Essential Novelists - Émile Zola. August Nemo

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and made for the crumbly rock a screen of scaffolding, behind which one could see the plates of schist glimmering with mica, and the coarse masses of dull, rough sandstone. Trains of tubs, full or empty, continually passed, crossing each other with their thunder, borne into the shadow by vague beasts trotting by like phantoms. On the double way of a shunting line a long, black serpent slept, a train at standstill, with a snorting horse, whose crupper looked like a block fallen from the roof. Doors for ventilation were slowly opening and shutting. And as they advanced the gallery became more narrow and lower, and the roof irregular, forcing them to bend their backs constantly.

      Étienne struck his head hard; without his leather cap he would have broken his skull. However, he attentively followed the slightest gestures of Maheu, whose sombre profile was seen against the glimmer of the lamps. None of the workmen knocked themselves; they evidently knew each boss, each knot of wood or swelling in the rock. The young man also suffered from the slippery soil, which became damper and damper. At times he went through actual puddles, only revealed by the muddy splash of his feet. But what especially astonished him were the sudden changes of temperature. At the bottom of the shaft it was very chilly, and in the wagon-gallery, through which all the air of the mine passed, an icy breeze was blowing, with the violence of a tempest, between the narrow walls. Afterwards, as they penetrated more deeply along other passages which only received a meagre share of air, the wind fell and the heat increased, a suffocating heat as heavy as lead.

      Maheu had not again opened his mouth. He turned down another gallery to the right, simply saying to Étienne, without looking round:

      "The Guillaume seam."

      It was the seam which contained their cutting. At the first step, Étienne hurt his head and elbows. The sloping roof descended so low that, for twenty or thirty metres at a time, he had to walk bent double. The water came up to his ankles. After two hundred metres of this, he saw Levaque, Zacharie, and Catherine disappear, as though they had flown through a narrow fissure which was open in front of him.

      "We must climb," said Maheu. "Fasten your lamp to a button-hole and hang on to the wood." He himself disappeared, and Étienne had to follow him. This chimney-passage left in the seam was reserved for miners, and led to all the secondary passages. It was about the thickness of the coal-bed, hardly sixty centimetres. Fortunately the young man was thin, for, as he was still awkward, he hoisted himself up with a useless expense of muscle, flattening his shoulders and hips, advancing by the strength of his wrists, clinging to the planks. Fifteen metres higher they came on the first secondary passage, but they had to continue, as the cutting of Maheu and his mates was in the sixth passage, in hell, as they said; every fifteen metres the passages were placed over each other in never-ending succession through this cleft, which scraped back and chest. Étienne groaned as if the weight of the rocks had pounded his limbs; with torn hands and bruised legs, he also suffered from lack of air, so that he seemed to feel the blood bursting through his skin. He vaguely saw in one passage two squatting beasts, a big one and a little one, pushing trams: they were Lydie and Mouquette already at work. And he had still to climb the height of two cuttings! He was blinded by sweat, and he despaired of catching up the others, whose agile limbs he heard brushing against the rock with a long gliding movement.

      "Cheer up! here we are!" said Catherine's voice.

      He had, in fact, arrived, and another voice cried from the bottom of the cutting:

      "Well, is this the way to treat people? I have two kilometres to walk from Montsou and I am here first." It was Chaval, a tall, lean, bony fellow of twenty-five, with strongly marked features, who was in a bad humour at having to wait. When he saw Étienne he asked, with contemptuous surprise:

      "What's that?"

      And when Maheu had told him the story he added between his teeth:

      "These men are eating the bread of girls."

      The two men exchanged a look, lighted up by one of those instinctive hatreds which suddenly flame up. Étienne had felt the insult without yet understanding it. There was silence, and they got to work. At last all the seams were gradually filled, and the cuttings were in movement at every level and at the end of every passage. The devouring shaft had swallowed its daily ration of men: nearly seven hundred hands, who were now at work in this giant ant-hill, everywhere making holes in the earth, drilling it like an old worm-eaten piece of wood. And in the middle of the heavy silence and crushing weight of the strata one could hear, by placing one's ear to the rock, the movement of these human insects at work, from the flight of the cable which moved the cage up and down, to the biting of the tools cutting out the coal at the end of the stalls. Étienne, on turning round, found himself again pressed close to Catherine. But this time he caught a glimpse of the developing curves of her breast: he suddenly understood the warmth which had penetrated him.

      "You are a girl, then!" he exclaimed, stupefied.

      She replied in her cheerful way, without blushing:

      "Of course. You've taken your time to find it out!"

      Chapter IV

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      THE FOUR PIKEMEN HAD spread themselves one above the other over the whole face of the cutting. Separated by planks, hooked on to retain the fallen coal, they each occupied about four metres of the seam, and this seam was so thin, scarcely more than fifty centimetres thick at this spot, that they seemed to be flattened between the roof and the wall, dragging themselves along by their knees and elbows, and unable to turn without crushing their shoulders. In order to attack the coal, they had to lie on their sides with their necks twisted and arms raised, brandishing, in a sloping direction, their short-handled picks.

      Below there was, first, Zacharie; Levaque and Chaval were on the stages above, and at the very top was Maheu. Each worked at the slaty bed, which he dug out with blows of the pick; then he made two vertical cuttings in the bed and detached the block by burying an iron wedge in its upper part. The coal was rich; the block broke and rolled in fragments along their bellies and thighs. When these fragments, retained by the plank, had collected round them, the pikemen disappeared, buried in the narrow cleft.

      Maheu suffered most. At the top the temperature rose to thirty-five degrees, and the air was stagnant, so that in the long run it became lethal. In order to see, he had been obliged to fix his lamp to a nail near his head, and this lamp, close to his skull, still further heated his blood. But his torment was especially aggravated by the moisture. The rock above him, a few centimetres from his face, streamed with water, which fell in large continuous rapid drops with a sort of obstinate rhythm, always at the same spot. It was vain for him to twist his head or bend back his neck. They fell on his face, dropping unceasingly. In a quarter of an hour he was soaked, and at the same time covered with sweat, smoking as with the hot steam of a laundry. This morning a drop beating upon his eye made him swear. He would not leave his picking, he dealt great strokes which shook him violently between the two rocks, like a fly caught between two leaves of a book and in danger of being completely flattened.

      Not a word was exchanged. They all hammered; one only heard these irregular blows, which seemed veiled and remote. The sounds had a sonorous hoarseness, without any echo in the dead air. And it seemed that the darkness was an unknown blackness, thickened by the floating coal dust, made heavy by the gas which weighed on the eyes. The wicks of the lamps beneath their caps of metallic tissue only showed as reddish points. One could distinguish nothing. The cutting opened out above like a large chimney, flat and oblique, in which the soot of ten years had amassed a profound night. Spectral figures were moving in it, the gleams of light enabled one to catch a glimpse of a rounded

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