Ripple. Jez Groom

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space with the study of human behaviour. Advertising creatives wouldn’t dream of executing an idea without good design, whether that idea was behaviourally informed or not. As such, this collision with visual design brought behavioural science to life more than academics ever could.

      Creativity thrives when isolated things come together and one of Ogilvy Change’s first landmark projects did just this. It was an innovative idea which coupled scientific insight with beautiful creative execution, at the nexus of behavioural science and design.

      It was the summer of 2011 and Jez was holidaying in Cyprus with his small children. He took a call from a friend in Manchester, who frantically asked him whether he was okay.

      “What do you mean?” replied Jez, startled out of his holiday bubble of ignorance.

      “Haven’t you seen what’s happening in London?” probed his friend.

      After switching on the TV he was soon up to speed with the rioting that was happening back home. People were smashing the windows in their streets, and looting everything from cigarettes to alcohol, TVs to trainers. One of Jez’s friends was a bouncer and later told him that he’d slept in his car clutching an iron bar, in order to safeguard one of his most valuable assets. It was a strange time for human behaviour.

      Shop shutters as canvases

      Elsewhere in London, someone at Ogilvy had a seemingly unrelated idea. Tara Austin, a passionate and intelligent Planner with the tenacity to take an idea to the limit, wondered why it was that security shop shutters were not used as an advertising medium? They would be ideal, she thought to herself, as a means to advertise fast-moving consumer goods – exactly the type of products which these small shops are selling.

      Fortuitously, Ogilvy Change’s very first intern, Dan Bennett, had been hired to divide his time between behavioural science and Ogilvy Labs, an innovation team. Dan was an enthusiastic, buoyant and exuberant addition to the team, who regularly found himself sitting in Tara’s department talking excitedly about behavioural science. By nature, people who work in creative communities tend to be curious and open to external influences, so Dan’s talk of behavioural science caught Tara’s imagination: rather than using shop shutters for commercial advertising, what if they could be used for social purpose?

      What if this caring response could be used to reduce antisocial behaviour? Rather than adding more police to the streets to reduce residual post-riot antisocial behaviour, why not try something counterintuitive? And so the idea for Babies of the Borough was conceived: spray paint babies’ faces onto shop shutters in an area affected by the 2011 London Riots, in an effort to reduce antisocial behaviour.

      The idea was brought to life in the summer of 2012. The London Borough of Greenwich had been badly affected by the riots during the previous year. In particular, the Greens End shops in Woolwich had been badly damaged by looters. Greenwich Council, having been approached with the idea, were not interested in a collaboration. An alternative route was suggested by Nicole Yershon, who headed up Ogilvy Labs: why not approach the shopkeepers themselves? After knocking on shop doors up and down Greens End, they won backing from the shopkeepers. Besides being curious, the shopkeepers were excited to find out whether taking a punt on this idea could transform their community.

      The canvases were ready, but what about the baby faces? In a moment of brilliance, Dan suggested recruiting local babies using Facebook. In general, proximal and specific social norms have a more powerful effect on influencing behaviour compared to vague or generic ones. The logic went, therefore, that murals of local babies’ faces might be a more powerful influence on behaviour than random babies.

      Using these local babies’ faces as a guide, four street mural artists created spray paint portraits on the shop shutters of Greens End. The next morning, five baby faces had been created and the locals’ positive reactions were captured on tape. These reactions, coupled with an explanation of the project by Tara, were turned into a short film. This captured the imagination of the BBC, who interviewed Tara and Nicole shortly afterwards. The campaign started to get worldwide traction and was picked up in 12 countries across three continents.

      Babies of the Borough was a creative exploration of how behavioural science could be innovatively used for social purpose and, as such, there was no experimental design. Despite the lack of hypotheses to test, it was still important to measure the impact. In addition to filming the locals’ reactions, the longitudinal impact on antisocial behaviour was tracked. One year after the campaign, antisocial behaviour had decreased by 24%, and declined further in the subsequent years. Five years after the campaign (2016), it was found that reported crimes in the area had reduced by 47.4% when compared with data from before the campaign (2011), with a 65.2% reduction in reported antisocial crimes specifically. Whilst it’s hard to isolate the effects of the babies on antisocial crime, the reduction for the local area (Greens End Road) was 23.7% greater than for the wider neighbourhood (Woolwich Riverside) over the same period, indicating that there was something unique to Greens End Road which reduced antisocial behaviour.

      Fig. 2.1: Reduction of anti-social crimes across two sites

      The Ogilvy team wanted to share their success with the rest of the world. As highlighted in the previous chapter, it was crucial to bring the story to life. Tasked with this was Emma de la Fosse, an Executive Creative Director at Ogilvy, who built a strong narrative around the idea with an emotive film. On the basis of this, Babies of the Borough won a Gold Cannes Lion in 2013; a testament to its success.

      Despite this recognition, the idea could have fallen flat if it weren’t for the drive and tenacity of a whole host of people. Tara joined the dots, conceived the idea and drove it forward. Jez sponsored the project from Ogilvy Change, lending credibility from a behavioural practice. Nicole backed the project with her budget and recruited street mural artists. Dan was responsible for planning and executing the project, and Emma crafted the story to be entered for awards. Along with countless others, this team had the combination of passion, energy and resilience to knock down the barriers which so often come between an idea and its realisation.

      Now, Babies of the Borough is firmly established in the evolution of nudge theory. It is taught in behavioural science modules in universities, presented at talks as an exemplar of applied behavioural science and claimed by a multitude as their own idea. And it would not have happened if it weren’t for a collision of two worlds, two distinct ideas and many open minds.

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