rel="nofollow" href="#litres_trial_promo">5. Dividing the Photograph
6. Separating the Subject and Background
9. Choosing Vertical or Horizontal Formats
13. Centralization of Religious Symbols
16. Avoiding Center of Interest
17. Suggesting What is Not Apparent
18. Fore-, Middle, and Background
42. Reviewing Through Diagrams
47. Abstraction and Ambiguity of Space
Creativity in Photography
Closing Remarks: A Summary
About the Author
Photographic Watercolour & Bromoil Print Examples
How to Contact Klaus Bohn
Foreward
Picture yourself alone in a car driving down the highway. To the right is a large body of water, to the left are hills and telephone poles, in front is a car coming towards you and in back is nothing.
You have been over the same stretch of road on numerous occasions, but this time something is different. The trip seems more relaxing and far more interesting. Let’s take a second look!
It is the first day of summer. The radio is resounding a soothing tune. The sun is beating its hot rays down onto the lake. As they hit the water, the rays seem to bounce as though dancing from wave to wave, twinkling as they step. Ducks sit calmly while the waves carry them ever so gently through the flowing water.
The car ahead
