Pleasure Dome. Yusef Komunyakaa

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Pleasure Dome - Yusef Komunyakaa Wesleyan Poetry Series

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Why was he

      so cool, did the faces of his

      wife & children steady

      his voice? “I predict

      the denouement of the riddle

      of the Niger delta

      will soon come.” Did

      you feel dead grass quiver

      & birds stop singing?

      To cut the acid rage

      & put some sugar back

      on the lying tongue,

      I’ll say my wife’s name

      forever—the only song

      I’m willing to beat

      myself up a hill for,

      to die with in my mouth.

      When the last song

      was about to leave

      dust in the mouth,

      where termite-eaten

      masks gazed down

      in a broken repose, you

      unearthed a language

      ignited by horror

      & joy. A cassava

      seed trembled in a pellet

      of fossilized goat dung.

      The lifelines on my palms

      mapped buried footprints

      along forgotten paths

      into Lagos. The past

      & present balanced till

      the future formed a

      wishbone: Achebe,

      you helped me steal

      back myself. Although

      sometimes the right hand

      wrestles the left, you

      showed me there’s a time

      for plaintive reed flutes

      & another for machetes.

      I couldn’t help but see

      the church & guardtower

      on the same picturesque

      hill. Umuada & chi

      reclaimed my tongue

      quick as palm wine

      & kola nut, praisesongs

      made of scar tissue.

       —for Chinua Achebe

      If she didn’t sing the day

      here, a votive sky

      wouldn’t be at the foot

      of the trees. We’re in

      Rome at Teatro Sistina

      on Ella’s 40th birthday,

      & she’s in a cutting contest

      with all the one-night stands.

      “St. Louis Blues” pushes through

      flesh till Chick Webb’s here

      beside her. A shadow

      edges away from an eye,

      & the clear bell of each note

      echoes breath blown across

      some mouth-hole of wood

      & pumice. So many fingers

      on the keys. She knows

      not to ride the drums

      too close, following the bass

      down all the back alleys

      of a subterranean heart.

      The bird outside my window

      mimics her, working songbooks

      of Porter & Berlin into confetti

      & gracenotes. Some tangled laugh

      & cry, human & sparrow,

      scat through honey locust

      leaves, wounded by thorns.

       “May your spirit sleep in peace

       One grain of corn can fill the silo.”

      —the Samba of Tanzania

      You try to beat loneliness

      out of a drum,

      but cries only spring

      from your mouth.

      Synapse & memory—

      the day quivers like dancers

      with bells on their feet,

      weaving a path of songs

      to bring you back,

      to heal our future

      with the old voices

      we breathe. Sometimes

      our hands hang like weights

      anchoring us inside

      ourselves. You can go

      to Africa on a note

      transfigured into a tribe

      of silhouettes in a field

      of

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