The Life of Walt Whitman in His Own Words . Walt Whitman

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The Life of Walt Whitman in His Own Words  - Walt Whitman

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sings from a willow-tree just outside my open bedroom window, twenty yards distant; every clear night for a fortnight past has sooth'd me to sleep. I rode through a piece of woods for a hundred rods the other evening, and heard the katydids by myriads—very curious for once; but I like better my single neighbor on the tree. Let me say more about the song of the locust, even to repetition; a long, chromatic, tremulous crescendo, like a brass disk whirling round and round, emitting wave after wave of notes, beginning with a certain moderate beat or measure, rapidly increasing in speed and emphasis, reaching a point of great energy and significance, and then quickly and gracefully dropping down and out. Not the melody of the singing-bird—far from it; the common musician might think without melody, but surely having to the finer ear a harmony of its own; monotonous—but what a swing there is in that brassy drone, round and round, cymballine—or like the whirling of brass quoits.

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      Sept. 1.—I should not take either the biggest or the most picturesque tree to illustrate it. Here is one of my favorites now before me, a fine yellow poplar, quite straight, perhaps 90 feet high, and four thick at the butt. How strong, vital, enduring! how dumbly eloquent! What suggestions of imperturbability and being, as against the human trait of mere seeming. Then the qualities, almost emotional, palpably artistic, heroic, of a tree; so innocent and harmless, yet so savage. It is, yet says nothing. How it rebukes by its tough and equable serenity all weathers, this gusty-temper'd little whiffet, man, that runs indoors at a mite of rain or snow. Science (or rather half-way science) scoffs at reminiscence of dryad and hamadryad, and of trees speaking. But, if they don't, they do as well as most speaking, writing, poetry, sermons—or rather they do a great deal better. I should say indeed that those old dryad-reminiscences are quite as true as any, and profounder than most reminiscences we get. ("Cut this out," as the quack mediciners say, and keep by you.) Go and sit in a grove or woods, with one or more of those voiceless companions, and read the foregoing, and think.

      One lesson from affiliating a tree—perhaps the greatest moral lesson anyhow from earth, rocks, animals, is that same lesson of inherency, of what is, without the least regard to what the looker-on (the critic) supposes or says, or whether he likes or dislikes. What worse—what more general malady pervades each and all of us, our literature, education, attitude toward each other, (even toward ourselves,) than a morbid trouble about seems, (generally temporarily seems too,) and no trouble at all, or hardly any, about the sane, slow-growing, perennial, real parts of character, books, friendship, marriage—humanity's invisible foundations and hold-together? (As the all-basis, the nerve, the great-sympathetic, the plenum within humanity, giving stamp to everything, is necessarily invisible.)

      Aug. 4, 6 P.M.—Lights and shades and rare effects on tree-foliage and grass—transparent greens, grays, &c., all in sunset pomp and dazzle. The clear beams are now thrown in many new places, on the quilted, seam'd, bronze-drab, lower tree-trunks, shadow'd except at this hour—now flooding their young and old columnar ruggedness with strong light, unfolding to my sense new amazing features of silent, shaggy charm, the solid bark, the expression of harmless impassiveness, with many a bulge and gnarl unreck'd before. In the revealings of such light, such exceptional hour, such mood, one does not wonder at the old story fables, (indeed, why fables?) of people falling into love-sickness with trees, seiz'd extatic with the mystic realism of the resistless silent strength in them—strength, which after all is perhaps the last, completest, highest beauty.

      Trees I am familiar with here.

      Oaks, (many kinds—one sturdy Willows.

       old fellow, vital, green, bushy, Catalpas.

       five feet thick at the butt, I sit Persimmons.

       under every day,) Mountain-ash.

       Cedars plenty. Hickories.

       Tulip trees, (Liriodendron,) is of Maples, many kinds. the magnolia family—I have Locusts. seen it in Michigan and southern Birches. Illinois, 140 feet high and Dogwood. 8 feet thick at the butt; does Pine. not transplant well; best rais'd the Elm. from seeds—(the lumbermen Chesnut. call it yellow poplar.) Linden. Sycamores. Aspen. Gum trees, both sweet and sour. Spruce. Beeches. Hornbeam. Black-walnuts. Laurel. Sassafras. Holly.

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      Sept. 20.—Under an old black oak, glossy and green, exhaling aroma—amid a grove the Albic druids might have chosen—envelop'd in the warmth and light of the noonday sun, and swarms10 of flitting insects—with the harsh cawing of many crows a hundred rods away—here I sit in solitude, absorbing, enjoying all. The corn, stack'd in its cone-shaped stacks, russet-color'd and sere—a large field spotted thick with scarlet-gold pumpkins—an adjoining one of cabbages, showing well in their green and pearl, mottled by much light and shade—melon patches, with their bulging ovals, and great silver-streak'd, ruffled, broad-edged leaves—and many an autumn sight and sound beside—the distant scream of a flock of guinea-hens—and pour'd over all the September breeze, with pensive cadence through the tree tops.

      Another Day.—The ground in all directions strew'd with débris from a storm. Timber creek, as I slowly pace its banks, has ebb'd low, and shows reaction from the turbulent swell of the late equinoctial. As I look around, I take account of stock—weeds and shrubs, knolls, paths, occasional stumps, some with smooth'd tops, (several I use as seats of rest, from place to place, and from one I am now jotting these lines,)—frequent wild-flowers, little white, star-shaped things, or the cardinal red of the lobelia, or the cherry-ball seeds of the perennial rose, or the many-threaded vines winding up and around trunks of trees.

      Oct. 1, 2 and 3.—Down every day in the solitude of the creek. A serene autumn sun and westerly breeze to-day (3d) as I sit here, the water surface prettily moving in wind-ripples before me. On a stout old beech at the edge, decayed and slanting, almost fallen to the stream, yet with life and leaves in its mossy limbs, a gray squirrel, exploring, runs up and down, flirts his tail, leaps to the ground, sits on his haunches upright as he sees me, (a Darwinian hint?) and then races up the tree again.

      Oct. 4.—Cloudy and coolish; signs of incipient winter. Yet pleasant here, the leaves thick-falling, the ground brown with them already; rich coloring, yellows of all hues, pale and dark-green, shades from lightest to richest red—all set in and toned down by the prevailing brown of the earth and gray of the sky. So, winter is coming; and I yet in my sickness. I sit here amid all these fair sights and vital influences, and abandon myself to that thought, with its wandering trains of speculation.

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      Oct. 20.—A clear, crispy day—dry and breezy air, full of oxygen. Out of the sane, silent, beauteous miracles that envelope and fuse me—trees, water, grass, sunlight, and early frost—the one I am looking at most to-day is the sky. It has that delicate, transparent blue, peculiar to autumn, and the only clouds are little or larger white ones, giving their still and spiritual motion to the great concave. All through the earlier day (say from 7 to 11) it keeps a pure, yet vivid blue. But as noon approaches the color gets lighter, quite gray for two or three hours—then still paler for a spell, till sun-down—which last I watch dazzling through the interstices of a knoll

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