thought he would never never them again. Suddenly he was aware of a stir all around. He looked up: Dolokhov was standing on the window sill, with a pale but radiant face.
"It's empty."
He threw the bottle to the Englishman, who caught it neatly. Dolokhov jumped down. He smelt strongly of rum.
"Well done!… Fine fellow!… There's a bet for you!… Devil take you!" came from different sides.
The Englishman took out his purse and began counting out the money. Dolokhov stood frowning and did not speak. Pierre jumped upon the window sill.
"Gentlemen, who wishes to bet with me? I'll do the same thing!" he suddenly cried. "Even without a bet, there! Tell them to bring me a bottle. I'll do it… . Bring a bottle!"
"Let him do it, let him do it," said Dolokhov, smiling.
"What next? Have you gone mad?… No one would let you!… Why, you go giddy even on a staircase," exclaimed several voices.
"I'll drink it! Let's have a bottle of rum!" shouted Pierre, banging the table with a determined and drunken gesture and preparing to climb out of the window.
They seized him by his arms; but he was so strong that everyone who touched him was sent flying.
"No, you'll never manage him that way," said Anatole. "Wait a bit and I'll get round him… . Listen! I'll take your bet tomorrow, but now we are all going to ——'s."
"Come on then," cried Pierre. "Come on!… And we'll take Bruin with us."
And he caught the bear, took it in his arms, lifted it from the ground, and began dancing round the room with it.
Chapter 10
Prince Vasili kept the promise he had given to Princess Drubetskaya who had spoken to him on behalf of her only son Boris on the evening of Anna Pavlovna's soiree. The matter was mentioned to the Emperor, an exception made, and Boris transferred into the regiment of Semenov Guards with the rank of cornet. He received, however, no appointment to Kutuzov's staff despite all Anna Mikhaylovna's endeavors and entreaties. Soon after Anna Pavlovna's reception Anna Mikhaylovna returned to Moscow and went straight to her rich relations, the Rostovs, with whom she stayed when in the town and where her darling Bory, who had only just entered a regiment of the line and was being at once transferred to the Guards as a cornet, had been educated from childhood and lived for years at a time. The Guards had already left Petersburg on the tenth of August, and her son, who had remained in Moscow for his equipment, was to join them on the march to Radzivilov.
It was St. Natalia's day and the name day of two of the Rostovs—the mother and the youngest daughter—both named Nataly. Ever since the morning, carriages with six horses had been coming and going continually, bringing visitors to the Countess Rostova's big house on the Povarskaya, so well known to all Moscow. The countess herself and her handsome eldest daughter were in the drawing-room with the visitors who came to congratulate, and who constantly succeeded one another in relays.
The countess was a woman of about forty-five, with a thin Oriental type of face, evidently worn out with childbearing—she had had twelve. A languor of motion and speech, resulting from weakness, gave her a distinguished air which inspired respect. Princess Anna Mikhaylovna Drubetskaya, who as a member of the household was also seated in the drawing room, helped to receive and entertain the visitors. The young people were in one of the inner rooms, not considering it necessary to take part in receiving the visitors. The count met the guests and saw them off, inviting them all to dinner.
"I am very, very grateful to you, mon cher," or "ma chere"—he called everyone without exception and without the slightest variation in his tone, "my dear," whether they were above or below him in rank—"I thank you for myself and for our two dear ones whose name day we are keeping. But mind you come to dinner or I shall be offended, ma chere! On behalf of the whole family I beg you to come, mon cher!" These words he repeated to everyone without exception or variation, and with the same expression on his full, cheerful, clean-shaven face, the same firm pressure of the hand and the same quick, repeated bows. As soon as he had seen a visitor off he returned to one of those who were still in the drawing room, drew a chair toward him or her, and jauntily spreading out his legs and putting his hands on his knees with the air of a man who enjoys life and knows how to live, he swayed to and fro with dignity, offered surmises about the weather, or touched on questions of health, sometimes in Russian and sometimes in very bad but self-confident French; then again, like a man weary but unflinching in the fulfillment of duty, he rose to see some visitors off and, stroking his scanty gray hairs over his bald patch, also asked them to dinner. Sometimes on his way back from the anteroom he would pass through the conservatory and pantry into the large marble dining hall, where tables were being set out for eighty people; and looking at the footmen, who were bringing in silver and china, moving tables, and unfolding damask table linen, he would call Dmitri Vasilevich, a man of good family and the manager of all his affairs, and while looking with pleasure at the enormous table would say: "Well, Dmitri, you'll see that things are all as they should be? That's right! The great thing is the serving, that's it." And with a complacent sigh he would return to the drawing room.
"Marya Lvovna Karagina and her daughter!" announced the countess' gigantic footman in his bass voice, entering the drawing room. The countess reflected a moment and took a pinch from a gold snuffbox with her husband's portrait on it.
"I'm quite worn out by these callers. However, I'll see her and no more. She is so affected. Ask her in," she said to the footman in a sad voice, as if saying: "Very well, finish me off."
A tall, stout, and proud-looking woman, with a round-faced smiling daughter, entered the drawing room, their dresses rustling.
"Dear Countess, what an age… She has been laid up, poor child… at the Razumovski's ball… and Countess Apraksina… I was so delighted… " came the sounds of animated feminine voices, interrupting one another and mingling with the rustling of dresses and the scraping of chairs. Then one of those conversations began which last out until, at the first pause, the guests rise with a rustle of dresses and say, "I am so delighted… Mamma's health… and Countess Apraksina… " and then, again rustling, pass into the anteroom, put on cloaks or mantles, and drive away. The conversation was on the chief topic of the day: the illness of the wealthy and celebrated beau of Catherine's day, Count Bezukhov, and about his illegitimate son Pierre, the one who had behaved so improperly at Anna Pavlovna's reception.
"I am so sorry for the poor count," said the visitor. "He is in such bad health, and now this vexation about his son is enough to kill him!"
"What is that?" asked the countess as if she did not know what the visitor alluded to, though she had already heard about the cause of Count Bezukhov's distress some fifteen times.
"That's what comes of a modern education," exclaimed the visitor. "It seems that while he was abroad this young man was allowed to do as he liked, now in Petersburg I hear he has been doing such terrible things that he has been expelled by the police."
"You don't say so!" replied the countess.
"He chose his friends badly," interposed Anna Mikhaylovna. "Prince Vasili's son, he, and a certain Dolokhov have, it is said, been up to heaven only knows what! And they have had to suffer for it. Dolokhov has been degraded to the ranks and Bezukhov's son sent back to Moscow. Anatole Kuragin's father managed somehow to get his son's affair hushed up, but even he was ordered out of Petersburg."
"But what have they been up to?" asked the countess.
"They
