Atopia. Sandra Simonds

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Atopia - Sandra Simonds Wesleyan Poetry Series

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at activism.

      You’ve fallen deep into your addiction.

      Your despair spreads everywhere.

      None of this is your fault

      but it’s still happening.

      The failure is the fracture is the opening

      like that infection that started in your elbow

      and moved to the depths of your being.

      So maybe you should jump into it.

      You spend the night reading about a god

      cleaved in two so the dream demons come true.

      Capitalism is shrinking and the rich

      have gotten more violent. Capitalism could fail

      and win at the same time.

      Poet, this is called “crisis.”

      The swans and the trees and the birds are buzzing.

      They don’t care.

      They hum.

      Capitalism won.

      I went on a run.

      I am dumb I hum on my long run.

Image

      A series of demons dressed as birches

      tripping on the waterline of the riot.

      The leaves and birds of the riot.

      The twigs of the riot

      dispersed as demons disbanded

      to the center of the horned wreath.

      A quickening like dust or lost resources.

      Some red dirt cries for Ra.

      The resilient ones rise and fall

      as categories of storm light,

      as instruments of the godhead

      spoken in a spiked language.

      Crowds flee their emblems at dusk.

       Away with her

       Away with him

      In the morning you see someone

      stretching against the Gulf of Mexico.

      The graves are the faces of striated flowers.

      The musculature of the urban landscape

      ribbons like some vague concept of gasoline.

      In the morning, you are in love.

      The material and its shadows unify

      to doves. Everything you doubted falls softly

      into an aubade of rainwater collected

      by strange and singular animals

      that roam the toxic dump.

      You sing into a grave because it is there and apparent.

      Maybe it is a window or the wooden frame

      of time crisscrossing the seas.

      There are still purple ships and people still board them.

      You pick up a green comb

      and comb through your long, wicked hair.

      The coffee is good here. It is good here.

Image

      To scroll past the body of the dead baby,

      the baby that looks like a form of dust,

      the baby of the desert is the baby of the sea

      and the atrocities are piling up like hyperventilation.

      They will build cities for themselves

      and contain portraits of themselves

      in the gemstones of their terrible philosophies.

      They will be whimsical about genocide

      and the pride they will feel in this volition

      is like a brand of coffee or cereal

      (nothing more or less).

      I ran so far into the greenery that I saw

      the purple rose that once grew in the blood

      of the love garden, I saw the Jericho

      of my tombs disseminate like the neurotic

      spectacle of rainwater and then I vomited

      like the queasy tides of history not

      on our side and felt guilty and told no one.

Image

      The managerial class will punish us

      with their monotonous, grueling blue eyes.

      They will paw at our gates

      and the houses will split open

      as they go further in their quest

      to forge digits, hemorrhage data.

      Their constituents concentrate

      on numerals as if their codes

      were constructed by nuns.

      Their unfailing power turns on itself

      like love poems of pure possession,

      like troubadour fantasies they tie

      weights to your body and push you

      gently into the blood river.

      The factories in the background

      are only imagined. They pump

      and huff to transfix mimesis

      like the face transplants of memes.

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