snakelike)—groups of all kinds, and Ross Wallenstein, the crowd, and up on the stand Bird Parker with solemn eyes who’d been busted fairly recently and had now returned to a kind of bop dead Frisco but had just discovered or been told about the Red Drum, the great new generation gang wailing and gathering there, so here he was on the stand, examining them with his eyes as he blew his now-settled-down-into-regulated-design “crazy” notes—the booming drums, the high ceiling—Adam for my sake dutifully cutting out at about 11 o’clock so he could go to bed and get to work in the morning, after a brief cutout with Paddy and myself for a quick ten-cent beer at roaring Pantera’s, where Paddy and I in our first talk and laughter together pulled wrists—now Mardou cut out with me, glee eyed, between sets, for quick beers, but at her insistence at the Mask instead where they were fifteen cents, but she had a few pennies herself and we went there and began earnestly talking and getting hightingled on the beer and now it was the beginning—returning to the Red Drum for sets, to hear Bird, whom I saw distinctly digging Mardou several times also myself directly into my eye looking to search if really I was that great writer I thought myself to be as if he knew my thoughts and ambitions or remembered me from other night clubs and other coasts, other Chicagos—not a challenging look but the king and founder of the bop generation at least the sound of it in digging his audience digging the eyes, the secret eyes him-watching, as he just pursed his lips and let great lungs and immortal fingers work, his eyes separate and interested and humane, the kindest jazz musician there could be while being and therefore naturally the greatest—watching Mardou and me in the infancy of our love and probably wondering why, or knowing it wouldn’t last, or seeing who it was would be hurt, as now, obviously, but not quite yet, it was Mardou whose eyes were shining in my direction, though I could not have known and now do not definitely know—except the one fact, on the way home, the session over the beer in the Mask drunk we went home on the Third Street bus sadly through night and throb knock neons and when I suddenly leaned over her to shout something further (in her secret self as later confessed) her heart leapt to smell the “sweetness of my breath” (quote) and suddenly she almost loved me—I not knowing this, as we found the Russian dark sad door of Heavenly Lane a great iron gate rasping on the sidewalk to the pull, the insides of smelling garbage cans sad-leaning together, fish heads, cats, and then the Lane itself, my first view of it (the long history and hugeness of it in my soul, as in 1951 cutting along with my sketchbook on a wild October evening when I was discovering my own writing soul at last I saw the subterranean Victor who’d come to Big Sur once on a motorcycle, was reputed to have gone to Alaska on same, with little subterranean chick Dorie Kiehl, there he was in striding Jesus coat heading north to Heavenly Lane to his pad and I followed him awhile, wondering about Heavenly Lane and all the long talks I’d been having for years with people like Mac Jones about the mystery, the silence of the subterraneans, “urban Thoreaus” Mac called them, as from Alfred Kazin in New York New School lectures back East commenting on all the students being interested in Whitman from a sexual revolution standpoint and in Thoreau from a contemplative mystic and antimaterialistic as if existentialist or whatever standpoint, the Pierre-of-Melville goof and wonder of it, the dark little beat burlap dresses, the stories you’d heard about great tenormen shooting junk by broken windows and starting at their horns, or great young poets with bears lying high in Rouault-like saintly obscurities, Heavenly Lane the famous Heavenly Lane where they’d all at one time or another the bat subterraneans lived, like Alfred and his little sickly wife something straight out of Dostoevsky’s Petersburg slums you’d think but really the American lost bearded idealistic—the whole thing in any case), seeing it for the first time, but with Mardou, the wash hung over the court, actually the back courtyard of a big 20-family tenement with bay windows, the wash hung out and in the afternoon the great symphony of Italian mothers, children, fathers BeFinneganing and yelling from stepladders, smells, cats mewing, Mexicans, the music from all the radios whether bolero of Mexican or Italian tenor of spaghetti eaters or loud suddenly turned-up KPFA symphonies of Vivaldi harpsichord intellectuals performances boom blam the tremendous sound of it which I then came to hear all the summer wrapt in the arms of my love—walking in there now, and going up the narrow musty stairs like in a hovel, and her door.
Plotting I demanded we dance—previously she’d been hungry so I’d suggested and we’d actually gone and bought egg foo young at Jackson and Kearny and now she heated this (later confession she’d hated it though it’s one of my favorite dishes and typical of my later behavior I was already forcing down her throat that which she in subterranean sorrow wanted to endure alone if at all ever), ah.—Dancing, I had put the light out, so, in the dark, dancing, I kissed her—it was giddy, whirling to the dance, the beginning, the usual beginning of lovers kissing standing up in a dark room the room being the woman’s the man all designs—ending up later in wild dances she on my lap or thigh as I danced her around bent back for balance and she around my neck her arms that came to warm. so much the me that then was only hot—
And soon enough I’d learn she had no belief and had had no place to get it from—Negro mother dead for birth of her—unknown Cherokee-halfbreed father a hobo who’d come throwing torn shoes across gray plains of fall in black sombrero and pink scarf squatting by hotdog fires casting Tokay empties into the night “Yaa Calexico!”
Quick to plunge, bite, put the light out, hide my face in shame, make love to her tremendously because of lack of love for a year almost and the need pushing me down—our little agreements in the dark, the really should-not-be-tolds—for it was she who later said “Men are so crazy, they want the essence, the woman is the essence, there it is right in their hands but they rush off erecting big abstract constructions.”—“You mean they should just stay home with the essence, that is lie under a tree all day with the woman but Mardou that’s an old idea of mine, a lovely idea, I never heard it better expressed and never dreamed.”—“Instead they rush off and have big wars and consider women as prizes instead of human beings, well man I may be in the middle of all this shit but I certainly don’t want any part of it” (in her sweet cultured hip tones of new generation).—And so having had the essence of her love now I erect big word constructions and thereby betray it really—telling tales of every gossip sheet the washline of the world—and hers, ours, in all the two months of our love (I thought) only once-washed as she being a lonely subterranean spent mooningdays and would go to the laundry with them but suddenly it’s dank late afternoon and too late and the sheets are gray, lovely to me—because soft.—But I cannot in this confession betray the innermosts, the thighs, what the thighs contain—and yet why write?—the thighs contain the essence—yet tho there I should stay and from there I came and’ll eventually return, still I have to rush off and construct construct—for nothing—for Baudelaire poems—
Never did she use the word love, even that first moment after our wild dance when I carried her still on my lap and hanging clear to the bed and slowly dumped her, suffered to find her, which she loved, and being unsexual in her entire life (except for the first 15-year-old conjugality which for some reason consummated her and never since) (0 the pain of telling these secrets which are so necessary to tell, or why write or live) now “casus in eventu est” but glad to have me losing my mind in the slight way egomaniacally I might on a few beers.—Lying then in the dark, soft, tentacled, waiting, till sleep—so in the morning I wake from the scream of beermares and see beside me the Negro woman with parted lips sleeping, and little bits of white pillow stuffing in her black hair, feel almost revulsion, realize what a beast I am for feeling anything near it, grape little sweet-body naked on the restless sheets of the nightbefore excitement, the noise in Heavenly Lane sneaking in through the gray window, a gray doomsday in August so I feel like leaving at once to get “back to my work” the chimera of not the chimera but the orderly advancing sense of work and duty which I had worked up and developed at home (in South City) humble as it is, the comforts there too, the solitude which I wanted and now can’t stand.—I got up and began to dress, apologize, she lay like a little mummy in the sheet and cast the serious brown eyes on me, like eyes of Indian watchfulness in a wood, like with the brown lashes suddenly rising with black lashes to reveal sudden fantastic whites of eye with the brown glittering iris center, the seriousness of her face accentuated by the slightly Mongoloid as if of a boxer nose and the cheeks puffed a little from sleep, like the face on a beautiful porphyry mask found long ago and
