fence against the cold, shadowy, unapplausive audience of his life, had he only given it a more substantial presence?
Neither of them felt it possible to speak again at present. To have reversed a previous arrangement and declined to go out would have been a show of persistent anger which Dorothea's conscience shrank from, seeing that she already began to feel herself guilty. However just her indignation might be, her ideal was not to claim justice, but to give tenderness. So when the carriage came to the door, she drove with Mr. Casaubon to the Vatican, walked with him through the stony avenue of inscriptions, and when she parted with him at the entrance to the Library, went on through the Museum out of mere listlessness as to what was around her. She had not spirit to turn round and say that she would drive anywhere. It was when Mr. Casaubon was quitting her that Naumann had first seen her, and he had entered the long gallery of sculpture at the same time with her; but here Naumann had to await Ladislaw with whom he was to settle a bet of champagne about an enigmatical mediaeval-looking figure there. After they had examined the figure, and had walked on finishing their dispute, they had parted, Ladislaw lingering behind while Naumann had gone into the Hall of Statues where he again saw Dorothea, and saw her in that brooding abstraction which made her pose remarkable. She did not really see the streak of sunlight on the floor more than she saw the statues: she was inwardly seeing the light of years to come in her own home and over the English fields and elms and hedge-bordered highroads; and feeling that the way in which they might be filled with joyful devotedness was not so clear to her as it had been. But in Dorothea's mind there was a current into which all thought and feeling were apt sooner or later to flow—the reaching forward of the whole consciousness towards the fullest truth, the least partial good. There was clearly something better than anger and despondency.
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CHAPTER XXI.
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"HIRE FACOUNDE EKE FULL womanly and plain,
No contrefeted termes had she
To semen wise."
—CHAUCER.
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IT WAS IN THAT WAY Dorothea came to be sobbing as soon as she was securely alone. But she was presently roused by a knock at the door, which made her hastily dry her eyes before saying, "Come in." Tantripp had brought a card, and said that there was a gentleman waiting in the lobby. The courier had told him that only Mrs. Casaubon was at home, but he said he was a relation of Mr. Casaubon's: would she see him?
"Yes," said Dorothea, without pause; "show him into the salon." Her chief impressions about young Ladislaw were that when she had seen him at Lowick she had been made aware of Mr. Casaubon's generosity towards him, and also that she had been interested in his own hesitation about his career. She was alive to anything that gave her an opportunity for active sympathy, and at this moment it seemed as if the visit had come to shake her out of her self-absorbed discontent—to remind her of her husband's goodness, and make her feel that she had now the right to be his helpmate in all kind deeds. She waited a minute or two, but when she passed into the next room there were just signs enough that she had been crying to make her open face look more youthful and appealing than usual. She met Ladislaw with that exquisite smile of good-will which is unmixed with vanity, and held out her hand to him. He was the elder by several years, but at that moment he looked much the younger, for his transparent complexion flushed suddenly, and he spoke with a shyness extremely unlike the ready indifference of his manner with his male companion, while Dorothea became all the calmer with a wondering desire to put him at ease.
"I was not aware that you and Mr. Casaubon were in Rome, until this morning, when I saw you in the Vatican Museum," he said. "I knew you at once—but—I mean, that I concluded Mr. Casaubon's address would be found at the Poste Restante, and I was anxious to pay my respects to him and you as early as possible."
"Pray sit down. He is not here now, but he will be glad to hear of you, I am sure," said Dorothea, seating herself unthinkingly between the fire and the light of the tall window, and pointing to a chair opposite, with the quietude of a benignant matron. The signs of girlish sorrow in her face were only the more striking. "Mr. Casaubon is much engaged; but you will leave your address—will you not?—and he will write to you."
"You are very good," said Ladislaw, beginning to lose his diffidence in the interest with which he was observing the signs of weeping which had altered her face. "My address is on my card. But if you will allow me I will call again to-morrow at an hour when Mr. Casaubon is likely to be at home."
"He goes to read in the Library of the Vatican every day, and you can hardly see him except by an appointment. Especially now. We are about to leave Rome, and he is very busy. He is usually away almost from breakfast till dinner. But I am sure he will wish you to dine with us."
Will Ladislaw was struck mute for a few moments. He had never been fond of Mr. Casaubon, and if it had not been for the sense of obligation, would have laughed at him as a Bat of erudition. But the idea of this dried-up pedant, this elaborator of small explanations about as important as the surplus stock of false antiquities kept in a vendor's back chamber, having first got this adorable young creature to marry him, and then passing his honeymoon away from her, groping after his mouldy futilities (Will was given to hyperbole)—this sudden picture stirred him with a sort of comic disgust: he was divided between the impulse to laugh aloud and the equally unseasonable impulse to burst into scornful invective.
For an instant he felt that the struggle was causing a queer contortion of his mobile features, but with a good effort he resolved it into nothing more offensive than a merry smile.
Dorothea wondered; but the smile was irresistible, and shone back from her face too. Will Ladislaw's smile was delightful, unless you were angry with him beforehand: it was a gush of inward light illuminating the transparent skin as well as the eyes, and playing about every curve and line as if some Ariel were touching them with a new charm, and banishing forever the traces of moodiness. The reflection of that smile could not but have a little merriment in it too, even under dark eyelashes still moist, as Dorothea said inquiringly, "Something amuses you?"
"Yes," said Will, quick in finding resources. "I am thinking of the sort of figure I cut the first time I saw you, when you annihilated my poor sketch with your criticism."
"My criticism?" said Dorothea, wondering still more. "Surely not. I always feel particularly ignorant about painting."
"I suspected you of knowing so much, that you knew how to say just what was most cutting. You said—I dare say you don't remember it as I do—that the relation of my sketch to nature was quite hidden from you. At least, you implied that." Will could laugh now as well as smile.
"That was really my ignorance," said Dorothea, admiring Will's good-humor. "I must have said so only because I never could see any beauty in the pictures which my uncle told me all judges thought very fine. And I have gone about with just the same ignorance in Rome. There are comparatively few paintings that I can really enjoy. At first when I enter a room where the walls are covered with frescos, or with rare pictures, I feel a kind of awe—like a child present at great ceremonies where there are grand robes and processions; I feel myself in the presence of some higher life than my own. But when I begin to examine the pictures one
