under torture, but he himself had managed to escape at a high cost. The experience had been particularly terrible, and he could not talk about it just then. He must rest—and anyway, it would do no good to give an alarm and try to find and punish the Indians. They were not of a sort that could be caught or punished, and it was especially important for the good of Binger—for the good of the world—that they be not pursued into their secret lair. As a matter of fact, they were not altogether what one could call real Indians—he would explain about that later. Meanwhile he must rest. Better not to rouse the village with the news of his return—he would go upstairs and sleep. Before he climbed the rickety flight to his room he took a pad and pencil from the living-room table, and an automatic pistol from his father’s desk drawer.
Three hours later the shot rang out. Ed Clay had put a bullet neatly through his temples with a pistol clutched in his left hand, leaving a sparsely written sheet of paper on the rickety table near his bed. He had, it later appeared from the whittled pencil-stub and stove full of charred paper, originally written much more; but had finally decided not to tell what he knew beyond vague hints. The surviving fragment was only a mad warning scrawled in a curiously backhanded script—the ravings of a mind obviously deranged by hardships—and it read thus; rather surprisingly for the utterance of one who had always been stolid and matter-of-fact:
For gods sake never go nere that mound it is part of some kind of a world so devilish and old it cannot be spoke about me and Walker went and was took into the thing just melted at times and made up agen and the whole world outside is helpless alongside of what they can do—they what live forever young as they like and you cant tell if they are really men or just gostes—and what they do cant be spoke about and this is only 1 entrance—you cant tell how big the whole thing is—after what we seen I dont want to live aney more France was nothing besides this—and see that people always keep away o god they wood if they see poor walker like he was in the end.
Yrs truely Ed Clay
At the autopsy it was found that all of young Clay’s organs were transposed from right to left within his body, as if he had been turned inside out. Whether they had always been so, no one could say at the time, but it was later learned from army records that Ed had been perfectly normal when mustered out of the service in May, 1919. Whether there was a mistake somewhere, or whether some unprecedented metamorphosis had indeed occurred, is still an unsettled question, as is also the origin of the hieroglyph-like scar on the forehead.
That was the end of the explorations of the mound. In the eight intervening years no one had been near the place, and few indeed had even cared to level a spy glass at it. From time to time people continued to glance nervously at the lone hill as it rose starkly from the plain against the western sky, and to shudder at the small dark speck that paraded by day and the glimmering will-o’-the-wisp that danced by night. The thing was accepted at face value as a mystery not to be probed, and by common consent the village shunned the subject. It was, after all, quite easy to avoid the hill; for space was unlimited in every direction, and community life always follows beaten trails. The mound side of the village was simply kept trailless, as if it had been water or swampland or desert. And it is a curious commentary on the stolidity and imaginative sterility of the human animal that the whispers with which children and strangers were warned away from the mound quickly sank once more into the flat tale of a murderous Indian ghost and his squaw victim. Only the tribesmen on the reservation, and thoughtful old-timers like Grandma Compton, remembered the overtones of unholy vistas and deep cosmic menace which clustered around the ravings of those who had come back changed and shattered.
It was very late, and Grandma Compton had long since gone upstairs to bed, when Clyde finished telling me this. I hardly knew what to think of the frightful puzzle, yet rebelled at any notion to conflict with sane materialism. What influence had brought madness, or the impulse of flight and wandering, to so many who had visited the mound? Though vastly impressed, I was spurred on rather than deterred. Surely I must get to the bottom of this matter, as well I might if I kept a cool head and an unbroken determination. Compton saw my mood and shook his head worriedly. Then he motioned me to follow him outdoors.
We stepped from the frame house to the quiet side street or lane, and walked a few paces in the light of a waning August moon to where the houses were thinner. The half-moon was still low, and had not blotted many stars from the sky; so that I could see not only the weltering gleams of Altair and Vega, but the mystic shimmering of the Milky Way, as I looked out over the vast expanse of earth and sky in the direction that Compton pointed. Then all at once I saw a spark that was not a star—a bluish spark that moved and glimmered against the Milky Way near the horizon, and that seemed in a vague way more evil and malevolent than anything in the vault above. In another moment it was clear that this spark came from the top of a long distant rise in the outspread and faintly litten plain; and I turned to Compton with a question.
“Yes,” he answered, “it’s the blue ghost-light—and that is the mound. There’s not a night in history that we haven’t seen it—and not a living soul in Binger that would walk out over that plain toward it. It’s a bad business, young man, and if you’re wise you’ll let it rest where it is. Better call your search off, son, and tackle some of the other Injun legends around here. We’ve plenty to keep you busy, heaven knows!”
Part II
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BUT I WAS IN NO MOOD for advice; and though Compton gave me a pleasant room, I could not sleep a wink through eagerness for the next morning with its chances to see the daytime ghost and to question the Indians at the reservation. I meant to go about the whole thing slowly and thoroughly, equipping myself with all available data both white and red before I commenced any actual archaeological investigations. I rose and dressed at dawn, and when I heard others stirring I went downstairs. Compton was building the kitchen fire while his mother was busy in the pantry. When he saw me he nodded, and after a moment invited me out into the glamorous young sunlight. I knew where we were going, and as we walked along the lane I strained my eyes westward over the plains.
There was the mound—far away and very curious in its aspect of artificial regularity. It must have been from thirty to forty feet high, and all of a hundred yards from north to south as I looked at it. It was not as wide as that from east to west, Compton said, but had the contour of a rather thinnish ellipse. He, I knew, had been safely out to it and back several times. As I looked at the rim silhouetted against the deep blue of the west I tried to follow its minor irregularities, and became impressed with a sense of something moving upon it. My pulse mounted a bit feverishly, and I seized quickly on the high-powered binoculars which Compton had quietly offered me. Focussing them hastily, I saw at first only a tangle of underbrush on the distant mound’s rim—and then something stalked into the field.
It was unmistakably a human shape, and I knew at once that I was seeing the daytime “Indian ghost”. I did not wonder at the description, for surely the tall, lean, darkly robed being with the filleted black hair and seamed, coppery, expressionless, aquiline face looked more like an Indian than anything else in my previous experience. And yet my trained ethnologist’s eye told me at once that this was no redskin of any sort hitherto known to history, but a creature of vast racial variation and of a wholly different culture-stream. Modern Indians are brachycephalic—round-headed—and you can’t find any dolichocephalic or long-headed skulls except in ancient Pueblo deposits dating back 2500 years or more; yet this man’s long-headedness was so pronounced that I recognised it at once, even at his vast distance and in the uncertain field of the binoculars. I saw, too, that the pattern of his robe represented a decorative tradition utterly remote from anything we recognise in southwestern native art. There were shining metal trappings, likewise, and a short sword or kindred weapon at his side, all wrought in a fashion wholly alien to anything I had ever heard of.
As
