The Complete Works of F. Scott Fitzgerald. Knowledge house

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The Complete Works of F. Scott Fitzgerald - Knowledge house

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love you,” he said.

      She kissed him again and then with a little sigh flung herself into an armchair and half lay there, shaken with absurd laughter.

      “Why, you infant prodigy!” she cried.

      “Very well, call me that if you want to. I once told you that I was ten thousand years older than you—I am.”

      She laughed again.

      “I don’t like to be disapproved of.”

      “No one’s ever going to disapprove of you again.”

      “Omar,” she asked, “why do you want to marry me?”

      The prodigy rose and put his hands in his pockets.

      “Because I love you, Marcia Meadow.”

      And then she stopped calling him Omar.

      “Dear boy,” she said, “you know I sort of love you. There’s something about you—I can’t tell what—that just puts my heart through the wringer every time I’m round you. But, honey—” She paused.

      “But what?”

      “But lots of things. But you’re only just eighteen, and I’m nearly twenty.”

      “Nonsense!” he interrupted. “Put it this way—that I’m in my nineteenth year and you’re nineteen. That makes us pretty close—without counting that other ten thousand years I mentioned.”

      Marcia laughed.

      “But there are some more ‘buts.’ Your people——”

      “My people!” exclaimed the prodigy ferociously. “My people tried to make a monstrosity out of me.” His face grew quite crimson at the enormity of what he was going to say. “My people can go way back and sit down!”

      “My heavens!” cried Marcia in alarm. “All that? On tacks, I suppose.”

      “Tacks—yes,” he agreed wildly—“on anything. The more I think of how they allowed me to become a little dried-up mummy——”

      “What makes you think you’re that?” asked Marcia quietly—“me?”

      “Yes. Every person I’ve met on the streets since I met you has made me jealous because they knew what love was before I did. I used to call it the ‘sex impulse.’ Heavens!”

      “There’s more ‘buts,’” said Marcia.

      “What are they?”

      “How could we live?”

      “I’ll make a living.”

      “You’re in college.”

      “Do you think I care anything about taking a Master of Arts degree?”

      “You want to be Master of Me, hey?”

      “Yes! What? I mean, no!”

      Marcia laughed, and crossing swiftly over sat in his lap. He put his arm round her wildly and implanted the vestige of a kiss somewhere near her neck.

      “There’s something white about you,” mused Marcia, “but it doesn’t sound very logical.”

      “Oh, don’t be so darned reasonable!”

      “I can’t help it,” said Marcia.

      “I hate these slot-machine people!”

      “But we——”

      “Oh, shut up!”

      And as Marcia couldn’t talk through her ears she had to.

      IV.

      Horace and Marcia were married early in February. The sensation in academic circles both at Yale and Princeton was tremendous. Horace Tarbox, who at fourteen had been played up in the Sunday magazines sections of metropolitan newspapers, was throwing over his career, his chance of being a world authority on American philosophy, by marrying a chorus girl—they made Marcia a chorus girl. But like all modern stories it was a four-and-a-half-day wonder.

      They took a flat in Harlem. After two weeks’ search, during which his idea of the value of academic knowledge faded unmercifully, Horace took a position as clerk with a South American export company—some one had told him that exporting was the coming thing. Marcia was to stay in her show for a few months—anyway until he got on his feet. He was getting a hundred and twenty-five to start with, and though of course they told him it was only a question of months until he would be earning double that, Marcia refused even to consider giving up the hundred and fifty a week that she was getting at the time.

      “We’ll call ourselves Head and Shoulders, dear,” she said softly, “and the shoulders’ll have to keep shaking a little longer until the old head gets started.”

      “I hate it,” he objected gloomily.

      “Well,” she replied emphatically, “your salary wouldn’t keep us in a tenement. Don’t think I want to be public—I don’t. I want to be yours. But I’d be a half-wit to sit in one room and count the sunflowers on the wall-paper while I waited for you. When you pull down three hundred a month I’ll quit.”

      And much as it hurt his pride, Horace had to admit that hers was the wiser course.

      March mellowed into April. May read a gorgeous riot act to the parks and waters of Manhattan, and they were very happy. Horace, who had no habits whatsoever—he had never had time to form any—proved the most adaptable of husbands, and as Marcia entirely lacked opinions on the subjects that engrossed him there were very few joltings and bumpings. Their minds moved in different spheres. Marcia acted as practical factotum, and Horace lived either in his old world of abstract ideas or in a sort of triumphantly earthy worship and adoration of his wife. She was a continual source of astonishment to him—the freshness and originality of her mind, her dynamic, clear-headed energy, and her unfailing good humor.

      And Marcia’s co-workers in the nine-o’clock show, whither she had transferred her talents, were impressed with her tremendous pride in her husband’s mental powers. Horace they knew only as a very slim, tight-lipped, and immature-looking young man, who waited every night to take her home.

      “Horace,” said Marcia one evening when she met him as usual at eleven, “you looked like a ghost standing there against the street lights. You losing weight?”

      He shook his head vaguely.

      “I don’t know. They raised me to a hundred and thirty-five dollars to-day, and——”

      “I don’t care,” said Marcia severely. “You’re killing yourself working at night. You read those big books on economy——”

      “Economics,” corrected Horace.

      “Well,

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