Essential Novelists - Victor Hugo. Victor Hugo

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purchasers,” said the ingenious editor. The general opinion was that M. Charles Loyson would be the genius of the century; envy was beginning to gnaw at him—a sign of glory; and this verse was composed on him:—

      “Even when Loyson steals, one feels that he has paws.”

      As Cardinal Fesch refused to resign, M. de Pins, Archbishop of Amasie, administered the diocese of Lyons. The quarrel over the valley of Dappes was begun between Switzerland and France by a memoir from Captain, afterwards General Dufour. Saint-Simon, ignored, was erecting his sublime dream. There was a celebrated Fourier at the Academy of Science, whom posterity has forgotten; and in some garret an obscure Fourier, whom the future will recall. Lord Byron was beginning to make his mark; a note to a poem by Millevoye introduced him to France in these terms: a certain Lord Baron. David d’Angers was trying to work in marble. The Abbé Caron was speaking, in terms of praise, to a private gathering of seminarists in the blind alley of Feuillantines, of an unknown priest, named Félicité-Robert, who, at a latter date, became Lamennais. A thing which smoked and clattered on the Seine with the noise of a swimming dog went and came beneath the windows of the Tuileries, from the Pont Royal to the Pont Louis XV.; it was a piece of mechanism which was not good for much; a sort of plaything, the idle dream of a dream-ridden inventor; an utopia—a steamboat. The Parisians stared indifferently at this useless thing. M. de Vaublanc, the reformer of the Institute by a coup d‘état, the distinguished author of numerous academicians, ordinances, and batches of members, after having created them, could not succeed in becoming one himself. The Faubourg Saint-Germain and the pavilion de Marsan wished to have M. Delaveau for prefect of police, on account of his piety. Dupuytren and Récamier entered into a quarrel in the amphitheatre of the School of Medicine, and threatened each other with their fists on the subject of the divinity of Jesus Christ. Cuvier, with one eye on Genesis and the other on nature, tried to please bigoted reaction by reconciling fossils with texts and by making mastodons flatter Moses.

      M. François de Neufchâteau, the praiseworthy cultivator of the memory of Parmentier, made a thousand efforts to have pomme de terre [potato] pronounced parmentière, and succeeded therein not at all. The Abbé Grégoire, ex-bishop, ex-conventionary, ex-senator, had passed, in the royalist polemics, to the state of “Infamous Grégoire.” The locution of which we have made use—passed to the state of—has been condemned as a neologism by M. Royer Collard. Under the third arch of the Pont de Jéna, the new stone with which, the two years previously, the mining aperture made by Blücher to blow up the bridge had been stopped up, was still recognizable on account of its whiteness. Justice summoned to its bar a man who, on seeing the Comte d’Artois enter Notre Dame, had said aloud: “Sapristi! I regret the time when I saw Bonaparte and Talma enter the Bel Sauvage, arm in arm.” A seditious utterance. Six months in prison. Traitors showed themselves unbuttoned; men who had gone over to the enemy on the eve of battle made no secret of their recompense, and strutted immodestly in the light of day, in the cynicism of riches and dignities; deserters from Ligny and Quatre-Bras, in the brazenness of their well-paid turpitude, exhibited their devotion to the monarchy in the most barefaced manner.

      This is what floats up confusedly, pell-mell, for the year 1817, and is now forgotten. History neglects nearly all these particulars, and cannot do otherwise; the infinity would overwhelm it. Nevertheless, these details, which are wrongly called trivial,—there are no trivial facts in humanity, nor little leaves in vegetation,—are useful. It is of the physiognomy of the years that the physiognomy of the centuries is composed. In this year of 1817 four young Parisians arranged “a fine farce.”

      Chapter II

      A Double Quartette

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      THESE PARISIANS CAME, one from Toulouse, another from Limoges, the third from Cahors, and the fourth from Montauban; but they were students; and when one says student, one says Parisian: to study in Paris is to be born in Paris.

      These young men were insignificant; every one has seen such faces; four specimens of humanity taken at random; neither good nor bad, neither wise nor ignorant, neither geniuses nor fools; handsome, with that charming April which is called twenty years. They were four Oscars; for, at that epoch, Arthurs did not yet exist. Burn for him the perfumes of Araby! exclaimed romance. Oscar advances. Oscar, I shall behold him! People had just emerged from Ossian; elegance was Scandinavian and Caledonian; the pure English style was only to prevail later, and the first of the Arthurs, Wellington, had but just won the battle of Waterloo.

      These Oscars bore the names, one of Félix Tholomyès, of Toulouse; the second, Listolier, of Cahors; the next, Fameuil, of Limoges; the last, Blachevelle, of Montauban. Naturally, each of them had his mistress. Blachevelle loved Favourite, so named because she had been in England; Listolier adored Dahlia, who had taken for her nickname the name of a flower; Fameuil idolized Zéphine, an abridgment of Joséphine; Tholomyès had Fantine, called the Blonde, because of her beautiful, sunny hair.

      Favourite, Dahlia, Zéphine, and Fantine were four ravishing young women, perfumed and radiant, still a little like working-women, and not yet entirely divorced from their needles; somewhat disturbed by intrigues, but still retaining on their faces something of the serenity of toil, and in their souls that flower of honesty which survives the first fall in woman. One of the four was called the young, because she was the youngest of them, and one was called the old; the old one was twenty-three. Not to conceal anything, the three first were more experienced, more heedless, and more emancipated into the tumult of life than Fantine the Blonde, who was still in her first illusions.

      Dahlia, Zéphine, and especially Favourite, could not have said as much. There had already been more than one episode in their romance, though hardly begun; and the lover who had borne the name of Adolph in the first chapter had turned out to be Alphonse in the second, and Gustave in the third. Poverty and coquetry are two fatal counsellors; one scolds and the other flatters, and the beautiful daughters of the people have both of them whispering in their ear, each on its own side. These badly guarded souls listen. Hence the falls which they accomplish, and the stones which are thrown at them. They are overwhelmed with splendor of all that is immaculate and inaccessible. Alas! what if the Jungfrau were hungry?

      Favourite having been in England, was admired by Dahlia and Zéphine. She had had an establishment of her own very early in life. Her father was an old unmarried professor of mathematics, a brutal man and a braggart, who went out to give lessons in spite of his age. This professor, when he was a young man, had one day seen a chambermaid’s gown catch on a fender; he had fallen in love in consequence of this accident. The result had been Favourite. She met her father from time to time, and he bowed to her. One morning an old woman with the air of a devotee, had entered her apartments, and had said to her, “You do not know me, Mamemoiselle?” “No.” “I am your mother.” Then the old woman opened the sideboard, and ate and drank, had a mattress which she owned brought in, and installed herself. This cross and pious old mother never spoke to Favourite, remained hours without uttering a word, breakfasted, dined, and supped for four, and went down to the porter’s quarters for company, where she spoke ill of her daughter.

      It was having rosy nails that were too pretty which had drawn Dahlia to Listolier, to others perhaps, to idleness. How could she make such nails work? She who wishes to remain virtuous must not have pity on her hands. As for Zéphine, she had conquered Fameuil by her roguish and caressing little way of saying “Yes, sir.”

      The young men were comrades; the young girls were friends. Such loves are always accompanied by such friendships.

      Goodness and philosophy are two distinct things; the proof of this is that, after making all due allowances for these little irregular households, Favourite, Zéphine, and Dahlia were philosophical young women, while Fantine was a good girl.

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