The Conformist. City life scenes in four acts. Maxim Titovets

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The Conformist. City life scenes in four acts - Maxim Titovets

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style="font-size:15px;">      Veselov. Aglaya, I’m glad to see you. Come in, please.

      Aglaya. Hi! I won’t be long. I dropped in my office. Somebody’s lost a phone, it’s out of charge. I found it near your door. (Shows the phone).

      Veselov. That’s Mitya’s, I’ll give it to him when he comes back.

      Aglaya. I saw him and Katya downstairs, they told me you were here. Why were they in such hurry?

      Veselov. I don’t know. Would you like a drink?

      Aglaya. No, thank you. I’m driving. I’d like a tea, though.

      Veselov. And you, Nikolay?

      Orlov. I think I’ve had enough today. I’ll go home. I was glad to see you. Bye, Aglaya. Sasha, I’ll phone you.

      Aglaya. Bye.

      Veselov. (Pouring her tea) Keep in touch!

      Aglaya. I’ve known him for so long and I’ve never been able to get rid of the feeling that he’s constantly concealing something.

      Veselov. Never mind. To each their own.

      Aglaya. Inna and Mitya split up. It seems, this time for good.

      Veselov. I know. When he came Mitya was very depressed, but he tried not to show it. Victoria Pavlovna will be disappointed.

      Aglaya. We’ve gone a bit too far with the senior Gromov, got stuck to our own interests. The children have made their choices.

      Veselov. Time is the best judge.

      Aglaya. You know, Sasha, Orlov isn’t as simple as he tries to seem.

      Veselov. What do you mean?

      Aglaya. Mother was interested in buying some more venues for the restoration workshop in the new office building on the site of the former flour mill in the centre. I did some research. (Nods at the file)

      One of the owners of the spot where the building is situated is Nikolay Orlov’s company. He also controls four organizations which regularly get state agreements for reparation and maintenance of buildings and premises of the education ministry. So, Nikolay seems to be using his family’s administrative forces to develop his own business.

      Veselov. One should expect this, considering who his mother is. From each as he can, to each as he wants, so to say. That’s modern socialism at its most typical.

      Aglaya. Yes, I agree, it’s not new. Every household earns as they can. But why does he put on such acts, refusing the job in diplomacy, truly neglecting his mother’s connections in the government and her money… A real nihilist! I feel he leads a double-game. It’s his business anyway.

      Veselov. Can he be involved in the recent prosecutor’s investigation at the library?

      Aglaya. That’s unlikely. Our lawyer says the thread leads to Moscow – that’s for sure. We’ve already activated the necessary people. Now this issue is solved.

      Veselov. What do you recommend me to do in the future?

      Aglaya. Take it under your control. You and mother should be alert in any law and financial issues when doing business with the city administration, new contracting parties and especially with the monitoring organizations. If they are gunning for us from there, this is where they’ll fight from.

      But you know, Sasha, this is not why I came. There’s one more important question that I’d like to discuss with you.

      She is interrupted by a phone ringing. Veselov picks up the phone.

      Veselov. Yes… I’m in… He left not long ago. (He pauses) Nikolay Orlov has been killed!!!

      Curtain falls.

      ACT 2

      Scene 4

      General Gromov’s countryhouse. It’s Monday, early morning. Leonid Fyodorovich and his wife are in the living room.

      Gromov. Where could he be?

      Lilia Vasilievna. Take your medicine, Lyonya. (She hands him some pills and a glass of water).

      Gromov. My heart’s clenched. (Drinks) Dial him again.

      Lilia Vasilievna. (Calls on her mobile) His phone’s turned off.

      Gromov. Bastard! I’ll strangle him with my own hands!

      Lilia Vasilievna. Will you stop your tantrum, sir?

      Gromov. I’m sorry, darling. My nerves are frayed. Oh, Mitya, my Mitya…

      Lilia Vasilievna. Could he get hold of a gun anywhere?

      Gromov. Surganov says the shot was made from a gun. Now they’re conducting a ballistics test and taking data from the CCTV. My honorary weapon is in the safe, I’ve checked it. But it’s not a problem to find a piece in the city.

      Lilia Vasilievna. Mitya couldn’t have done it. They’ve been friends with Nikolay since the third school year. They went to a language camp in London together. You know this well.

      Gromov. Did you speak to Olga Vladimirovna?

      Lilia Vasilievna. Yes, she’s shocked. She was on a business trip, but she came back at once and she’s now with him in the hospital.

      Gromov. And this should happen right before the governor elections! I’ve been contacted by the central executive party committee. Take my car and go see her right now. Talk to her. I think Olga understands how serious this is. Nobody needs this fuss. We’ll deal with the media. Don’t give any comments or interviews. I’ll go to my office and make a few calls.

      Gromov and Lilia Vasilievna leave.

      Mitya and Katya come in. Both are cheerful.

      Mitya. Mum, Dad, I’m home!

      Katya. Don’t shout.

      Mitya. Are they asleep? It’s still Monday morning and we haven’t slept a wink! We’ll wake them up. (He pulls Katya to him and kisses her)

      Katya. You’re crazy! (She tries to release herself, laughing)

      Mitya. I’m as hungry as a hawk.

      Katya.

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