Leah!" cried the little artist, darting forward into the house. "Where are you?"
The young girl was just coming out of the studio, in the same plain brown dress she had worn the day before. Her black eyes greeted Edwin with a quiet, almost wondering glance.
"I hear, Fräulein," he said in a jesting tone, "that you have lost a wager on my account. You thought I would not come again, and as people usually believe what they desire—"
She gazed at him with a look, that entreated him to spare her embarrassment.
"It's true," she said blushing, "and I'm very much frightened to think that I must confess to some one how ignorant and bewildered I am. I was so anxious last night, that I could scarcely sleep."
"Than we must relieve you as quickly as possible," he answered smiling. "I will make any wager that you will sleep admirably to-night."
"Do you also know what is the forfeit of our bet?" cried the artist merrily rubbing his hands: "the loser was to paint you something, you may rejoice that you will have a picture by Leah, instead of one of my wretched daubs. You see virtue is its own reward."
They had entered the studio, which to-day seemed far more neatly arranged. Instead of the desk with its painting apparatus, a table containing only writing materials and a portfolio, stood at Leah's window. But there was a fresh bouquet of flowers on the sill, tall dahlias and asters whose bright colors mingled as if they wished to conceal the dull grey of the bare wall outside.
"We thought you would be more undisturbed here, than in the sitting room on the other side of the entry. Well; and so the hedge-sparrow is turned out of his nest by his unfilial off-spring!" said the old man, gently stroking the young girl's cheek. "My dear Herr Doctor, believe me: one may fare badly with spoiled children, but the real tyrants are the good, well behaved ones. It's a worse slavery than that of the most henpecked husband. Well, adieu, child, and be industrious; meantime I will make some studies from the back of the house near the stable as I have long intended. It's just the right light."
He kissed her on the forehead and left the teacher alone with his pupil.
When at the end of an hour he returned, he heard Edwin's deep, musical voice, and would gladly have listened a moment to learn the subject under discussion, but such a course was repugnant to his delicacy, and besides he hoped to hear how the lesson had passed off from the young girl herself.
Edwin rose as the little man entered. "Have I remained too long?" he asked. "I hope Fräulein Leah will bear witness that I have not tired her."
Leah said nothing. She was standing before the little table like a person just roused from a dream. The portfolio was unopened, the pen had not been dipped into the ink.
Edwin asked whether he could not see the sketches. "No, no," replied the little artist, "they are only for myself. And to-day in particular I have worked with my eyes, rather than my hand. I will only tell you," he added, smiling mysteriously; "that I am attempting something which will probably exceed my powers. I have long been anxious to make a picture of our lagune. You cannot imagine what charms of coloring the old muddy, dirty canal often displays, of course in a favorable light. I have also been experimenting with a little foreground I shall need, nay which will form the principal part of the picture, for I shall not succeed very well with the water. A week ago one of the wood piles was removed, which has stood for years directly in my way, since it obstructed the best view of the wall and quay. And see, that has revealed a fence, before which the prettiest weeds grow so luxuriantly, that I shall have scarcely any alteration to make. If I succeed, it will be my best picture, and may perhaps mark a new era in my development."
He rubbed his hands contentedly and went up to his daughter. "I hope, child, you have not become such a learned woman, that you forgot to offer the Herr Doctor any refreshment. You really have forgotten? Then I will do so at once—we have a bottle of excellent port wine in the house—a present from our good friend, the professor's widow. By the way, dear Doctor, I wanted to ask you something: you must do me the favor to pay her a visit. We are so much indebted to her for Leah's education—she was really a little piqued because I engaged a teacher for the child without first introducing him to her. The best woman in the world, and in many respects, that is in church history and the positive divinity, exceptionally well educated. You will not regret taking the short walk—she lives in Louisenstrasse—if I accompany you—"
"With pleasure, dear Herr König," replied Edwin. "But let me make the acquaintance of the giver before I taste her gift. Fräulein Leah has learned to-day, that a Greek philosopher believed that the earth rose from the water, so for to-day I will take only a glass of water. Next time we will see whether there is truth in wine."
Leah brought the glass of water, but was so silent, that her father before going away, asked anxiously if she were ill. "I never felt better," she replied with a radiant glance from her beautiful, calm eyes.
Shaking his head, the little man went out, accompanied by Edwin, who took leave of his pupil with a cordial pressure of the hand.
"My dear Herr Doctor," said he when they were in the open air, "is it not strange that a father cannot understand his own child? Certainly every human being is a fresh marvel from the hand of God. This is not like our other experiences, which are only a copy of our own natures and enlighten us in regard to ourselves, our strength or weakness. Only the great masters can have a similar feeling, when from the breath of divine art something new appears, which resembles nothing in the world, and surprises the artist himself. I believe that Raphael, when his Sistine Madonna was completed, did not understand her much better than I do my daughter. Yes, yes, my dear friend, these are transcendent mysteries; we can only pray and thank God that we are considered worthy to experience them."
CHAPTER XII.
––––––––
The Frau Professorin Valentin lived in a pretty new house, and occupied large neat rooms, which however, to an artistic eye, with all their tidiness had a somewhat gloomy, cheerless air. She received Edwin in the largest and plainest of all; the little artist had not accompanied him upstairs, he wanted to deliver a few engraved blocks to the person who had ordered them. The stately, fair-haired woman must have been remarkably pretty in by-gone years, and even now, though considerably over forty, her bright eyes and white teeth possessed a youthful charm, especially when she laughed. She was sitting with five or six seamtresses among mountains of calico and linen, from which she was cutting children's dresses and underclothes. She received her visitor like an expected guest, and ushered him into a smaller apartment, her real home, as she called it, which was fitted up with a writing table, book cases, a flower stand, and all sorts of pretty trifles. Over the sofa hung the portrait of a hypochondriacal rascal looking man with grey hair, from whose wrinkled brow and compressed lips it was easy to perceive that the care of his digestion had been the principal occupation of his life.
"My late husband," said the lady, as if introducing Edwin and the picture to each other. "I have been a widow ten years, but you will find everything here just as it was in his life time, this room (she opened a door to allow Edwin to look in) was his study, and contains his whole library, though as he was a mathematician, I can read none of his books. But they were his pets and his pride, and I think that picture would fall from the wall if one should ever get into a stranger's hands. If I had my way, the sooner I got the horrible things out of the house the better I should like it. They cost me tears enough when he could use them."
"Tears?"
"Yes,
