n. That which discloses to the wise and disguises from the foolish their lack of understanding.
EFFECT, n. The second of two phenomena which always occur together in the same order. The first, called a Cause, is said to generate the other—which is no more sensible than it would be for one who has never seen a dog except in the pursuit of a rabbit to declare the rabbit the cause of a dog.
EGOTIST, n. A person of low taste, more interested in himself than in me.
Megaceph, chosen to serve the State
In the halls of legislative debate,
One day with all his credentials came
To the capitol's door and announced his name.
The doorkeeper looked, with a comical twist
Of the face, at the eminent egotist,
And said: "Go away, for we settle here
All manner of questions, knotty and queer,
And we cannot have, when the speaker demands
To be told how every member stands,
A man who to all things under the sky
Assents by eternally voting 'I'."
EJECTION, n. An approved remedy for the disease of garrulity. It is also much used in cases of extreme poverty.
ELECTOR, n. One who enjoys the sacred privilege of voting for the man of another man's choice.
ELECTRICITY, n. The power that causes all natural phenomena not known to be caused by something else. It is the same thing as lightning, and its famous attempt to strike Dr. Franklin is one of the most picturesque incidents in that great and good man's career. The memory of Dr. Franklin is justly held in great reverence, particularly in France, where a waxen effigy of him was recently on exhibition, bearing the following touching account of his life and services to science:
"Monsieur Franqulin, inventor of electricity. This
illustrious savant, after having made several voyages around the
world, died on the Sandwich Islands and was devoured by savages,
of whom not a single fragment was ever recovered."
Electricity seems destined to play a most important part in the
arts and industries. The question of its economical application to
some purposes is still unsettled, but experiment has already proved
that it will propel a street car better than a gas jet and give more
light than a horse.
ELEGY, n. A composition in verse, in which, without employing any of the methods of humor, the writer aims to produce in the reader's mind the dampest kind of dejection. The most famous English example begins somewhat like this:
The cur foretells the knell of parting day;
The loafing herd winds slowly o'er the lea;
The wise man homeward plods; I only stay
To fiddle-faddle in a minor key.
ELOQUENCE, n. The art of orally persuading fools that white is the color that it appears to be. It includes the gift of making any color appear white.
ELYSIUM, n. An imaginary delightful country which the ancients foolishly believed to be inhabited by the spirits of the good. This ridiculous and mischievous fable was swept off the face of the earth by the early Christians—may their souls be happy in Heaven!
EMANCIPATION, n. A bondman's change from the tyranny of another to the despotism of himself.
He was a slave: at word he went and came;
His iron collar cut him to the bone.
Then Liberty erased his owner's name,
Tightened the rivets and inscribed his own.
G.J.
EMBALM, v.i. To cheat vegetation by locking up the gases upon which it feeds. By embalming their dead and thereby deranging the natural balance between animal and vegetable life, the Egyptians made their once fertile and populous country barren and incapable of supporting more than a meagre crew. The modern metallic burial casket is a step in the same direction, and many a dead man who ought now to be ornamenting his neighbor's lawn as a tree, or enriching his table as a bunch of radishes, is doomed to a long inutility. We shall get him after awhile if we are spared, but in the meantime the violet and rose are languishing for a nibble at his glutoeus maximus.
EMOTION, n. A prostrating disease caused by a determination of the heart to the head. It is sometimes accompanied by a copious discharge of hydrated chloride of sodium from the eyes.
ENCOMIAST, n. A special (but not particular) kind of liar.
END, n. The position farthest removed on either hand from the Interlocutor.
The man was perishing apace
Who played the tambourine;
The seal of death was on his face—
'Twas pallid, for 'twas clean.
"This is the end," the sick man said
In faint and failing tones.
A moment later he was dead,
And Tambourine was Bones.
Tinley Roquot
ENOUGH, pro. All there is in the world if you like it.
Enough is as good as a feast—for that matter
Enougher's as good as a feast for the platter.
Arbely C. Strunk
ENTERTAINMENT, n. Any kind of amusement whose inroads stop short of death by injection.
ENTHUSIASM, n. A distemper of youth, curable by small doses of repentance in connection with outward applications of experience. Byron, who recovered long enough to call it "entuzy-muzy," had a relapse, which carried him off—to Missolonghi.
ENVELOPE, n. The coffin of a document; the scabbard of a bill; the husk of a remittance; the bed-gown of a love-letter.
ENVY, n. Emulation adapted to the meanest capacity.
EPAULET, n. An ornamented badge, serving to distinguish a military officer from the enemy—that is to say, from the officer of lower rank to whom his death would give promotion.
EPICURE, n. An opponent of Epicurus, an abstemious philosopher who, holding that pleasure should be the chief aim of man, wasted
