as you know, the half is more than the whole,"
"You shall give me a lecture on that subject very shortly, Philosopher. Adieu."
He went out to search for lodgings in the neighborhood. His mother, a widow in easy circumstances, seemed to have provided him with sufficient means to live for some time without work. At the pianist's door he paused, and read on the little porcelain plate: "Christiane Falk, music teacher." Within everything was still. He would gladly have found some pretext to ring and to make her acquaintance; however, none occurred to him, so he deferred it until a more favorable opportunity.
Balder had returned to his work again. He seemed in great haste to complete a dainty little box of olive-wood, which contained all sorts of implements for sewing.
In the meantime Edwin was dressing.
This was usually accomplished in the following manner: first he hung a small mirror, scarcely the width of his hand, on a nail in one of the book shelves, just under Kant's critique of pure reason and Fichte's religion of science, and then while passing a comb minus numerous teeth through his hair and beard, gazed less into the little glass than across at Balder. To-day, however, he did something more; he shortened the hair on his temples and chin with a pair of scissors, and moreover looked somewhat carefully to see whether it was cut evenly on both sides. "I find," said he, "that familiarity with the ballet has demoralized me. I am already beginning to be vain, and have discovered all sorts of defects in my honest face, with which I have hitherto been perfectly satisfied. We should have divided our good mother's beauty between us more equally. But perhaps after all, it is better that the inheritance has remained intact, rather than squandered upon two. Come, give your artistic opinion, my boy, has not the plantation been very much improved by mowing?"
"I should have spared the beard," said Balder. "It was very becoming to you."
"You don't understand, child. It has been much too long for some time, even for a philosopher, and although, as in the times of Julius Cæsar, no one must wander about on working days 'without some sign of his occupation,' it is now vacation with me and I want to go out to-day as an ordinary mortal, not as an object to startle women and children. Come, make up your mind to accompany me. We will take a droschky, stop at the confectioner's, where you must be treated to ice-cream to-day as I treated myself yesterday, and afterwards—"
"To-day, Edwin? To-day—excuse me—I don't feel exactly well—it will be better to choose some other time—"
He bent his glowing face over his work.
Just at this moment some one knocked, and the round, good-natured face of the owner of the house appeared in the doorway, for the little artist had insisted upon his going first. In the half jocose, half respectful manner, which he always adopted toward the brothers, he introduced Herr König to them as a cultivated artist, and the father of a daughter already highly educated, but who desired to pursue her education still further. Immediately upon entering, the little gentleman had become absorbed in looking at the copperplate engravings and busts, and, seemingly, had forgotten the cause of his visit. But when the shoemaker paused, and Edwin glanced smilingly at Balder, he recollected himself and modestly told his errand.
"My dear sir," replied Edwin, "I really feel very much honored, but I do not yet know whether I am the man you seek, for I am not a particularly good teacher, since I have not a particle of ambition to become a pedagogue. For a thorough teacher is indifferent to the calibre of his pupil's mind; the more idle, stupid, and destitute of talent the scholar, the more eager should the teacher be to make something out of him. I, on the contrary, still have too much to do for myself, to be able to help others who have not at least the ability to help themselves. I can indeed show the way, but the scholar must perform the work. And as for young ladies, with all due respect for your daughter, Herr König, how are these poor creatures, even if the roads are smoothed before them and the goal pointed out, to journey forward on their own feet, when from their earliest childhood, every natural, firm, and steady step has been prohibited as unwomanly! They trip and dance and glide and hover and soar, with variegated wings over the green meadows of youth, but when they at last reach the highway of sober life, they lean on a husband's arm, and expect to be supported and carried forward by him. Excuse this uncourteous language, I have experienced these things, and I do not see why I should not speak openly. However, as I am now at leisure, if you will venture to try me upon the recommendation of our landlord and foster father, I will make an attempt to ascertain whether you are not deceived in me."
He took his straw hat, and said in an undertone to Balder: "Don't wait meals for me again to-day, my boy, I may wander out somewhere into the green fields, after I have made the acquaintance of this king's daughter,[1] who is so eager for education."
He passed his hand gently over the youth's hair by way of parting, and accompanied the two men down stairs.
When he was alone in the hot street with the little artist, the latter said: "You have not far to go, Herr Doctor, I live on the Schiffbauerdamm, and we can walk in the shade all the way. But, that you may understand my daughter's peculiar course of education, allow me to tell you something of my domestic affairs. Your landlord has made you acquainted with my name. You have probably never heard it mentioned before. My pictures are not remarkable performances, and for several years past I have turned my attention more to wood engraving. A trade, Herr Doctor, takes root in a firmer soil than art, though it may not always be a soil so golden, and it becomes a father of a family, even if the family consists of but two persons—however, I have never wholly relinquished painting, adhering always to my own very modest style, which in art circles, has even earned me a nickname. Just as there is a cat-Raphael, and a velvet-and-hell Breughel, so I am called, owing to my predilection for introducing old fences into my landscapes, the zaun-könig.[2] Predilection?" he smiled as he continued, "that is not exactly the right word either. God knows I would rather paint beautiful woodlands, like Ruysdell, or clear, bright atmospheres like Claude Lorraine, if my talent were but sufficient. But I always succeed best in small, insignificant objects. So a bit of ground with stones, weeds, and brambles, a clod of earth on which mother nature has developed her productive powers as freely as if it were a world in itself, in short what we call a 'foreground,' has always given me so much to do—especially as I am somewhat near-sighted—that I have never arrived at real landscapes. Well, everybody must cut his garment according to his cloth. And when we reflect aright, do not God's power and glory make themselves manifest in just as wonderful a guise behind a low hedge or a garden fence, as in the romance of the primeval forest, or the surpassing grandeur of the Swiss Alps? So what I do, I do because I cannot help it; in short I work for my own edification, and try to represent a small portion, a little corner or bit of creation, with so much care and love, that in looking upon my work people may see that, even this despised spot, God's breath has touched."
Edwin had given but partial attention to these remarks, which would usually have interested him far more deeply. His thoughts were wandering in vague, distant realms. But in order to say something, he remarked: "And do you find purchasers for your pictures?"
The little gentleman smiled, in a half-embarrassed, half-conscious manner.
"Well," said he, "I can't complain. I always dispose of at least every fourth or fifth picture; for, is it not strange! now-a-days everybody must have his specialty; a work may be ever so worthless, but it will possess some value, because its producer has had the courage not to flinch or retreat from the path he has appointed for himself even if the critics assail him with their deadly weapons. Yes, yes, it is indeed surprizing to me, myself, but patrons of the fine arts have come hither from Holland and from England, who wanted a real zaun-könig and nothing better. So it is, that in the great economy of our creator, every creature finds its appointed place, the mite as well as the elephant.
"But I was going to
