LOGIC, n. The art of thinking and reasoning in strict accordance with the limitations and incapacities of the human misunderstanding. The basic of logic is the syllogism, consisting of a major and a minor premise and a conclusion—thus:
Major Premise: Sixty men can do a piece of work sixty times as quickly as one man.
Minor Premise: One man can dig a posthole in sixty seconds; therefore—
Conclusion: Sixty men can dig a posthole in one second.
This may be called the syllogism arithmetical, in which, by combining logic and mathematics, we obtain a double certainty and are twice blessed.
LOGOMACHY, n. A war in which the weapons are words and the wounds punctures in the swim-bladder of self-esteem—a kind of contest in which, the vanquished being unconscious of defeat, the victor is denied the reward of success.
'Tis said by divers of the scholar-men
That poor Salmasius died of Milton's pen.
Alas! we cannot know if this is true,
For reading Milton's wit we perish too.
LONGANIMITY, n. The disposition to endure injury with meek forbearance while maturing a plan of revenge.
LONGEVITY, n. Uncommon extension of the fear of death.
LOOKING-GLASS, n. A vitreous plane upon which to display a fleeting show for man's disillusion given.
The King of Manchuria had a magic looking-glass, whereon whoso looked saw, not his own image, but only that of the king. A certain courtier who had long enjoyed the king's favor and was thereby enriched beyond any other subject of the realm, said to the king: "Give me, I pray, thy wonderful mirror, so that when absent out of thine august presence I may yet do homage before thy visible shadow, prostrating myself night and morning in the glory of thy benign countenance, as which nothing has so divine splendor, O Noonday Sun of the Universe!"
Please with the speech, the king commanded that the mirror be conveyed to the courtier's palace; but after, having gone thither without apprisal, he found it in an apartment where was naught but idle lumber. And the mirror was dimmed with dust and overlaced with cobwebs. This so angered him that he fisted it hard, shattering the glass, and was sorely hurt. Enraged all the more by this mischance, he commanded that the ungrateful courtier be thrown into prison, and that the glass be repaired and taken back to his own palace; and this was done. But when the king looked again on the mirror he saw not his image as before, but only the figure of a crowned ass, having a bloody bandage on one of its hinder hooves—as the artificers and all who had looked upon it had before discerned but feared to report. Taught wisdom and charity, the king restored his courtier to liberty, had the mirror set into the back of the throne and reigned many years with justice and humility; and one day when he fell asleep in death while on the throne, the whole court saw in the mirror the luminous figure of an angel, which remains to this day.
LOQUACITY, n. A disorder which renders the sufferer unable to curb his tongue when you wish to talk.
LORD, n. In American society, an English tourist above the state of a costermonger, as, lord 'Aberdasher, Lord Hartisan and so forth. The traveling Briton of lesser degree is addressed as "Sir," as, Sir 'Arry Donkiboi, or 'Amstead 'Eath. The word "Lord" is sometimes used, also, as a title of the Supreme Being; but this is thought to be rather flattery than true reverence.
Miss Sallie Ann Splurge, of her own accord,
Wedded a wandering English lord—
Wedded and took him to dwell with her "paw,"
A parent who throve by the practice of Draw.
Lord Cadde I don't hesitate to declare
Unworthy the father-in-legal care
Of that elderly sport, notwithstanding the truth
That Cadde had renounced all the follies of youth;
For, sad to relate, he'd arrived at the stage
Of existence that's marked by the vices of age.
Among them, cupidity caused him to urge
Repeated demands on the pocket of Splurge,
Till, wrecked in his fortune, that gentleman saw
Inadequate aid in the practice of Draw,
And took, as a means of augmenting his pelf,
To the business of being a lord himself.
His neat-fitting garments he wilfully shed
And sacked himself strangely in checks instead;
Denuded his chin, but retained at each ear
A whisker that looked like a blasted career.
He painted his neck an incarnadine hue
Each morning and varnished it all that he knew.
The moony monocular set in his eye
Appeared to be scanning the Sweet Bye-and-Bye.
His head was enroofed with a billycock hat,
And his low-necked shoes were aduncous and flat.
In speech he eschewed his American ways,
Denying his nose to the use of his A's
And dulling their edge till the delicate sense
Of a babe at their temper could take no offence.
His H's—'twas most inexpressibly sweet,
The patter they made as they fell at his feet!
Re-outfitted thus, Mr. Splurge without fear
Began as Lord Splurge his recouping career.
Alas, the Divinity shaping his end
Entertained other views and decided to send
His lordship in horror, despair and dismay
From the land of the nobleman's natural prey.
For, smit with his Old World ways, Lady Cadde
Fell—suffering Caesar!—in love with her dad!
G.J.
LORE, n. Learning—particularly that sort which is not derived from a regular course of instruction but comes of the reading of occult books, or by nature. This latter is commonly designated as folk-lore and embraces popularly myths and superstitions. In Baring-Gould's Curious Myths of the Middle Ages the reader will find many of these traced backward, through various people on converging lines, toward a common origin in remote antiquity. Among these are the fables of "Teddy the Giant Killer," "The Sleeping John Sharp
