The City of Musical Memory. Lise A. Waxer

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in Cali and Colombia

       2 Memory and Movement in the Record-Centered Dance Scene

       3 Life in the Vinyl Museum: Salsotecas and Record Collectors

       4 “Heaven’s Outpost”: The Rise of Cali’s Live Scene

       5 Taking Center Stage: The Boom of Local Bands

       6 “Cali Is Feria”: Salsa and Festival in Heaven’s Outpost

       7 Epilogue: Del Puente Pa’llá

       Appendix 1: Map of Hubs of Salsa and Música Antillana in Cali

       Appendix 2: Map of Socioeconomic Zones in Cali

       Appendix 3: Important International and National Bands Appearing at the Cali Feria, 1968–95

       Notes

       Glossary

       Bibliography

       Selected Discography

       Index

      Illustrations

Frontispiece	Colombia
Figure 1.1	Clave pattern
Figure 1.2	Habanera and anticipated bass patterns
Figure 1.3	Basic rhythmic patterns in Cuban son and salsa
Figure 1.4	Basic bomba rhythm
Figure 1.5	Basic plena rhythm
Figure 1.6	Cumbia and porro rhythmic patterns used for música tropical
Figure 1.7	Typical melodic cells in música tropical
Figure 1.8	Plaza Caicedo (c. 1925)
Figure 2.1	Evelio Carabalí and Esmeralda (early 1970s)
Figure 2.2	Comparison of pachanga and música tropical patterns
Figure 2.3	Caleño salsa dancer (1996)
Figure 2.4	Ballet de la Salsa (early 1970s)
Figure 2.5	Ballet de la Salsa (early 1970s)
Figure 2.6	Ballet de la Salsa (early 1970s)
Figure 2.7	Ballet de la Salsa (early 1970s)
Figure 3.1	Jaime Camargo’s templo de Babalú
Figure 3.2	La Barola, with owner Miguel Angel Saldarriaga and wife
Figure 3.3	Taberna Latina
Figure 3.4	Gary Domínguez
Figure 3.5	Pablo y su Música
Figure 4.1	Música Скачать книгу В начало < 1 2 3 4 5 6 > В конец e-mail: [email protected]