted to inform himself of the status of any person or thing in Mapleton would have done well to have turned the faucet of Biah's stream of talk, and watched it respectfully as it came, for it was commonly conceded that what Biah Carter didn't know about Mapleton was hardly worth knowing.
"Putty piece o' property, this 'ere farm," he said, surveying the scene around him with the air of a connoisseur. "None o' yer stun pastur land where the sheep can't get their noses down through the rocks without a file to sharpen 'em! Deacon Pitkin did a putty fair stroke o' business when he swapped off his old place for this 'ere. That are old place was all swamp land and stun pastur; wa'n't good for raisin' nothin' but juniper bushes and bull frogs. But I tell _yeu_" preceded Biah, with a shrewd wink, "that are mortgage pinches the deacon; works him like a dose of aloes and picry, it does. Deacon fairly gets lean on't."
"Why," said Abner Jenks, a stolid plow boy to whom this stream of remark was addressed; "this 'ere place ain't mortgaged, is it? Du tell, naow!"
"Why, yis; don't ye know that are? Why there's risin' two thousand dollars due on this 'ere farm, and if the deacon don't scratch for it and pay up squar to the minit, old Squire Norcross'll foreclose on him. Old squire hain't no bowels, I tell yeu, and the deacon knows he hain't: and I tell you it keeps the deacon dancin' lively as corn on a hot shovel."
"The deacon's a master hand to work," said Abner; "so's the boys."
"Wai, yis, the deacon is," said Biah, turning contemplatively to the farmhouse; "there ain't a crittur in that are house that there ain't the most work got out of 'em that ken be, down to Jed and Sam, the little uns. They work like tigers, every soul of 'em, from four o'clock in she morning' as long as they can see, and Mis' Pitkin she works all the evening--woman's work ain't never done, they say."
"She's a good woman, Mis' Pitkin is," said Abner, "and she's a smart worker."
In this phrase Abner solemnly expressed his highest ideal of a human being.
"Smart ain't no word for 't," said Biah, with alertness. "Declar for 't, the grit o' that are woman beats me. Had eight children right along in a string 'thout stoppin', done all her own work, never kep' no gal nor nothin'; allers up and dressed; allers to meetin' Sunday, and to the prayer-meetin' weekly, and never stops workin': when 'tan't one thing it's another--cookin', washin', ironin', making butter and cheese, and 'tween spells cuttin' and sewin', and if she ain't doin' that, why, she's braidin' straw to sell to the store
