Why I Am a Salafi. Michael Muhammad Knight
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WHY I AM A SALAFI
Copyright © Michael Muhammad Knight 2015
All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be used or reproduced in any manner whatsoever without written permission from the publisher, except in the case of brief quotations embodied in critical articles and reviews.
Library of Congress Cataloging-in-Publication Data is available
Cover art by Rob Regis
Interior design by Megan Jones Design
SOFT SKULL PRESS
An imprint of COUNTERPOINT
2560 Ninth Street, Suite 318
Berkeley, CA 94710
Distributed by Publishers Group West
10 9 8 7 6 5 4 3 2 1
e-book ISBN 978-1-61902-631-5
Contents
1. Islam for the Post-Apocalypse
8. Journey to the end of Coherence: Manhaj of no Manhaj
9. Pilgrims of the Proto-Islamic
With love and peace to Azreal, pious predecessor
1948–2013
I WAS ON THE edge of the desert when the drugs wore off, good-bye Muslim Gonzo. After several hours of dimethyltryptamine-powered inward pilgrimage, the crazy was gone by sunrise. The Mother Wheel had beamed me up screaming, but the beaming back to Earth came slow and easy, leaving me in happy dumb peace. Eyad and I rolled up our sleeping bags, shared good-byes with the people who had provided the medicine, and drove off their land, back to Los Angeles.
The medicine was ayahuasca, a hallucinogenic tea from the Amazon that had found its way into white New Age scenes and spiritual therapy culture. Ayahuasca’s main ingredients consisted of a sacred vine that opened my body up to the dimethyltryptamine, and another plant that provided the dimethyltryptamine itself. Many Muslims would insist that drinking ayahuasca is not Islamically permissible, that its physical effects amount to either a state of prohibited intoxication or something like black magic. The concern from my sisters and brothers is reasonable: In ayahuasca world, the sublime devotions came with unspeakable transgressions that simultaneously denied and affirmed the words on All
Whether
It would have to come out sooner or later, because writing is my religion as much as anything. The full story went into Tripping with Allah, my Great American Muslim Drug Adventure. After the book came out, the American Journal of Islamic Social Sciences described my ayahuasca vision as a “frankly disturbing blending of erotic and religious imagery.”2 This pretty much fits.
Reclining the passenger seat all the way back, carried by Eyad’s machine back to civilization, I not only felt gratitude for what had transpired (whether it had been a genuine mystical penetration or just